Brahms Double Concerto

Brahms Double Concerto

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years." One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works," It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Jaksot(272)

Tchaikovsky Violin Concerto

Tchaikovsky Violin Concerto

In one of the most famous reviews in this history of Western Classical Music, Eduard Hanslick torched the Tchaikovsky Violin Concerto, saying that the violin was "beaten black and blue." This review wounded Tchaikovsky to his core, and he wasn't sure if his concerto would ever see the light of day again. Luckily for him, and for us, the piece continued to get performed, and it is now one of THE most beloved pieces in the whole repertoire. Today we'll talk through this extraordinary concerto - join us!

1 Loka 202048min

Bruckner Symphony No. 4

Bruckner Symphony No. 4

Bruckner's symphonies are a world unto their own. They are epic works that are also full of a trademark humility that is present in the work of no other composer. Bruckner's 4th Symphony, the "Romantic," has remained one of his most popular and beloved works. We'll talk through the "Bruckner Problem" that has plagued this symphony since it's premiere, but mostly we'll talk through this majestic symphony, from the solo Horn that begins it, to an ending that "rises in solemn quiet above all earthly desiring."

24 Syys 20201h 1min

Stravinsky Pulcinella

Stravinsky Pulcinella

In 1919, the impresario Sergei Diaghilev came up with the idea of having Stravinsky write a ballet inspired by 18th century music by composers like Pergolesi. The result, Pulcinella, began a transformation of Stravinsky's music. Stravinsky would later say: "Pulcinella was my discovery of the past, the epiphany through which the whole of my late work became possible." Today we'll talk through Pulcinella - a brilliant and funny piece that shows Stravinsky in a totally new light. Get ready for a fun ride!

17 Syys 202045min

The Music of William Grant Still

The Music of William Grant Still

William Grant Still was a man of firsts. He was the first African American to to conduct a major symphony orchestra in the United States. In 1931, his first symphony became the first complete symphony ever performed by a major orchestra, and until 1950, that symphony was the most performed American symphony by ANY composer. Still's music reflects a remarkable breadth of styles, structures, and orchestral colors, and it's a great pleasure to take you through some of his most emblematic works today.

3 Syys 202045min

Mozart Symphony No. 36, "Linz"

Mozart Symphony No. 36, "Linz"

In 1783, Mozart wrote a letter to his father. He wrote, in part: "On Tuesday, November 4th, I am doing a concert in the theatre here and, as I have not a single symphony with me, I am writing a new one at break-neck speed, which must be finished by that time." The date of that letter was October 31st. In 4 days, Mozart completed one of his most beloved symphonies, the "Linz." We'll talk all about this brilliant work and how Mozart was able to write such a coherent and beautiful piece in such a short time.

27 Elo 202043min

Caroline Shaw on Composing, Performing, and Letting Go

Caroline Shaw on Composing, Performing, and Letting Go

This week I had the huge honour to speak with the composer, vocalist, violinist, and producer Caroline Shaw about her music and her performing career. Caroline is one of the most exciting composers around these days, and it was a special thrill for me to try to get inside of her compositional head in this conversation. We talked about her meteoric rise as a composer, her beginnings as a musician, how it feels for her to have her work performed, and the fascinating connection between speech and song.

20 Elo 202047min

Goldberg Variations Mini-Episode + Announcement

Goldberg Variations Mini-Episode + Announcement

I'm sharing today's mini episode for two reasons - the first is that I wanted to show all of you who are not subscribed on Patreon what I put up there every week. Every Thursday, I do a sort of deep dive on a specific passage that I didn't have time to get to in the main show. Sometimes its a specific passage or orchestration that I particularly love, or sometimes it's looking at a specific movement, like today's episode on the 25th Variation of the Goldberg Variations. I really enjoy doing these episodes, as they really allow me to get right into the nuts and bolts of how a passage is put together. The second reason I'm sharing this episode today is that I need to make the announcement, the happy announcement, that I am very likely to be beginning to conduct again after a period of 5 months. In September the Lausanne Chamber Orchestra and I are planning a Beethoven Cycle where we play all 9 symphonies in 11 days, the perfect way to shake the rust off! But the partial resumption of my conducting schedule means that I will no longer have time to make two episodes a week. SO we're going to return to the pre-pandemic schedule of a new show every Thursday BUT I'm also going to continue making these mini-episodes, so if you would like to check those out, do check out the Patreon page at patreon.com/stickynotespodcast.

17 Elo 20209min

Bach, The Goldberg Variations

Bach, The Goldberg Variations

In 1741, Bach published a piece called "Aria with diverse variations." Little did he know that the piece would become one of the most beloved and nearly mythical works in all of Western Classical Music. The piece I'm talking about is now referred to exclusively as "The Goldberg Variations." Today we'll talk through these remarkable variations, and as a special bonus, I was joined by Jeremy Denk, Mahan Esfahani, Inon Barnatan, and Vivian Hornik Weilerstein for a virtual panel discussion about the Goldbergs.

13 Elo 202054min

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