Family Values With TYE TRUJILLO From SUICIDAL TENDECIES & OTTTO

Interview by Kris PetersDirty Pagans have been on a crusade to return airwaves to the meatier sounds of hard rock and heavy metal for the best part of ten years now. Self dubbed riff n roll, the Adelaide outfit focuses on massive guitar riffs, dirty grooves and unapologetically loud undertones, hitting with the force of a sonic sledgehammer before ramming the point home.Fresh from last year's national support run with Deep Purple's Glenn Hughes, Dirty Pagans are on the cusp of releasing their next slab of goodness in the form of Forever High, with vocalist Matty Dee joining HEAVY to take us through life with Dirty Pagans."We don't really try and stray away from what we love and what we want to sound like," Matty expressed of the musical direction on Forever High. "And that's the classic 70s kind of rock and roll heavy metal stuff. We pretty much tried to stay true to that and deliver that once again, so we're hoping that we've done that, and we'll let the fans decide if we have."Dirty Pagans road tested most of the new album in the live arena, with Matty smiling at the memory."We got kind of like thrown in the deep end on that one because we were doing it for Glenn Hughes," he laughed. "So if it wasn't going to be liked, it was not going to be liked by people who love Deep Purple and Glenn Hughes' music. And they're probably old enough not to really hold back their opinion (laughs). I think we were alright. We didn't have any negative reviews."In the full interview, Matty spoke more about Forever High and what to expect, the importance to Dirty Pagans of staying true to their roots, the tour with Glenn Hughes and how the band approached it, new drummer Gareth Briggs and what he brings to the band, their upcoming hometown album launch show and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Kesä 10min

Interview by Kris PetersMuch has changed in the Sinsaenum camp since the release of Repulsion for Humanity in 2018, with the loss of drummer Joey Jordison central to the personal tragedy, which was compounded by the loss of guitarist and founding member Frédéric Leclercq's father as well.It has been a tumultuous period for the band, who rightfully took their time with their third album, but the results have seen the extreme metal supergroup of sorts produce what is arguably their finest body of work to date with In Devastation, which will be unleashed on August 8.Joining Leclercq on this latest chapter are returning members Attila Csihar (Mayhem), Sean Zatorsky (Dååth), Stéphane Buriez (Loudblast), and Heimoth (Seth). Stepping in behind the kit is Andre Joyzi, formerly Jordison’s drum tech and a trusted member of the band’s touring family - chosen not only for his skills, but for the emotional connection he brings to continuing Jordison’s legacy.HEAVY spoke with Leclercq earlier today to find out more about the new album and the personal nature of the music."We've been working on the album for quite a while," he began. "The previous one, Repulsion for Humanity, came out in 2018, and a lot happened in the meantime, so it's been a while, but we released a single a few weeks ago, and it's good to see that the reaction has been good. Throughout the years like it seems like people didn't forget about us, so it's good."We asked Leclercq to dive deeper into In Devastation musically."I think the first album was a lot closer to death metal, like paying tribute to the genre," he measured. "The second album was angry and incorporated more elements of Pantera; a bit more groove and whatnot, and for this one I started writing a good portion of the music in 2019 and there was no there was no agenda in the sense that I just wanted to write music without saying it has to be like this or be like that. There was no limitations. The base would be death metal, but then add whatever I wanted to. Because, why not?"In the full interview, Frédéric highlighted In Devastation's emotional depth and some new sonic elements, including clean vocals and instruments such as sitar and cello, while maintaining its death metal roots.We discussed the emotional feelings of playing such personal songs live and the impactful nature of the music, why the album title track was released as the first single, new drummer Andre Joyzi and what he brings to Sinsaenum, the importance of welcoming someone that has had past experience and connection with the band, with Joyzi having been Joey Jordison's personal drum tech, touring plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Kesä 22min

Interview by Angela CroudaceAfter more than a decade, A Skylit Drive is set to return to Australian stages this November—and frontman Michael “Jag” Jagmin couldn’t be more excited. Speaking from the sweltering heat of Texas, Jagmin reflects on what he remembers from the band’s first trip Down Under and what fans can expect this time around.“It’s been so long, it almost feels like going back for the first time again,” Jagmin shares. While he admits the memories are a bit foggy, he recalls the tour as “gruelling but rewarding,” full of unforgettable shows, unique cities, and classic Aussie experiences like seeing kangaroos and cuddling koalas.Joining forces on tour with Scary Kids Scaring Kids, Jagmin looks forward to reconnecting with some familiar faces—and making new friends. While no on-stage collaborations are confirmed, fans can expect an energetic, wide-ranging set list that spans the band's entire catalogue. “Old fans, new fans—everyone’s going to hear something they love,” he promises.One song he still thinks deserves more attention? X Marks the Spot from Identity on Fire. “I thought it was going to be one of the biggest tracks on that album,” he says. Despite being overshadowed by hits like Too Little Too Late, it remains a personal favourite.When he’s not writing or performing, Jagmin finds joy in DIY home projects. “Ten years ago, I didn’t have a handy bone in my body,” he laughs. “Now I’m building things around the house and actually know what I’m doing.”He also opened up about vocal warmups and the evolution of his approach to singing. Once a stranger to technique, Jagmin now relies on modern tools like vocal nebulizers and straw exercises, crediting his vocal longevity to a deeper understanding of muscle control.As for new music? Jagmin confirms the band is working hard behind the scenes. “We’re putting a new face to the name,” he says.Whether it’s nostalgia, new material, or just a chance to see the post-hardcore icons back in action, A Skylit Drive’s return to Australia is one not to miss.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Kesä 20min

Interview by Kris PetersFrom the fractured depths of Australia’s extreme metal underground emerges Hebephrenique, a sonic entity conjured to annihilate the boundaries between chaos and control. Rooted in a volatile blend of death metal and blackened dissonance, Hebephrenique deliver auditory psychosis with surgical precision and unrelenting ferocity.Formed to embody the fractured psyche of the modern world, Hebephrenique channels themes of mental decay, institutional horror, and existential collapse through relentless blastbeats, jagged riffs, and unhinged vocal torment. Unapologetically raw yet technically calculated, Hebephrenique are not here to entertain—they're here to rupture minds. In 2023, they inflicted their debut EP Non Compos Mentis upon the masses, and with a debut album due in 2025, prepare for the sonic depravity.With Hebephrenique one of 30 bands at Necrosonic Festival 2025 playing over three stages at the Mansfield Tavern on August 23 - joining Portal, Bolzer, Abramelin, Beanflepper, Frankenbok, Alarum, Massic, DaysEnd and more - HEAVY caught up with frontman Chris to find out more."We're really, really excited," he beamed when we asked how the band are feeling about Necrosonic 2025. "We actually got asked to play last year, and unfortunately, just with scheduling, we couldn't make it happen, and luckily we got to do it this year. We're actually bringing in our debut album this time around with us, so we get to play some live songs that have never been played before, which is really exciting."In the full interview, Chris expressed excitement about the festival's strong line up and reflected on the previous year's success while emphasizing the importance of showcasing Australian talent. He acknowledged the efforts of Kent, the festival organizer, in coordinating the event with 30 bands. He also discussed Hebephrenique's musical style, which combines early Black Death Metal with themes of mental health, and highlighted the differences between their new album, set for release on August 23, and their 2023 EP Non Compos Mentis.We spoke about the band's brutal live shows and what to expect and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

13 Kesä 7min

Interview by Kris PetersTweed Heads rock outfit The Whiskeys are a time bomb waiting to go off.After a number of years honing their skills, mainly by playing a bunch of live shows, the double-edged sword of Benny Whiskey (guitar, vocals)and Josh Larkin (drums) are now in the final stages of getting ready to unleash their debut EP Old Soul Young Blood on the world.The EP cycle began in February 2024 when The Whiskeys premiered their very first single, Hoedown, through HEAVY, and after a highly promising start, it seemed as though the Metal Gods had claimed yet another victim when more than 12 months passed without a follow-up single.But there was much more happening behind the scenes than the band's lack of releasing more music implied.Instead of rushing things out and hoping for interest, The Whiskeys elected to play the long game, plugging away on the live circuit and fine-tuning their songs so that when they finally come out on June 20, they are given the best possible chance of invading the earholes of as many people as possible.After being privy to an advance listen, HEAVY can assure you the wait has been more than worth it, with Lankin joining us earlier this week for a chat about the past, present and future of The Whiskeys."We recorded this close to two years ago," he admitted, "and we've been sitting on it. We released one track already - Hoedown - which we're really happy with. We've got good feedback from that, and we're just ready to do the EP now. As life gets in the way and things happen and time just goes pretty fast, so we were like, we better drop this thing (laughs). We just made a decision, and the time is now, next Friday."We asked Larkin to dive into the musical nature of the EP."We wanted to pay homage to some old school vibe," he smiled. "Like a bit of old soul, young blood, which is the name of the EP. We wanted to hark back to the 70s and the 60s, Hendrix, Bob Dylan, and just all the vibe that just gives modern rock its soul. We just tried to dig deep into that and bring all our influences, which comes from the modern punk rock and hardcore era. Then we just threw it in a pot and served it up (laughs)."In the full interview, Josh shared insights into the creative process of The Whiskeys music, noting the blend of musical influences and the challenges of balancing genres while maintaining their unique sound.We reviewed the EP's tracks one at a time, highlighting the energetic Hoedown, the blues-influenced Places, and the catchy Break Away, with Josh affirming their goal of creating an engaging atmosphere. We discussed the intro and outro pieces and their intended effect, as well as upcoming shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

13 Kesä 15min

Interview by Kris PetersThe Funeral Portrait have always been true champions for the underdog; the outcasts of society who are struggling to find their identity or be accepted in a world that is often harsh and judgmental.Their musical world is one of acceptance and unequivocal belonging, with a flair for the theatrical and a need for unity.In little over a decade, The Funeral Portrait have steadily ploughed through the ranks, loudly going about their business with an air of defiant arrogance that only comes from a band who know they have something special.Since joining forces with Better Noise Music for last year's smash hit album Greetings From Suffocate City, The Funeral Portrait have become one of the most in-demand bands on the planet, touring with Ice Nine Kills, Five Finger Death Punch, Marilyn Manson and more to solidify their obvious potential. The campaign cycle for that album began long before its release, with attention to even the smallest details providing a solid platform from which the band launched their global assault.Greetings From Suffocate City expanded the group’s mythology to new heights and dimensions with invigorating, authentic, and passionate anthems. Songs like Alien, Voodoo Doll, You’re So Ugly When You Cry (featuring The Used’s Bert McCracken), and the title track (featuring Spencer Charnas of Ice Nine Kills) have forced the world to stand up and notice, culminating in the release on June 13 of GREETINGS FROM SUFFOCATE CITY - FROM BEYOND THE ABYSS: DELUXE EDITION. The updated release contains 24 songs, including tracks from the CASSANOVA EP and the FROM BEYOND THE ABYSS EP, as well as the recently released versions of Holy Water feat. Ivan Moody of Five Finger Death Punch, Hearse for Two feat. Lilith Czar and three brand new songs: Skinny Lies, Evergreen, and Lost Boy.The album that was originally released September 13, 2024 via Better Noise Music, consisted of 14 tracks of theatrical, dramatic, unapologetic, full-throated flair with guest appearances from Bert McCracken of The Used, Spencer Charnas of Ice Nine Kills, Danny Worsnop of Asking Alexandria and Amanda Lyberg of Eva Under Fire. It was - and is - a remarkable album from a band only now starting to find their musical identity, and looks set to reach a new generation of ears with the deluxe edition on offer this week.HEAVY caught up with frontman Lee Jennings on one of his rare down days to force him to talk shop. We ask him about the response to Greetings From Suffocate City and if it was what they were hoping for."Completely, yes," he nodded. "I think at first we had been building fans along the way. So it was definitely a cool stretch at the beginning. But I think the better part is what we're building now. We're still supporting some huge tours, and it's growing every single day. Every day, we're selling copies at the merch table or online. You can go to your local record store a lot of the time and get it. And for us, it's about that growth. It's not about that direct, right when it's out, everybody's freaking out about it. To me, it's about the build. And I feel like what we're building towards is this next record that I hope that will be more that moment of like, oh, the new Funeral Portrait record is coming out. I'm very excited for that instead of right now. We're in discovery mode still now, I think, is the easiest way to say."In the full interview, Lee discussed the upcoming release of the deluxe edition of Greetings From Suffocate City - scheduled for June 13 - reflecting on the five-year journey of creating the original album, which was impacted by the pandemic and other factors. Lee expressed enthusiasm for the new songs on the deluxe edition, particularly Skinny Lies and Evergreen, which tackle personal themes and mental health, and explained the inclusion of both original and guest versions of certain tracks to showcase the band's creative evolution. We also explored the role of guest features in modern rock music, with Lee open to collaborations across genres, emphasizing a process that allows guest artists to contribute while maintaining the song's essence.We spoke about The Funeral Portrait's touring schedule, how they integrate the new songs into live performances, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

12 Kesä 19min

Interview by Kris PetersHeavy Metal and J-Pop are two genres which, for all intents and purposes, should not be joined in sonic matrimony, but try telling that to Australian-born Japanese sensation Ladybeard and the two girls who make up Babybeard.Since 2020, the powerful trio has existed in some form or another, spearheaded throughout by wrestler turned DJ turned vocalist Ladybeard, who brings not only a sense of danger to the group, but also an abundance of energy and fun that has seen their music transcend barriers the world over. Children who have never liked metal before suddenly think it's cool because Babybeard do it, and on the other side of the fence, metalheads who would have previously been embarrassed for anyone to witness them listening to J-Pop now have a legitimate reason due to the two worlds colliding.It is a brand of music that unites genres and defies expectations, all wrapped in a pretty pink bow and pigtails. Sound strange? Well, take a listen and tell me I'm wrong…After decimating Australian audiences in 2024 with their Adorable Assault On Australia tour, Babybeard return to reclaim their throne with a special one-off performance at SMASH Convention 2025 in Sydney over July 12 and 13. Spread over the weekend, Babybeard will be doing a showcase performance as well as a meet and greet question time, along the way ushering in brand new trainee member Mizuki, who is not only performing with Babybeard for the first time in Australia, will also be making her international performing debut of any kind.As long-time friends of HEAVY, when we found out Babybeard were coming Down Under once more, we harassed Ladybeard until he agreed to an interview, with the effervescent frontman once again providing a plethora of delights."There's something for everybody," Ladybeard promised. "There's drama, there's tragedy, there's comedy, there's no romance. But, you know, apart from that, there's something for absolutely everyone."When talk turns to last year's tour, Ladybeard reveals something totally unexpected."Last year in Sydney - for the first time ever - we had a wall of death at one of our shows," he laughed. "It was awesome. It was our first show in Sydney, again, it was a weeknight, so it was not the biggest show that we had. But we're there, we're leading into the last song, and there had just been a shoey, so the stage is wet and everyone was feeling frivolous, and as I was just introducing the last song, someone in the audience yells out, 'wall of death!' So we're like, okay, if you guys want to. The girls have never seen a wall of death before because in Japan, we do shows for idol fans, right? So that was their first ever wall of death. It was interesting because there was a bunch of loose chairs on the floor, so it was a pretty dangerous wall of death, but they got through it."In the full interview, Ladybeard reflected on their previous tour in Australia, sharing memorable experiences and expressing excitement about returning to connect with fans. The conversation highlighted the unique blend of Japanese pop and heavy metal in their music, emphasizing the importance of creating a community atmosphere during performances that encourages audience participation.We spoke about the live show and what to expect, the drafting of Mizuki into the band, their expectations of Australian crowds, how blending heavy metal and Japanese pop is accepted in Japan, milking Kangaroos and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Kesä 16min

Interview by Kris PetersForged from the survivors of Long Beach bands Damned Age, Black Velvet Brigade and Red River Massacre in 2018, Carsex pull no punches when they come to their sound, name or influences.After crossing paths many a time on the local circuit in Orange County, the five music veterans gradually built a sonic relationship that has become a live force, with Carsex releasing their self-titled effort in 2019 and the EP 2020 the following year.It has been a long five-year wait for fans of the band to hear a new body of work, which has now been rectified with the release of the seven-track EP Human Interest last week.HEAVY caught up with frontman Nigel Burk to talk more."This one is our third EP," he offered, "and is definitely our strongest effort I feel, just out of the development of the band over the years and everything. I feel like we're as much a part of each other as we can be.""So I feel like this one is probably the first one that is 100 per cent genuine, just straight from all of us as a unit. And yeah, we're super stoked on it. The basic idea… a lot of our material goes through a pretty wide variety of subjects - and lightly touches on politics to a certain degree - but I wouldn't say that much. Just really like the human condition as a broad explanation. Sometimes it's a little difficult for me to explain exactly what certain songs or the idea of the band is about, because I like for the audience to experience it for themselves. I feel like our presentation is more up for perception or subjective to the listener, because it is for us as well. It means something different to all of the band members individually as well."In the full interview, Nigel highlighted several tracks, including Sitting Ducks, addressing societal issues, and Fuck This, which explores personal struggles. He shared the inspiration behind Landmine, stemming from a personal tragedy, and discussed DKC, which reflects on school shootings.He also mentioned Stella, a hopeful song that encapsulates a journey of acceptance. The band’s live performance style has developed over their years together, and they are preparing for their EP launch at The Vine in Long Beach, while also planning a small tour later in the year after a brief hiatus for their drummer's surgery. We ran through the seven EP tracks individually and found out their intended meaning and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

9 Kesä 23min