#TMOV (The Mystery Of Violence) --- SynTalk
SynTalk25 Juli 2015

#TMOV (The Mystery Of Violence) --- SynTalk

Are you angry? Do we have a terrible love of war? Is it possible to think of violence without the teleological means-end schema? Why don’t we have a phenomenology for it? Is it because violence is the ground shared by enemies? Why don’t we manage to look inside ourselves for the source of violence, and often project it on to the Other? Why do even the worst of perpetrators represent themselves as being the victim? Does violence lie at the end of speech? Is today’s victim tomorrow’s offender? Do shame and humiliation turn us towards violence? What then is the agenda of punishment? How can we open up the victim’s silence? How can we access the scene of violence? Is the aggressive drive essential to human survival? Why do the under-trials expect the Judge to at least hear them out? Is hatred a revolutionary sentiment? Does militarism (love for war?) run across modes of production? Is crime (merely) an act by which one runs the ‘risk’ of taking punishment? What is the future of the act of policing? What is the distinction between violence and brutality? If violence becomes increasingly non profitable in the future, might society then need to invent violence for ethical reasons? SynTalk thinks about these & more questions, about the nature of violence, using concepts from criminology & justice (Prof. Vijay Raghavan, TISS, Mumbai), philosophy (Prof. Sanil V., IIT Delhi, New Delhi), and history (Dr. Dilip Simeon, ex-University of Delhi, New Delhi). Listen in....

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Avsnitt(206)

#TPLB (The Past Laid Bare) --- SynTalk

#TPLB (The Past Laid Bare) --- SynTalk

Is the past ‘all over the place’? Is it the stories that keep buildings and communities alive? Are stories mental artefacts of the past? Did H.M. have expectations? Is understanding the past a process...

5 Dec 20221h 16min

#TNMS (The Non Main Stream) --- SynTalk

#TNMS (The Non Main Stream) --- SynTalk

Are you a middle-roader? Is Jai Santoshi Maa a mainstream film? Are you exposed to world cinema? ‘What’ is popular? Are dialects non-standard? Does writing / scripting / printing legitimize the proces...

19 Nov 20221h 4min

#TATS (The Absent Turn Seven) - - - SynTalk

#TATS (The Absent Turn Seven) - - - SynTalk

Many sorts of things don't happen. Plans are made and deferred. Films are left undeveloped. Subjects are avoided. Dreams are un-dreamt. Planes take off empty. Priests are marked absent. Building floor...

12 Juli 20211h 30min

Uhntākshurry - A Soupçon Of Seas (Vol VI)

Uhntākshurry - A Soupçon Of Seas (Vol VI)

The Antakshari Scene: The antakshari scene located mid-film is a prime example of the intertextuality found in MPK and the originality that comes in part from the film’s recontextualization of various...

11 Juli 202030min

Jocelyn - A Soupçon Of Seas (Vol V)

Jocelyn - A Soupçon Of Seas (Vol V)

The intensity of celestial sources passing over the fixed field of radio receivers was recorded on strip charts and had to be analyzed by visual inspection. This task fell naturally to the graduate st...

11 Juli 202030min

Subjectivity - A Soupçon Of Seas (Vol IV)

Subjectivity - A Soupçon Of Seas (Vol IV)

One of the central theses underlying the phenomenology of body is that of bodily subjectivity. It might appear as though by speaking of “bodily subjectivity” one is in effect assimilating “body” into ...

11 Juli 202030min

Hypochondria - A Soupçon Of Seas (Vol III)

Hypochondria - A Soupçon Of Seas (Vol III)

Frankfurt, 1797: at twenty-seven, Hegel plunged into a profound crisis. He no longer knew what he thought; he no longer knew what to think. The republic and the revolution had collapsed under the repe...

11 Juli 202030min

Commencement - A Soupçon Of Seas (Vol II)

Commencement - A Soupçon Of Seas (Vol II)

Defarge closed the door carefully, and spoke in a subdued voice: “Jacques One, Jacques Two, Jacques Three! This is the witness encountered by appointment, by me, Jacques Four. He will tell you all. Sp...

11 Juli 202030min

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