KEXP DJ Greta Rose on Australian producer and DJ HAAi

SS-20 - "(No) War Toys On Christmas" from the 1987 EP Daddy's Drunk On Christmas on No Pretense Records. This week, we are continuing a long-held tradition of featuring Christmas-themed songs selected by Brian Foss, host of KEXP’s punk show Sonic Reducer. Brian has been doing a punk rock Christmas special every year since 2004 and has been a Christmas Day on-air DJ since 2012. He will be hosting his non-traditional Christmas broadcast from noon to 6pm on Saturday, December 25th and then will be back on air later that night for Punk Rock Xmess 2021 at 9pm. No standards are played, only original X-Mess songs, most with a humorous bent. His first selection of the week is a song that I literally cannot find anywhere on the internet, SS-20’s “(No) War Toys On Christmas,” from a 1987 EP of original and (I assume) highly satirical Christmas songs called Daddy’s Drunk On Christmas. This wasn’t the Cincinnati-based hardcore punk band’s first foray into the world holiday music, though. The preceding year SS-20 unveiled a DIY release of fairly straight forward Christmas songs sung with a "couldn't care less," according to Discogs, attitude titled Merry Christmas 1986: Is Santa Listening. Formed by Robert Sturdevant in 1982 and still, at least up until a few years ago, playing shows in Cincinnati about once a month, SS-20 has released more than a dozen full-length albums and shorter EPs and 7-inch singles. They’ve also opened for “every punk and hardcore band that’s every played at the Jockey club,” Sturdevant told a publication in 2013, citing Nirvana, the Ramones, Black Flag and the Circle Jerks, among others. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

20 Dec 20211min

Advertisement - "The Matador," a 2021 single on Fire Talk. Hot off the heels of their 4-song EP, Freedom, that came out last month, Seattle quintet Advertisement share the new single "The Matador," a song they say is about “being perceived by others as something different than you perceive yourself.” True to the aesthetic they established on their 2020 debut album American Advertisement, band members Charlie Hoffman, Carl Marck, Ryan Mangione, Jesse Rosenthal, and TJ Main combine Fleet Foxes-esque harmonies with Laurel Canyon-inspired rock nostalgia, tapping into their love of "blues and grooves" along the way. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

17 Dec 20213min

Bartees Strange - "Free Kelly Rowland (feat. Armand Hammer)" from the 2021 album Live Forever (Deluxe Edition) on Memory Music. Last year, DC-based musician Bartees Strange wowed us all with his debut full-length Live Forever, a genre-defying release exploring themes of racism and resilience. For the album's one-year anniversary, he reissued the LP in a deluxe edition version, which includes a re-worked rendition of the single “Kelly Rowland”, now titled “Free Kelly Rowland”, featuring New York-based hip-hop duo Armand Hammer. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

16 Dec 20213min

Otis McDonald - "Keep It Sexy," a 2020 single on TrackTribe. Otis McDonald began as a studio experiment, where San Francisco-based producer and artist Joe Bagale spent three months writing, performing, recording, and sampling his own recordings. When it came time to release the results, Bagale looked towards two music icons to encapsulate the retro-tinged music he was composing: Shuggie Otis and Michael McDonald. "I don’t take myself seriously, but I take my music very seriously," he told Music Connection in 2019. Bagale has released his music exclusively through a royalty-free audio library via YouTube. "YouTube is the biggest streaming service in the world," he continued. "I thought if the music was good and felt human, hopefully people would put it in their videos and a certain percentage of viewers would want to further explore the music.” He concluded, “If there is one thing I’d like to do with the music it is to give people a little more joy than they had before they heard it.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

15 Dec 20214min

Sweeping Promises - "Pain Without A Touch," a 2021 single on Feel It Records / Sub Pop. On last year's debut LP Hunger for a Way Out, Sweeping Promises premiered an infectious lo-fi post-punk sound, with angular guitars, synthpop sweeps, and Lira Mondal bold, buoyant vocals. Today's Song of the Day is their first single for Sub Pop, who signed the duo up last month. Their new wave groove still firmly in place, the new track shows the group's evolution — but, with the overdubs recorded in co-founder Caufield Schnug's parents’ bathroom, Sweeping Promises stay true to their lo-fi beginnings. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

14 Dec 20212min

Dina Ögon - "Ficktjuven" from the 2021 album Dina Ögon on Sing a Song Fighter. Self-described as the "bastard love child of Eric B. & Rakim, Fleetwood Mac, Selda Bağcan, and Ted Gärdestad," Swedish pop group Dina Ögon brings a '70s funk vibe to today's Song of the Day. The group is led by vocalist Anna Ahnlun and multi-instrumentalist Daniel Ögren, who used to play guitar for "doom metal" artist Anna Von Hausswolff. The two collaborated on the single "idag" off Ögren's solo album Fastingen-92, inspiring this new project to form, with the addition of bassist Love Örsan and drummer Christopher Cantillo. On their self-titled debut, the quartet tap into a retro influence, combined with their own psych-folk sound. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

13 Dec 20214min

Today, we bring you an episode of KEXP's Live on KEXP podcast featuring an exclusive session with Arlo Parks. With two EPs and a seemingly endless number of accolades from nearly every tastemaker in the music industry under her belt, it’s an understatement to say that Arlo Parks’ debut album was highly anticipated. Released in January, ‘Collapsed in Sunbeams’ lives up to the hype and reflects the artist born Anais Oluwatoyin Estelle Marinho’s compassionate, friendly, and poetic spirit. For Live on KEXP, Troy Nelson traces Marinho’s journey from recording songs in her bedroom to sharing stages with heavyweights like Paramore before Marinho plays a mellow, vibey set of songs. Songs performed: Cola Green Eyes Eugene Black Dog Caroline Hurt Watch the full Live on KEXP session on YouTube For a new KEXP session delivered to your feed every week, including recent favorites like José González, Japanese Breakfast, Yu Su, and Little Simz, subscribe to Live on KEXP wherever you listen to podcasts.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

10 Dec 202129min

Sea Lemon - "Sunday," a 2021 self-released single. Seattle artist Sea Lemon (aka 26-year-old singer/songwriter Natalie Lew) shares a shimmery slice of dreampop on her debut single "Sunday," a first listen at her forthcoming EP, out next year. Producer Stefan Mac (Wallows, No Vacation) gives the song a bright ebullience, even while the lyrics confront negative emotions. “My first release, ‘Sunday,’ is a song that’s all about the anxiety and stress that comes with navigating relationships of all kind,” Lew told Atwood Magazine. “During the pandemic, when I wasn’t actively interacting with my loved ones, I constantly wondered and overthought about those relationships — would they survive? Was I doing enough? ‘Sunday’ is a reflection of those feelings I had, and represents how every passing day can feel like a worsening situation.” She continues: “The song, along with the rest of my upcoming EP, sonically was heavily inspired by Beach House and The Cure, artists that I constantly turn to for inspiration as they portray a bittersweet and nostalgic feeling in their music. Toeing the line between sorrow and happiness, into a grey area of somewhere in the middle, is the kind of sentiment I love to feel and write about when it comes to my music.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

10 Dec 20213min