STU MACLEOD From ESKIMO JOE Reminisces On Twenty Years Of BLACK FINGERNAILS, RED WINE

STU MACLEOD From ESKIMO JOE Reminisces On Twenty Years Of BLACK FINGERNAILS, RED WINE

Eskimo Joe were always a great band, even though it took most people until their third album, Black Fingernails, Red Wine to realise it.
After laying the sonic platform over a couple of EP's and albums, the Fremantle rock outfit decided to shake things up a little when it came to album number three, throwing caution to the wind by escaping the comfortable safety net they had built for themselves in favour of a more expansive sound that would translate even better onto the big stage.
History will tell us that the decision was the correct one, with Black Fingernails, Red Wine considered by many to be one of the defining moments in Australian rock music. It also earned Eskimo Joe four ARIA Awards, including Single of the Year, and saw them sell out arenas across the country. The album’s brooding tone, ambitious self-production, and emotionally charged songwriting marked a bold evolution from the band’s earlier records Girl and A Song Is a City, and fast tracked Eskimo Joe to national identities who have continued to justify their rapid rise by touring relentlessly and keeping the music alive.
But it shall always be Black Fingernails, Red Wine that stands as the defining moment of Eskimo Joe's career, and with the album turning 20 next year the only respectful thing for the band to do is tour the hell out of it, which is exactly what they plan to do! Guitarist and founding member Stu MacLeod joined HEAVY to talk about the tour and the enduring legacy of that still famous album.
"It's pretty surreal to think it's been two decades," he began, smiling cheekily. "I mean, a lot has obviously happened in that time, but it feels like it's just gone by in a flash, you know?"
Eskimo Joe will be playing two sets each show, one stacked with fan favourites, and the other dedicated to the birthday album, so we ask Stu if it will be played in order of track listing or mixed up a little.
"Oh, no, definitely front to back," he stressed. "I think that's part of the joy of getting to play an album in full on stage. When we write a record, it really is a process where we try and map a journey for the listener. It's not just a bunch of songs, and we pick which ones sound good next to each other after the fact. We actually design the album as we go. If there's a gap somewhere of a particular tempo or style or feeling, then we'll say, all right, we've got to write a song to fill that gap. We're actually writing a song. We're actually writing songs to fit the album, as opposed to just playlisting a bunch of songs afterwards to make it sound good."
In the full interview, Stu talks more about what to expect from the shows, the decision to space the dates out to only include weekends and having Alex Lloyd as national support.
He reflected on the making of Black Fingernails, Red Wine and how they created a sound and record that has resonated on so many levels. He recalled some of the highlights of making the album, what the band initially thought of it, the exclusive 20th Anniversary Cab Sav range of wine coming out next year and more.
Tour tickets www.eskimojoe.net/tours


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Deeper Wells And Deeper Laughs: Dyssidia’s MITCH BRACKMAN Gets Real

Deeper Wells And Deeper Laughs: Dyssidia’s MITCH BRACKMAN Gets Real

Interview by Ali WilliamsIf you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY’s own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl snobbery to deadly Frisbees and Adelaide’s criminally underrated music scene.Dyssidia just dropped their sophomore album Deeper Wells of Meaning—only five years after their debut, because, you know, global pandemics and musicians’ creative “pauses.” Mitch spills on the pain of planning an album launch, only to have COVID crash the party two weeks later. The silver lining? More time to marinate, mature, and, presumably, stare at the ceiling thinking about vinyl colour options. Forget digital downloads; Mitch’s passion for vinyl is a religion. The band doesn’t just release albums—they curate tactile experiences. The latest artwork, painted by Adam Burke (with an actual brush—no AI here, people), is so gorgeous that Mitch reckons at least 20% of positive feedback is just fans drooling over the cover. Want a double LP with wild colours? Dyssidia’s got you. Want a band-branded stubby cooler? Even better—just watch out for Mitch’s plans to weaponize plastic frisbees at shows. Rock and roll, but with dental insurance. The band’s gearing up for their album launch in Adelaide, with Adriatic, Wings of Thanatos, and Kuiper joining the chaos. Touring across Australia is like prepping for the Olympics—distances are brutal, costs are bonkers, and sometimes even the koalas get confused by daylight savings. Perth fans: you’re loved, you’re loyal, but unless someone donates a private jet, don’t hold your breath for monthly Dyssidia visits.Dyssidia have re-joined forces with Wild Thing Records—mainly because the contracts are so chill they’re basically handshakes, and the friendships are the real glue. According to Mitch, it’s not about the business as much as it is about the hang. “Most of the time, you’re just trying to survive and connect with other bands, so your mini-tour isn’t just you in a van talking to yourself.”There’s no road map for being a modern prog-metal band. Dyssidia is all about that flexible, DIY, make-it-work spirit—embracing the weirdness of the times, working from home, and enjoying the freedom to create on your own terms. New music is brewing (eventually), Adelaide is still underrated, and at least Ali and Mitch are now Facebook friends. In the words of the great philosopher: Thanks babe.”Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

12 Joulu 18min

Backstage chats with ALL TIME LOW At GOOD THINGS 2025

Backstage chats with ALL TIME LOW At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela gets cozy with All Time Low.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Joulu 8min

Backstage Chats With YOURS TRULY At GOOD THINGS 2025

Backstage Chats With YOURS TRULY At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela get up close with Yours Truly. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Joulu 13min

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

In 1994, Season to Risk had been on tour for the past four years, playing as a young opening band on legendary shows with Killdozer, Unsane, Neurosis, Prong and Killing Joke. Their first album had sold well, with songs charting on radio and getting music video airtime on MTV and Canada's Much Music. There was an opportunity to take advantage of the popular wave of alt rock and nu metal dominating the air waves and being signed unexpectedly to major label Columbia Records put them in the position that they had amazing support as artists, but also someone to answer to and the machine must be fed.The band decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock, In A Perfect World. The album has become a cult classic and over the course of the past 30 years, some of the songs off In A Perfect World became mainstays in live shows.And now, Season To Risk have decided the time is right to revisit that timeless album, having In A Perfect World remastered by Duane Trower (Weights & Measures Soundlab), creating a reissue that gains new clarity without losing its raw urgency. Released on Record Store Day in the United States, In A Perfect World has been rejigged to embrace the modern sound, with Season To Risk using the experience to harness their focus and energy into live shows and a new record.Singer Steve Tulipana joined HEAVY to take us behind the scenes. We start by asking if the nerves are any different, releasing the same album three decades later."I mean, it's weird," he smiled, "It's 30 years old, which is kind of a trip obviously for us. To think about how much time has passed… It doesn't feel like 30 years ago by any means, which is over half my life. I'm more nervous because we have some US dates we're going to start. It's a pretty gruelling little run of shows we're doing, and we haven't done that in many, many years. So that's got me nervous, more than the record coming out".Going into In A Perfect World back in 1994, Season To Risk had just finished four years on the road and were understandably more than a little jaded. We ask Steve if this had any effect on the finished product."Yes, I do think we were (jaded)," he nodded. "So a lot of the material from the first record - and it's a cleaner record for sure - we were young, and it was our first material that you take a bunch of years to write. Then you get signed, and then it was delayed forever. We were always trying to challenge ourselves, and we were wanting to be more… it's not like it was incredibly conscious. I mean, we didn't want to sell out, but we were trying to find this heavy thing. We had some road on us, and we had some life experience on us at that point so it was darker and things were a little more fucked up. To be candid, I was a little more fucked up in my head, but that's the experience you go through, right?"In the full interview, Steve focused on the reissue of In A Perfect World, reflecting on the surreal nature of the album's 30-year anniversary. The remastering process was highlighted, with improvements made by guitarist Duane Trower being explained, although digital rights for a remastered version have not been granted by Sony, leaving fans without a digital option for now.The conversation also explored the band's artistic evolution, with Steve discussing their maturation and the incorporation of new elements like synthesizers in their upcoming material. The importance of clarity in lyrics while maintaining a unique sound was emphasized. We spoke about the release of a new album, with the aim for completion by the first quarter of the next year.Steve discussed the natural evolution of Season To Risk and how it has impacted their music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Joulu 23min

Backstage chats with COBRA STARSHIP At GOOD THINGS 2025

Backstage chats with COBRA STARSHIP At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela sits down for an awesome one on one with Cobra Starship.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Joulu 8min

Backstage chats with WINDWAKER At GOOD THINGS 2025

Backstage chats with WINDWAKER At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra gets to know Aussie metal sensations Windwaker.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Joulu 11min

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Interview by Angela CroudaceAfter years of anticipation, Born of Osiris are finally set to return to Australia this coming March and for drummer Cameron Losch, the excitement is doubled. While the band last toured the country six years ago, Cameron himself hasn’t performed on Australian soil for roughly a decade due to an injury during their previous run. “I am just so excited. It’s been way too long,” he says, reflecting on how much he loved every visit in the past.Some of his clearest memories include being pranked about “drop bears” moments after landing, and wandering through bushland stunned by wild kangaroos an experience far removed from his Midwest home. This time, he’s hoping for more of those uniquely Australian moments, plus a chance to reconnect with fans face-to-face, something he’s grown to treasure deeply on recent tours.Australia will also be among the first to witness a major milestone: the 15-year anniversary celebration of The Discovery. The band is performing eight tracks from the beloved album, reworked with fresh flair. Cameron promises surprises, intensity, and some of the most challenging drumming of his career.Sharing the bill with the crushing Signs of the Swarm, Born of Osiris’ March run is shaping up to be an unmissable blend of nostalgia, evolution, and explosive energy. Australia, get ready, they’re coming back stronger than ever.BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour DatesWednesday 18th March ADELAIDE, Lion Arts FactoryThursday 19th March MELBOURNE, Max WattsFriday 20th March BRISBANE, Brightside OutdoorsSaturday 21st March SYDNEY, Manning BarTickets From: https://thephoenix.au/born-of-osiris-2026/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Joulu 26min

Backstage chats with LORNA SHORE At GOOD THINGS 2025

Backstage chats with LORNA SHORE At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela chat with the most brutal band on the bill, Lorna Shore. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Joulu 15min

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