An Honest Observation Of Life With ABE MILLER From BAD JUJU

Archspire vocalist Oliver “Oli” Alleron is clearly excited about returning to Australia, with the band set to tour in January. From his love of Australian crowds to his unexpected obsession with The Block, Oliver speaks warmly about the country, its food, and its famously outgoing fans. He recalls being blown away by the sheer number of shoeys happening on stage during their last visit, and hints they may make a return. With a new drummer joining the line-up and a freshly self-produced album funded largely by fans, Archspire are entering an exciting new chapter. Oliver admits perfection isn’t the goal live; having fun, staying relaxed, and connecting with the crowd matters most. Check out everything he had to say in the full interview.Archspire - Return To Prison Island Australian Tour  with Aborted and OrganectomyJan 24 - Froth & Fury PerthJan 27 - The Croxton, MelbourneJan 28 - The Triffid, BrisbaneJan 29 at The Baso, CanberraJan 30 - Liberty Hall, SydneyJan 31 - Froth & Fury Adelaidehttps://swdpresents.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

8 Tammi 19min

With the worldwide excitement around the recently completed European tour, GRAMMY®-winning, progressive music titans Dream Theater have announced their 40th Anniversary Tour 2026 leg for Australia. The tour will be An Evening With Dream Theater and will be the first tour of Australia since drummer Mike Portnoy’s return to the lineup, joining vocalist James LaBrie, bassist John Myung, guitarist John Petrucci, and keyboardist Jordan Rudess.Simultaneously, these five old friends enter a bold new era fuelled by some of the most focused, formidable, and fiery music of their career. They’re harnessing the memories of the past and the promise of the future in order to make the most of the present. Ultimately, the group’s sixteenth full-length album, Parasomnia [Inside Out Music/Sony Music], represents both where they came from and where they’re going as not only bandmates, but as brothers. HEAVY spent some time with Rudess to find out more.In the interview, we spoke about the band's upcoming Australian tour in February 2026, marking their first tour with Mike Portnoy on drums in 15 years. Jordan highlighted Portnoy's significant contributions to the band's sound and described how his return has enhanced their live performances with his unique skills as a drummer and creative director. The tour will kick off in Adelaide on February 10 and conclude in Brisbane on February 15th, following a year-long world tour.Jordan discussed joining Dream Theater after playing with John and Mike in Liquid Tension Experiment, initially declining the offer before later accepting it. He described the transition as a significant life change, noting the differences between Liquid Tension's open creative style and Dream Theater's structured approach, as well as the band's international fan base and media presence. He discussed the challenges of joining Dream Theater, a band known for its distinct sound and brand identity. He acknowledged that while the band is not strictly limited to three-chord rock, there is an expectation to remain true to the established style that fans appreciate. Jordan noted that while the band has evolved over time, there is a balance between innovation and respecting the band's heritage.Jordan explained that Dream Theater's appeal lies in their ability to combine technical virtuosity with emotional depth, creating music that appeals both to serious musicians and general audiences. He noted that the band's shows often feature accessible melodies that engage fans, as demonstrated by their experiences performing in Italy where audiences sing along and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

1 Tammi 14min

Interview by Ali WilliamsIf there were a Frequent Flyer program for alternative rock bands visiting Australia, Anberlin would have Platinum for life. In this sun-drenched, laugh-out-loud podcast throwdown, HEAVY's Ali Williams checks in with Anberlin’s resident rhythm wizard, Nate Young—straight from muggy Florida to the Gold Coast—about their upcoming Aussie invasion, a band that keeps dodging retirement like it’s a game of whack-a-mole, and why their passports deserve a spot in the ARIA Hall of Fame. Anberlin are rolling in with a brand-new frontman, a rebooted classic album, and a fan base that’s as loyal (and occasionally unhinged) as a Queensland summer. With headline shows locked in, for An Emo Extravaganza presented by Destroy All Lines, Anberlin aren’t just making another comeback—they’re turning it into an art form. It’s official: Anberlin is heading back to Oz in February 2026, and if anyone knows how to party like it’s 2005, it’s these guys. After racking up at least a dozen prior Australian jaunts, “I keep throwing around 12 or 13,” Nate confesses, they’re still genuinely excited—borderline addicted—to our beaches, weather, and, let’s be honest, fans who go harder than the humidity in a long hot Oz summer. On this tour, Anberlin will be hitting Brisbane, Melbourne, and Sydney, with a power-packed line-up including Cartel, This Wild Life, and Hot Chelle Rae. Yes, they’re headlining, and yes, it’s going to be loud. Plus, as if that wasn’t enough, they’re also landing at the Froth and Fury Festival, so get ready for an emotional, sweaty sing-along with thousands of other kids who still pretend they’re 22 at heart. What’s a reunion tour without a twist? This time, Anberlin’s dusting off their classic album Never Take Friendship Personal—but giving it a fresh coat of paint thanks to new frontman Matty Mullins. After re-recording the album with Matty's pipes - “just to give fans a way to hear what these songs are going to sound like with him singing” - Nate admits the switch wasn’t exactly easy street—“switching out a singer is not easy and usually just doesn’t work… but we’re thankful fans seem to be cool with it.” And if any hardcore purists complain? Well, that’s just part of being a band with a pulse. Mullins isn’t just a newbie, either—he grew up a genuine Anberlin fan. Nate grins, “He’s an absolutely ripping singer and just a good frontman, really positive energy for us.” The new era isn’t just a reboot—it’s evolution, and for Anberlin it’s proof you can keep relevant by daring to change (instead of fading into permanent hiatus, or, worse, nostalgia-bloated obscurity). The pair get real about age, confidence, and what it means to be an “alternative rock” band in a post-genre world. For Nate, growing up in the spotlight since he was 14 means he’s learned not to sweat the small stuff (or the labels). “Time is a construct,” he deadpans, “so none of it matters.” Emo, alt-rock, post-hardcore—whatever you call it, Anberlin’s brand of high-octane anthems and gratitude-fuelled stage presence hasn’t aged a day. From message boards to TikTok, Nate reflects on the perks (and weirdness) of being able to actually connect with fans now—sometimes for better, sometimes for audacity that’s usually… for sure, or respectfully if you will. Still, he wouldn’t trade the chaos of social media for the pre-Internet “mystique” of old: “It’s given us a connection with our fans that’s really special.” Anberlin are back in Australia in February 2026, headlining shows in the main capitals, a big set at Froth and Fury Festival, and an all-new take on Never Take Friendship Personal that’ll remind you why this band has lasted the distance. And in true Anberlin fashion, they’re not slowing down or growing up quietly—just growing better, louder, and a hell of a lot wiser. Tickets and event info at official outlets—don’t snooze, or you’ll be stuck watching old clips on TikTok, wondering why you missed the reunion of the year.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

24 Joulu 202514min

Interview by Ali WilliamsIf you think the wildest part of touring is the fans, you’ve clearly never tried to drive a truck through an American winter. HEAVY caught up with Matty Mullins—frontman, ice-road survivor, and Memphis May Fire’s resident optimist—while he was holed up in Salt Lake City after some “eventful” /white-knuckle drives that would’ve had most people praying to whatever rock gods they believe in. Turns out, touring with Memphis May Fire is less “luxury tour bus” and more ‘Frostpunk on wheels’. Memphis May Fire will be returning Down Under with BLESSTHEFALL in April 2026. Matty’s racking up more frequent flyer miles than your average travel vlogger, but in his words, “we owed our Australian fans a proper return after too long away". As a regular coming to Australia so often, he might as well apply for citizenship and start calling Vegemite “delicious” with a straight face. Whilst he assured me there will be no pyrotechnic awesomeness or indoor fireworks this time—(insurance companies everywhere just collectively sighed in relief), the band’s packing a new setlist, bigger production, and some mates from Blessthefall. The only thing going up in flames will be the crowd’s energy and maybe a box of your possessions you left at an unhinged ex’s place. Matty laughs off the chaos, proving he’s either a genuinely chill dude or just totally numb to tour madness at this point. “I never, ever know what day it is,” he laughs. Touring sounds glamorous, right up until you’re living out of a suitcase and arguing with the GPS about which patch of ice to die on next. For Matty, it’s been night after night of long, snowy drives and just enough adrenaline to keep things interesting. What keeps Memphis May Fire alive after years of this chaos? Stubbornness, a refusal to quit, and the knowledge that some maniac on the internet will have a hot take on whatever you do anyway. Matty’s refreshingly honest about the ups, the downs, and the sheer weirdness that comes with being in a band in 2025. There’s no pretending it’s all sunshine and sold-out shows—but there’s a hell of a lot of laughter along the way. Every touring band has wild stories, but Matty’s “unhinged moment” takes the cake (and probably an earlobe). He tells of a band trip to a South African wildlife preserve, one overly friendly baby leopard, and a bass player who learns the hard way what “bite force” means. The aftermath? Paper towels, disinfectant spray, and a new story to explain at airport security. Scar stories: not just for mosh pits. He gives a few hints about what’s in the pipeline for Memphis May Fire—new music, surprise setlists. He doesn’t spill everything, but has promised that they're bringing something new and exciting the second time around, and those who saw them recently won't be disappointed because it's not going to be just a repeat of their last shows, so watch this space! Memphis May Fire are still out there, still grinding, still finding new ways to laugh at the madness. Get to a show, bring the good vibes, and maybe offer to drive the van if it snows. Tickets for Memphis May Fire’s next Australian tour are going fast—for all the details and your backstage pass, head to https://thephoenix.au/memphis-may-fire-2026/, and maybe, just maybe, send Matty a warm pair of socks. Catch you in the pit, or over at the bar.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

23 Joulu 202515min

No matter what they do musically from now until eternity, New York rockers Wheatus will always be known as the Dirtbag band. The fact that Teenage Dirtbag is probably bigger today than when it first smashed the air waves 25 years ago is made even more impressive when you factor in that Teenage Dirtbag was, in fact, Wheatus' debut single.While no one could have foreseen or even guessed the impact that one song would have on not only the band but a whole generation of movies through to fashion trends, its enduring appeal has, at the very least, kept Wheatus and frontman Brendan Brown young at heart and ready for the next adventure. The viral "Teenage Dirtbag photos" trend on TikTok has attracted over a million participants, including celebs like Madonna, Lady Gaga, Mark Ruffalo, Lil Nas X, Jon Bon Jovi, Chevy Chase and the hashtag #teenagedirtbag has been viewed over 2 billion times. The song’s universal appeal has also led to it being featured in Netflix’s Big Mouth, Disney’s Cruel Summer, and, in 2023, the song incredibly re-entered the UK Top 40 charts.Not bad for a song about life in general.While Wheatus' musical journey exploded from the very outset because of that track, their sudden success was casually taken in the band's stride, who refused to succumb to the weight of public expectation and continued on their own trajectory that somehow has always managed to stay on a similar path with their famous debut song.The band are regular visitors to these shores and have a devoted and loyal following, which in turn allows Brendan and co the freedom and ability to make these regular and always fun stopovers. They are one of the few bands who need no reason or gimmick to draw crowds in Australia, which is why the fact that Wheatus' tour in January next year to celebrate 25 years since their world was turned upside down has already been received as a celebration of music rather than a clever marketing strategy to keep the tills ringing.Always happy to chat, Brendan joined HEAVY recently to discuss the tour and the continued success of Teenage Dirtbag, including their birthday present to themselves by playing their debut album in full."We've been playing that album for years," he smiled, "we never laid off of it. We didn't have to relearn a thing. There are a couple of tweaks we have had to make to the back catalogue to make sure that we get everything in order, should anybody call out anything. But you know, we don't do any set lists. It's all request sets. So, kids are shouting, people are shouting and telling us what to play. You say it, we play it, that's how we do it."We bring up the massive success of Teenage Dirtbag and ask if it sometimes feels like going through the motions, having played it so often."No, man, absolutely not," he stressed. "Never. It's a weird song, you know. I hadn't considered that it would ever be a single. I'd kind of written that off. I didn't think it could be one because it was too long, and it had this meandering story and switched characters and all that stuff. So I didn't think that it would happen. The way that it has is incredible. I mean, I don't know what to make of it, but as a song, I'm quite proud of it."In the full interview, Brendan talked more about the band's upcoming 2026 tour of Australia celebrating the 25th anniversary of their self-titled album, starting in Brisbane on January 15 and concluding with three shows in New Zealand. He confirmed plans to take a break over Christmas to recharge before the tour and noted that the band has consistently performed songs from the album, negating the need for extensive relearning. The band will feature all request sets, allowing fans to choose their preferred songs.We discussed the success of Teenage Dirtbag, with Brendan sharing insights into the song's origins, it's recording in his mother's basement, and the album's snarky tone reflecting his frustrations in the music industry. Talk turned to the song's lasting impact on audiences and his initial thoughts on Teenage Dirtbag, including how he didn't really have much confidence in the song when it was first written and plenty more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

23 Joulu 20257min

Interview by Simon Russell-WhiteThough Australia is familiar territory for the members of Better Lovers - Jordan Buckley (guitarist/ex Every Time I Die) and Will Putney (guitarist/producer/Fit For An Autopsy) - there is an air of honesty and humility about the debut Australian tour for the five piece, also featuring Greg Puciato (vocals/ex Dillinger Escape Plan/Killer be Killed & The Black Queen), Steve Micciche (bass/ex Every Time I Die) and Clayton "Goose" Holyoak (drums/ex Every Time I Die).For Jordan, it’s been 6 years since he travelled to this Great Southern Land, and when asked the obvious question about how excited the band is about finally coming out to Australia, his reply was in the form of a question: “Be honest, is it gonna be good?!"Between Jordan, Will, Greg, Steve & Clayton, the discographies, tours and (dead set) legacies these guys possess is something to be in awe of and has earned each member much respect in the industry, especially in the genre, a genre that is tackled by many and has become saturated.To give an answer on how the tour will go, made for an easy reply, one in which I hope offered reassurance of how excited the Better Lovers punters of Australia truly are!To mix things up, joining Better Lovers on the tour is the Gold Coast’s own Blind Girls and English nu metallers Split Chain. “It’s a cool, mixed bill, always love a good mixed bill,” says Putney as the conversation leans into what to expect from the tour. “Reminds me of being a kid, when I first started going to shows,” he adds, as he reminisces and reels off some absolute classic gig line ups he attended many moons ago.The band's debut album, Highly Irresponsible, came into this world just over a year ago, and more recently as a deluxe edition with some extra absolute slammers of tracks. “So grateful and doesn’t get any better,” says Buckley when discussing the reception the album has received worldwide. Be sure to check out those extra tracks, sitting at the end of such an album makes for a huge ending to it!Before you settle in and enjoy this conversation, as a collective, be it organisers, fans, even the sometimes unsung door people, can we please guarantee two things for the band?!Make sure the AC is in working order at all venues.Adelaide fans, make sure the last show of the tour, the best show of the tour. Amongst the insanity that will be Better Lovers' debut Australian tour, kicking off in Brisbane, there will no doubt be appreciation, sweet relief and a love for music that will be palpable for all involved, let’s get hot, Australia!Tickets from destroyalllines.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

22 Joulu 202514min

Interview by Ali WilliamsIf you’ve ever wondered what happens when progressive death metal collides head-on with a full-blown orchestra (spoiler: nobody wears a tux, but plenty of heads bang), Persefone’s latest adventure has the answer. In a good vibes interview with HEAVY Magazine’s Ali Williams, Bobby Verdeguer from Persefone takes us behind the scenes of the band’s new live album, out now, and gives us a taste of the chaos, genius, and caffeine that went into its creation. Persefone’s new release, Live In Andorra, isn’t just another concert recording—it’s a mad scientist experiment: death progressive metal and live orchestra in the same room. Recorded during a one-off orchestral show at the National Auditorium of Andorra in May 2024, the album celebrates the band’s 20-year history and their return home after a decade, featuring a full collaboration with the Orquestra Nacional Clàssica d’Andorra. Bobby admits that making a live album in today’s “attention-deficit” age is, in his words, “a stupid idea.” But when the end result is this sublime, who cares about market logic? If you want new music, you’re out of luck—this is a celebration of the band’s 20th anniversary, featuring songs from across their catalogue, played with enough complexity to make even a Swiss watch blush. What results when you have an orchestra, a death metal band, and two rehearsals—one the morning of the show? “Stressful” is an understatement. The orchestra arrived the day before the recording, and after a couple of quick run-throughs, it was showtime. The whole thing was captured live, meaning there was “extra pressure of not fucking things up,” as Bobby charmingly put it. The musical tightrope walk paid off, resulting in a performance that’s as raw as it is sophisticated. The artwork for their latest release is mint, so you know the merch is gonna slap. As for vinyl? You’d better buy two copies: “One you open, one you keep sealed for street cred.” He’s not joking about the collector mentality, either—just don’t expect to find a Persefone vinyl in a bargain bin anytime soon. Touring has been relentless, including recent festival runs in the US and a debut Australian tour with Belakor and Orpheus Omega. Oh, and if you’re ever planning to fly from Andorra to Australia, prepare for two days, four stopovers, and a test of your will to live (someone, please, sponsor these guys an airline). With the live album freshly set forth on the world, Persefone aren’t about to rest on their laurels. Upcoming plans include shows in France, a stint on the 70,000 Tons of Metal cruise (yep, the floating festival of your dreams), and a US tour (still under wraps). Most importantly for fans: they’re already working on a new studio album of fresh material, aiming to top even this ambitious milestone. If you’re new to Persefone, Bobby promises this album is the perfect entry point—a wild snapshot of the band’s evolution, energy, and international weirdness. For longtime fans, it’s a high-octane victory lap, packed with classic tracks and orchestral bombast. In the immortal words of Bobby: “Go listen.” Live in Andorra is out now —get ready to be crushed, caressed, and possibly convinced you need more vinyl in your life. For more interviews, reviews, and unfiltered metal mayhem, keep it locked on HEAVY Magazine.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

22 Joulu 202518min

Individually, Sarah McLeod and Dallas Frasca are two of the most powerful voices in Australian rock. Not only have they both had successful careers - McLeod with The Superjesus and Frasca with her band of the same name - but they have both contributed much more to the Australian music scene via other roles within the industry. ARIA winner and South Australian Music Hall of Fame inductee Sarah McLeod, both as a solo performer and frontwoman of Australian rock legends The Superjesus, has remained a passionate advocate for change and progress within the Australian music space while APRA and AWMA nominated artist Dallas Frasca is a kindred spirit of sorts for Sarah, again another artist who has brought bold and visceral energy to her expansive catalogue of music and live performances across many years.So it should come as no surprise to find that both of their lives and careers have become entwined for the 2026 GREEN ELECTRIC TOUR, which represents both McLeod and Frasca’s ongoing commitment to sustainability; more specifically, sustainable touring. It is a highly ambitious journey into the unknown, with little by way of previous undertakings by other bands from which to use as a reference.Instead, the two have chosen to dive in headfirst, supported by Music Australia, The Harbour Agency and Spank Betty Records. The tour also supports Seed Mob, Australia’s first Indigenous youth-led climate justice organisation in their ongoing fight for climate justice. From recycled merchandise and sustainable travel routes to meat-free catering and eco-certified accommodation, every detail has been designed to minimise impact. Fans are invited to join the movement by wearing their best sustainable fashion to the gigs, and carpooling, taking public transport, walking, or riding bikes to venues wherever possible — making the audience part of the solution, not just the show.For both McLeod and Frasca, the launch of the GREEN ELECTRIC TOUR also aims to inspire other musicians, and their fans, to reconsider their own approach to experiencing live music and touring – with a shift in mindset and a turn toward more sustainable pathways, the future of this industry is greener, healthier, and more long-lasting.HEAVY was fortunate enough to nail down both Sarah and Dallas during a welcome break to their busy schedules, and we started by asking if they were prepared for the magnitude of the task they have set for themselves."It's hard, actually," Sarah replied."It is," Dallas reiterated. "I think… putting a tour together is a massive workload as it is, and even doing four weeks of touring is huge in the matrix of that. But this is a whole other element, and maybe when we get to the end of it, I think we would have gone, okay, we've sort of normalized this new thinking around things, and it will be easier. But we've got the machete out in the jungle at the moment, and we're just figuring things out. There's no one perfect way to do it either. Sarah and I have got a few non-negotiables that we can't move on, with venues and things like that. And then we're just sort of piecing things around it. So we'll make some mistakes along the way. We'll probably get to the other end and think we should have done it that way, and hopefully we'll walk in that direction afterwards, but we're learning. We are both definitely learning along the way. And it's a lot more work than your normal tour. Yes, we have put our hands on our faces many times (laughs)."In the full interview, Sarah and Dallas run through the idea behind sustainable touring and how they plan to make the run of shows as faithful to their cause as possible. They discussed some of their ideas to do that and ways in which the crowd can participate, while highlighting the fact that the very nature of touring makes it difficult to adhere strictly to some of the protocol.We talked about their musical union and the benefits of musicians investing actual time into sustainable touring, suggesting ideas along the way which would be beneficial to the planet as a whole if more people invested in them. Talk turned to an unplanned sonic union that has already blossomed, with plans already in place to film a music video for the newly written track, which you will have to watch to find out more about.The basic structure of the live shows was discussed, along with the two drummers who are special guests for the tour, with Sarah and Dallas both expressing excitement for the plethora of possibilities this one journey into sustainability can raise.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

22 Joulu 202521min