416. Fanny Lumsden on The Chicks 'Home' (2002)

416. Fanny Lumsden on The Chicks 'Home' (2002)

Today ARIA winning singer-songwriter Fanny Lumsden joins me to delve into a seminal record of both our youths - The Chicks’ final country album, 2002’s ‘Home’.
We talk about the album’s forgotten origins in the midst of a legal battle with the band’s record label, how they fused their bluegrass background with contemporary country and pop songwriting, how they used songs written by Patty Griffin, Darrel Scott and more to communicate their point of view, how Fleetwood Mac’s ‘Landslide’ was given a new lease on life by its inclusion on this album, “show off songs” and how the album influenced Fanny’s development as a young woman.

Jaksot(498)

449. Paul Thorn on Marshall Crenshaw 'Marshall Crenshaw' (1982)

449. Paul Thorn on Marshall Crenshaw 'Marshall Crenshaw' (1982)

This week, I'm joined by the poet laureate of Tupelo, Mississippi, mister Paul Thorn. Growing up as a preacher's son, Paul wasn't allowed to listen to secular music, so when he managed to sneak a copy of Marshall Crenshaw's perfect debut album, it became a constant and sole companion for years. Paul takes us with him on his journey with the album as he grew into a young man, and why the album still resonates with him today.

5 Syys 31min

448. Ryan Davis on Mayo Thompson 'Corky's Debt To His Father' (1970)

448. Ryan Davis on Mayo Thompson 'Corky's Debt To His Father' (1970)

Today I'm joined by singer-songwriter Ryan Davis to talk about an album that defines the phrase cult classic - Red Krayola frontman Mayo Thompson's only solo album 'Corky's Debt To His Father'. We talk about how the album came and went on release, only to be rediscovered by later generations following reissues in the 90s and 00s, the combination of Thompson's idiosyncratic vocals and lyrics with the slick session backing band, the influence on Ryan's own lyrics and music and how Ryan managed to get Mayo Thompson to perform the album in full for the first time ever at his 'Cropped Out' music festival.

27 Elo 26min

447. Shelby Means on Alison Krauss & Union Station 'So Long So Wrong' (1997)

447. Shelby Means on Alison Krauss & Union Station 'So Long So Wrong' (1997)

Today I’m joined by bluegrass singer, songwriter and superstar bassist Shelby Means, who this year finally released her debut self-titled solo album, to talk about the classic trailblazing bluegrass album by Alison Krauss & Union Station, ‘So Long So Wrong’. Shelby talks about how Krauss supplanted Emmylou Harris as her dad’s favorite singer, not understanding song lyrics as a kid, discovering the Beatles through bluegrass, the changing lineups of Union Station, the innovative production of the record, the tension between perfectionism and feel, Shelby's experiences recording with members of Union Station and more.

20 Elo 28min

446. Ian Stewart (Asleep At The Wheel) on Fiddlers 4 'Fiddlers 4' (2002)

446. Ian Stewart (Asleep At The Wheel) on Fiddlers 4 'Fiddlers 4' (2002)

Today I'm joined by Asleep At The Wheel's Ian Stewart to shine a spotlight on the cult classic fiddle super-group album 'Fiddlers 4' - Cajun legend Michael Doucet, old-time master Bruce Molsky, progressive bluegrasser Darol Anger, and cellist Rushad Eggleston. Ian talks about falling in love with the album as a kid attending fiddle camps, how the album fuses different styles and genre approaches from each member, polyrythms, cross tuning, the fiddle as a star instrument instead of accompanying, the one and done nature of the group, the sometimes prescriptive nature of roots genres, meeting all four Fiddlers 4 and playing one of the songs from the album with Michael Doucet.

14 Elo 22min

445. Sierra Hull on Alison Krauss & Union Station 'So Long So Wrong' (1997)

445. Sierra Hull on Alison Krauss & Union Station 'So Long So Wrong' (1997)

Grammy-nominated singer, songwriter and vurtuousic madolinist Sierra Hull joins me to talk about the pivotal classic album that brought a generation into bluegrass music, Alison Krauss & Union Station's 1997 LP 'So Long So Wrong'.

30 Heinä 34min

444. Dom Flemons on Linda Martell 'Color Me Country' (1970)

444. Dom Flemons on Linda Martell 'Color Me Country' (1970)

You may know my guest Dom Flemons as The American Songster, as a Grammy winner and multiple nominee, as co-founder of the Carolina Chocolate Drops, a radio host or as a music scholar and historian. Each strand is a facet that makes him one of the most interesting figures in American roots music, using his talents and platforms to illuminate it's underappreaciated histories and moving it forward into the future. Today he delves into the historic album from Linda Martell, 'Color Me Country'.

10 Heinä 30min

443. Will Johnson on The Replacements 'Let It Be' (1984)

443. Will Johnson on The Replacements 'Let It Be' (1984)

Texas titan Will Johnson joins me to discuss one of the pod's favorite bands, The Replacements, and their classic album 'Let It Be'.

6 Kesä 37min

442. Kayla Hall (Moody Joody) on Shania Twain 'Come On Over' (1997)

442. Kayla Hall (Moody Joody) on Shania Twain 'Come On Over' (1997)

Kayla Hall, one-third of Nashville indie-pop trio Moody Joody, joins me to talk about Shania Twain's iconic 1997 album 'Come On Over'.

26 Touko 23min

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