Harriet E. H. Earle, "Comics, Trauma, and the New Art of War" (UP of Mississippi, 2017)

Harriet E. H. Earle, "Comics, Trauma, and the New Art of War" (UP of Mississippi, 2017)

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres’s American Widow, Doug Murray’s The ’Nam, and Art Spiegelman’s much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

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Manuel Barcia, "Pirate Imperialism: Trade, Abolition, and Global Suppression of Maritime Raiding, 1825–1870" (Yale UP, 2026)

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In the middle decades of the nineteenth century, imperial powers around the world came into direct confrontation with local resistance in the form of maritime raiding. From the Atlantic basin to the w...

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Jane Vaynman, "Enemies in Agreement: Political Volatility and the Design of Arms Control" (Cambridge UP, 2026)

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Lewis Sage-Passant, "Beyond States and Spies: The Security Intelligence Services of the Private Sector" (Edinburgh UP, 2024)

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Andrew W. M. Smith, "Make Cheese Not War: Transnational Resistance and the Larzac in Modern France" (Manchester UP, 2026)

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John Bechtold, "U.S. Militarism and the Terrain of Memory: Negotiating Dead Space" (Taylor & Francis, 2024)

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12 Huhti 1h 2min

Thorsten Gromes, "Sustaining Peace After Civil War: Insights from 48 Recent Cases" (Springer, 2026)

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Andrew Thomas Park, "Sarah Wambaugh and the Plebiscite: The Turbulent History of a Democratic Alternative to War" (Cambridge UP, 2026)

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Hilary Matfess, "After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions" (Stanford UP, 2026)

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War offers opportunities for women to liberate their communities and build a better life for themselves. When women join rebel groups, they often take on new roles, cultivate new social networks, and ...

5 Huhti 52min

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