Permission to Rehearse

Permission to Rehearse

So many actors feel the need to deliver a performance in rehearsal. And yet, rehearsal is not a performance, nor should we expect what we do in rehearsal to be “the final performance”, but a work in progress, a building of the elements that will eventually lead to performance. Rehearsal is an opportunity to try new things, dig deeper, make sure that we have a specific relationship with everything we talk about. That means giving ourselves permission to *be* in rehearsal. It means *slowing down* to make sure every moment is clear and filled. As an outstanding example of this, we hear veteran actor Ben Daniels in rehearsal for The Normal Heart at the National Theatre. Brought to you by weaudition.com and anchor.fm I Don’t an Acting Class- the book is out now! Order at idontneedanactingclass.com

Jaksot(234)

Character Traits and Actions

Character Traits and Actions

Directors give performance or effect directions. It forces actors to play cliches. Figuring out the nature of a character trait or spine or personality frees an actor to play an action ... or an impul...

21 Huhti 16min

Actors Talk Acting

Actors Talk Acting

Last week I gave classes in Poland and it was extremely useful to have a fresh perspective on students who were slightly new to this way of working – and also affording an opportunity for actors to ta...

16 Huhti 16min

Working On A Monologue

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

7 Huhti 18min

The Actor's Personal Connection

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never b...

31 Maalis 14min

Talking Out

Talking Out

Revisiting the concept of talking out as a way to help actors own everything they think about a character and a play.

31 Maalis 13min

Living off your Partner

Living off your Partner

Building the character's attitude towards their partner is not only essential in playing a scene, it saves you. There's a danger, however, in building the attitude all on one level.

24 Maalis 14min

What to work on

What to work on

Sometimes I think we've just had too many classes - and too many teachers telling you what you have to do in order to play a part. An actor needs to develop the ability to figure out what is necessary...

18 Maalis 17min

Seeing What's Not There

Seeing What's Not There

The ability to visualize and live off images that are in the actor's imagination is a great skill to develop. It keeps you from acting in a vacuum,– to say nothing of solving the problem of a bad part...

13 Maalis 15min

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