Building the Past

Building the Past

This week, Milton addresses a frequently asked question: how much information do we need when building the past of a character? As individuals, we may desirer (or require) different facts or details or tools. However, there are some “indisputables.” It’s vital to be able to differentiate what information is essential in order for us to play a role, and this is a skill that develops with experience. When doing a play, especially a great play, the text will tell us what we need to build. And the deeper we dive into the “essentials,” the more complex our characters will be, and the more the world of the play comes alive— all in service of why it was written in the first place. Also, Milton goes on a rant about actions, which is always fun to hear. Have a question for Milton? Email him at questionsformilton@gmail.com

Jaksot(232)

Working On A Monologue

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

7 Huhti 18min

The Actor's Personal Connection

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never b...

31 Maalis 14min

Talking Out

Talking Out

Revisiting the concept of talking out as a way to help actors own everything they think about a character and a play.

31 Maalis 13min

Living off your Partner

Living off your Partner

Building the character's attitude towards their partner is not only essential in playing a scene, it saves you. There's a danger, however, in building the attitude all on one level.

24 Maalis 14min

What to work on

What to work on

Sometimes I think we've just had too many classes - and too many teachers telling you what you have to do in order to play a part. An actor needs to develop the ability to figure out what is necessary...

18 Maalis 17min

Seeing What's Not There

Seeing What's Not There

The ability to visualize and live off images that are in the actor's imagination is a great skill to develop. It keeps you from acting in a vacuum,– to say nothing of solving the problem of a bad part...

13 Maalis 15min

Talking Out Revisited

Talking Out Revisited

Actor work is not an intellectual exercise. And it’s not about “good writing.”It’s about experiencing.The audience doesn’t come to the theater for the words on the page. They come for the experience o...

3 Maalis 13min

The Technique Works!

The Technique Works!

Actors have a tendency to abandon their technique as soon as they get an audition – and leap to a performance. Just taking a little time to really think about the text makes an enormous difference.

24 Helmi 16min

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