Understanding The Playwright’s Struggle

Understanding The Playwright’s Struggle

This episode, an excerpt from Milton’s Script Analysis class, examines the importance’s of understanding the deeply human struggle of the playwright and how those struggles are infused into their characters. Using The Glass Menagerie, Milton talks about letting the “active facts” about a character seep into the actor’s consciousness over time, keeping in mind the enormity of the theme that the character represents. “One of the problems we have is that we don’t have a sense of our own personal struggles as being a big idea.” Have an acting question for Milton? Email him at: questionsformilton@gmail.com

Jaksot(232)

Working On A Monologue

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

7 Huhti 18min

The Actor's Personal Connection

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never b...

31 Maalis 14min

Talking Out

Talking Out

Revisiting the concept of talking out as a way to help actors own everything they think about a character and a play.

31 Maalis 13min

Living off your Partner

Living off your Partner

Building the character's attitude towards their partner is not only essential in playing a scene, it saves you. There's a danger, however, in building the attitude all on one level.

24 Maalis 14min

What to work on

What to work on

Sometimes I think we've just had too many classes - and too many teachers telling you what you have to do in order to play a part. An actor needs to develop the ability to figure out what is necessary...

18 Maalis 17min

Seeing What's Not There

Seeing What's Not There

The ability to visualize and live off images that are in the actor's imagination is a great skill to develop. It keeps you from acting in a vacuum,– to say nothing of solving the problem of a bad part...

13 Maalis 15min

Talking Out Revisited

Talking Out Revisited

Actor work is not an intellectual exercise. And it’s not about “good writing.”It’s about experiencing.The audience doesn’t come to the theater for the words on the page. They come for the experience o...

3 Maalis 13min

The Technique Works!

The Technique Works!

Actors have a tendency to abandon their technique as soon as they get an audition – and leap to a performance. Just taking a little time to really think about the text makes an enormous difference.

24 Helmi 16min

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