Choices That Free You

Choices That Free You

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This week, Milton talks about how essential it is to be in love with our choices. If we, as actors, don’t LOVE the choices we make, we won’t commit to them 1000%. We will end up pushing a performance and feeling stuck. But if we are relentless about finding choices that personally excite us, then we won’t have to work so hard once we get up on our feet. Choices that thrill us, free us. Have an acting question for Milton? Email him at: questionsformilton@gmail.com

Jaksot(234)

Character Traits and Actions

Character Traits and Actions

Directors give performance or effect directions. It forces actors to play cliches. Figuring out the nature of a character trait or spine or personality frees an actor to play an action ... or an impul...

21 Huhti 16min

Actors Talk Acting

Actors Talk Acting

Last week I gave classes in Poland and it was extremely useful to have a fresh perspective on students who were slightly new to this way of working – and also affording an opportunity for actors to ta...

16 Huhti 16min

Working On A Monologue

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

7 Huhti 18min

The Actor's Personal Connection

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never b...

31 Maalis 14min

Talking Out

Talking Out

Revisiting the concept of talking out as a way to help actors own everything they think about a character and a play.

31 Maalis 13min

Living off your Partner

Living off your Partner

Building the character's attitude towards their partner is not only essential in playing a scene, it saves you. There's a danger, however, in building the attitude all on one level.

24 Maalis 14min

What to work on

What to work on

Sometimes I think we've just had too many classes - and too many teachers telling you what you have to do in order to play a part. An actor needs to develop the ability to figure out what is necessary...

18 Maalis 17min

Seeing What's Not There

Seeing What's Not There

The ability to visualize and live off images that are in the actor's imagination is a great skill to develop. It keeps you from acting in a vacuum,– to say nothing of solving the problem of a bad part...

13 Maalis 15min

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