Thunder From The Witch's Cauldron: BURNING WITCHES Bassist Talks Magic, Metal And Aussie Tour Debut

CKY are the flag bearers for big, raw, authentic, earth-shaking rock liberated from useless pretence. They burned it all down, with a raucous, anarchic rock sound soaked in the skate-punk culture that birthed them; and a hard-partying lifestyle onstage and off that left decimated relationships and reputations in its wake.Boasting a collection of killer rock anthems like 99 Quite Bitter Beings, Flesh Into Gear, Escape From Hellview and Familiar Realm, CKY's music is a huge part of the infamous Jackass TV series as well as just about every skate and surf compilation of the era and covered by the likes of modern superstars Polyphia, leaving a highly influential imprint on the current punk/alternate scene.Following the infamous incident that forced the cancellation of their participation in the co-headline tour with Alien Ant Farm, CKY are finally making their way to Australia in January for three very special shows. HEAVY sat down with drummer Jess Margera to find out what to expect.We can't help but point out it has been well over a decade since CKY were last out here. "I can't believe it's been 14 years, that's crazy." Jess laughed. We follow by asking what has changed with the band since the last tour."We have a new bass player, Mike Leon," he replied, "and man, he's a shredder. He worked with the Cavalera's, and he did some stuff with that new band IIgor. It's really cool. He makes my job easy (laughs)."Talk turns to the early days of CKY and where they fit into the music scene."Same as now, we don't really fit in anywhere," Jess laughed, "which is a blessing and a curse. We've been doing this a long time, and a lot of bands can't really say that. So, it's funny when we play the festivals, because they don't know where to put us. We've played the metal stage, the punk stage, the rock stage… It's funny in that respect, but I think having our own sound has definitely afforded us to have a career. I don't take that for granted at all."In the full interview, Jess talks more about touring, emphasizing the challenges of maintaining their high-energy live performances as the band ages, particularly in hot weather, while also addressing the complexities of curating a set list that appeals to a diverse fan base by analyzing streaming data.Jess shared insights into CKY's unconventional rise to fame, highlighting the influence of skate culture and media appearances, including stunts for Jackass that sometimes led to injuries and tour cancellations. The conversation also touched on the band's eclectic musical style, their instinctual creative process, and the decision to release new music as singles in response to evolving listener habits, alongside reflections on memorable touring experiences, particularly in Japan.TOUR DATESFriday, Jan 23: Max Watts, MelbourneSaturday, Jan 24: Crowbar, SydneySunday, Jan 25: Crowbar, BrisbaneBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

27 Loka 12min

In a relatively short amount of time as far as the music industry goes, Swedish rock outfit Smash Into Pieces have quickly risen to become one of the leading exponents of rock on the planet. After twice reaching the Swedish Eurovision final and delivering a string of consistently quality albums, the band found themselves on the international stage and touring with bands of the calibre of Evanescence and Within Temptation.But if you think getting somewhere near the top is hard, it's even harder staying there. All of a sudden, the weight of expectation falls heavier on your shoulders, and new music is critiqued on a level never experienced before. Which is why the next album from Smash Into Pieces couldn't just be as good as previous releases. It had to be better.Which is exactly what Smash Into Pieces have achieved with Armaheaven, to be released on October 31. Continuing the battle between humanity and AI where previous album Ghost Code left off, Armaheaven paints an even bleaker picture of humanity's future, set to the backdrop of a cinematic and sonically abundant tapestry of riches throughout its 15 tracks. It is another step forward in the evolution of Smash Into Pieces, and reaffirms their growing status with an almost effortless ambience that hints at even more expansion to come.HEAVY sat down with frontman Chris Sörbye to find out more."We have been working on this album for a long time," he told us. "There's a lot of songs there that have been with us for a long time, which we haven't really had the time to finish. For example, Devil In My Head has been with us for almost five years now. We didn't know what to make of that song in the early stages, but it turned out great."In the full interview, Chris talks more about the musical side of Armaheaven, how it continues from Ghost Code, runs us through the storyline and gives some insightful thoughts into AI.He talks us through the guest artists on the album, including Elize Ryd from Amaranthe and the history between the two bands. The topic of integrating cinematic scores into their music was discussed, as was the art of conveying emotion through atmospherics in the studio. Talk turned to their recent tour of Australia, the ever-evolving sonic palate explored by Smash Into Pieces and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

27 Loka 29min

Celebrating twenty years in the music industry is a great achievement in itself, but celebrating 20 years of sustained success is even better. Bursting out of the blocks with their 2007 debut album The Way Of The Fist, Five Finger Death Punch were on a collision course with the rest of the world, laying the foundations for a turbulent yet continual upwards trajectory.By the time War Is The Answer followed two years later, the band were notorious for their rebellious spirit and ruthless approach to music, but love them or hate them, there was no denying Five Finger Death Punch were the real deal. For every one person who hated the band, there was another ten who loved them, and despite the public perception that 5FDP were the bad boys of metal, they maintained their belief and integrity and stayed on course.Now, 20 years later, that trajectory is available for the world to share when Volume 2 of the band's Best Of double header is released on October 24 via Better Noise Music. Both albums feature music entirely re-recorded, with 5FDP tenaciously clinging to the notion that their music was to be celebrated, not recycled. On the eve of the release of Volume 2, HEAVY sat down for a chat with guitarist Zoltan Bathory to relive the journey that has been two decades in the making."It's kind of crazy, because by doing this little exercise of recording these songs, we got to sort of revisit our past, you know?" he began. "Because we are a forward-facing band, like what's next? Where are we going? What's the next thing we're doing? So it's not really that we're looking into the rearview mirror so much, and so this was kind of crazy, looking back… 20 years… if I had to put some money in and bet, I probably would bet against us (laughs). I would have lost, because not many bands make it that long. It's difficult. And from all bands, this was like… it was a fire tornado or whatever for the last 20 years (laughs)."We ask Zoltan which of the two Best Of albums is his personal favourite."Each record has amazing moments, and both records have a song that has a feature," he measured. "The first one had Maria Brink, and that song became a number-one song. And it made a lot of sense. A lot of people don't know this, but In This Moment, and Maria and Five Finger Death Punch, our history is kind of intertwined. Not many people know this, but there was a band in Los Angeles that was a local band that was fairly big locally, but never really made it. And when this band fell apart, half of the band became In This Moment, and the other half went to Five Finger Death Punch. Then they got the record deal, I think, with Century Media. Then we got ours and we sort of grew in the same time. They were heavier, so they kind of went into that direction. We had radio songs, so the band obviously blew up."In the full interview, Zoltan takes us into both albums in greater detail, highlighting the guest artists on each and why they were chosen. He explained the band's decision to re-record everything rather than re-mix it or touch it up with technology, and relayed some fun stories from their studio time.We spoke about the never-before-released live songs on Volume 2 and how the band chose which songs to put on each album and why. Zoltan shared insights into changing certain bits of the songs, and if that was a rehearsed or jammed in the studio decision, what songs he may have fallen back in love with again during the process, plus he also revealed details of planned new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

23 Loka 17min

Interview by Kyra-Jade CoombsOnly recently I celebrated my five-year anniversary with HEAVY Mag and over the years I’ve had the privilege of meeting and interviewing some of the world’s biggest music stars, living out my wildest music nerd dreams. Nerves come and go depending on who it is that I’m interviewing, and ‘normally’ I hold my shit together. Today? Oh boy… Don’t get me wrong, I jumped at the opportunity to have a chat with Wolfgang Van Halen, although it wasn’t until I somehow blasted through THREE, yes three, whole pages of questions I wanted to ask that I sat back and reflected on the gravity of the occasion. I thought about what his music means to me, what his family’s music means to me, and how insane it was that I would be casually chatting to Wolf from my little office in Australia.Wolf’s newest album from his band project Mammoth, The End, is due for its release on October 24, and this was a major topic interview. I wanted to know how this recording experience at the legendary 5150 Studios varied from his other Mammoth albums and what it was like to work with Robert Rodriguez on his self-titled film clip that honours the 1996 Quentin Tarantino horror film From Dusk Till Dawn as it celebrates turning 30 next year. If you haven’t already, do yourself a favour and watch it. Many Easter eggs await to be spotted… I’ll wait, hurry back...Being a man of many hats, or instruments rather, I felt I already knew what his stance would be about this particular question, although trying to be a good journalist, I wanted to ask about AI/technology and see how he felt about its place in the music industry. His answer was pretty much F$%K AI. "There's no soul or heart behind it. It makes hot dogs - it’s all gross stuff and none of it is real". Great answer, and honestly, if I’m going to trust anyone’s opinion on the matter, it’s going to be the guy who’s taught himself instruments without asking a computer to ‘fill in the gaps’. AI has its place in mundane tasks, not in our creative community.This was such a fun interview. We covered a lot of ground mapping out his music journey this far, dropping cool stories and treasured memories from over the years that only a Van Halen fan could subtly sprinkle in. Look, I could carry on all day - this is only meant to be a quick summary, go ahead and check out the video below and have Wolf tell you all about it himself!Get ready to have your f*#$king socks blown clean off. The End is near, and for once, everyone is running towards it. Be prepared to turn it up LOUD with your air guitar and drum sticks ready on stand by.Bye, legends!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

22 Loka 16min

Sean Martin from The Quarantined took some time out recently to catch up with HEAVY Mag's Ali Williams to chat about their new release Nemesis (Friend of Mine), overcoming toxic relationships and algorithms and what the next chapter for the band entails. Discussing the creative process of songwriting and their musical influences and intentions, Sean explains the origin of their song Nemesis (Friend of Mine), which started as a poem inspired by a sudden burst of creativity. The transformation from poem to song presented challenges, especially in conveying the depth of the lyrics in a musical format. He goes on to talk about blending different musical genres, such as rock and pop rhythms, saying their goal was to capture the emotional energy of the lyrics while drawing inspiration from various music styles, including Aaliyah’s Tell Me You're That Somebody. Martin details the meaning and influences behind the lyrics of their new track, noting the song addresses themes of paranoia, confrontation, and understanding narcissistic behaviours. It reflects on overcoming manipulation and the personal growth that comes from understanding difficult personalities. These guys had the incredible opportunity to be recorded at Blackbird Studios in Nashville, which contributed a warm sonic quality to the music due to the use of historic equipment. Martin recalls the recording sessions were a calm experience, leading to a sound that improved upon previous versions. The production process involved collaboration with studio musicians who were given creative freedom within the framework of Sean’s original composition. This approach ultimately led to a more refined and satisfying final product. The Quarantined’s music often addresses political and social issues, aiming to promote free thinking and cautioning against fascism. He touches on the current state of societal discourse in the U.S., emphasizing the importance of diverse perspectives, acknowledging that he feels that artists and musicians, particularly from the US are in a position where the ability to express political and social commentary through music has been reduced to virtually impossible unless you want to be cancelled. Drawing heavily on a blend of punk, metal, and hip-hop influences, Martin describes it as a watering down of the essence of what those genres stand for, highlighting the similarities between these genres in terms of their energy and message. The goal is to create music that resonates across different audience segments. Ideally, without enraging the public or facing adversary reaction. The Quarantined’s new release Nemesis (Friend of Mine) is out now and available on all platforms.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

22 Loka 38min

Few bands in history have left such a lasting impression in music as Santa Barbara funk metal outfit Snot.Forming in 1995, Snot released just one album before having their career cut short by the tragic death of frontman Lynn Strait. Despite their short time as a band, such was the impression left by Lynn and Snot that after his death, a tribute album called Strait Up was recorded in his honour, featuring everyone from Slipknot to System Of A Down to Sevendust paying tribute to the man and his music.Snot's fusion of genres - before it was common to do so - stood them out from other bands of the era, with their blending of hardcore, punk, nu metal and funk combining for the masterpiece that was their debut album Get Some.The band have flirted with the idea of reigniting the flame with a new frontman several times since Lynn's passing, but until recently, and buoyed by the resurgence of nu metal, have failed to find that elusive spark that ignited three decades ago to create pure musical magic.Next January, for the first time in over a decade, Snot return to Australia for a run of shows with Soulfly and Nailbomb - including Froth & Fury Festival - with vocalist Andy Knapp (Stronger Than Machines) to introduce a new generation to the power of music. HEAVY spoke with bass player John Fahnestock to find out what to expect. We start by running over the three touring bands - Soulfly, Nailbomb and Snot - and reiterate the quality of music in one package."Soulfly and Nailbomb, right," John laughed. "They are good friends of ours. We have known each other for, God, going on 25 years or more. Mikey (Doling, founding member and guitarist) also played in Soulfly after Snot, after Lynn had passed. So, we're out on the road with family again. We played with Soulfly in Mexico City back in May and rekindled our friendship, and here we are coming to Australia now."We ask John about their new vocalist, Andy Knapp, and what they were looking for in a frontman after trialling two previous vocalists in Tommy Vext and Carl Bensley."I think the whole thing is a lot different now," he measured. "We are pretty much saying Snot is back at this point. We finally found in Andy what we basically were dreaming of having, and I'm not saying anything negative on the past singers that we had. Before, when we put Snot back together, it wasn't like 'we're reforming, we're back', anything like that. We were just more doing it for fun, for the love of music, the love of Jamie and Mikey and myself playing together.And we were like, let's go out and play the songs, you know? But it wasn't seriously saying we're back and coming back here to stay, like we are now. It's a blessing to have found Andy and what he's doing, and obviously, the response from the fans has been nothing but positive."In the full interview, John spoke more about the upcoming Australian shows, what has changed with the band in the decade since they were last here and what we can expect. He spoke more about welcoming Andy Knapp as frontman and what sorts of things Snot were looking for in their new vocalist.He told us about the first show with Knapp and how old time fans reacted, how Snot's music relates with modern audiences, and how their sound shaped a generation of bands. We talked about the early days of Snot and the musical climate that gave birth to the band, their initial sound and how they found the balance between genres, including how to know when or if they had gone too far in one direction or not far enough in another.We spoke about the impact of Snot's debut album, Get Some, and the band's initial feelings on the album, including Lynn Strait's early vision for Snot and his musical passion. John delved deeper into the tribute album Strait Up and the contributions of the many bands, new music the band have written and if that will translate into a full album and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

21 Loka 19min

Interview by Ali KBrisbane’s Community radio station 4ZZZ is celebrating 50 years of being on the airwaves. Known for being the springboard for most of Brisbane’s best-known musicians and bands, the station has been an integral part of their journeys. The day will be market day style, reminiscent of the original market days 4ZZZ held at Roma Street Parklands. Regurgitator have well and truly formed their position as one of Brisbane’s most well-known artists who, like many before and after, had their music on radio hosts' playlists at Zed Headquarters. Joining The Gurg on the line-up for Saturday’s celebrations will be The Saints, Butterfingers, Tropical Fuck Storm, Big Noter, Screamfeeder, Party Dozen, Flangipanis, plus many more. The Gurg's Ben Ely shares with HEAVY some of that nostalgia, noting that their reappearance on the stage at The Parklands will be the first time they’ve played since their initial gig there back in 1994. With a whopping four songs they’d written and an old drum sampler that played sounds of dogs barking and glass shattering, Regurgitator took to the stage and gave it all they had, having to play two songs twice in order to fill the time slot. The Gurg also announced their JUKEBOXXIN Tour, which kicks off in November. These guys have locked in for the long haul, taking their tour literally everywhere through until around August 2026, including New Zealand and Japan. They will be playing all 58 of their singles over an extended show that’ll be in two sets. Joining them as support will be South Australia’s Dem Mob. Tickets and event details for Zed 50 can be found at Oztix or via https://4zzz.org.au. Tickets and event information for Regurgitator’s JUKEBOXXIN Tour can be found at https://www.regurgitator.netBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

21 Loka 21min

In the more than two decades since the band's launch, Sabaton has headlined major festivals, sold-out arena concerts worldwide, and gained a legion of loyal fans by carving out a reputation as one of the hardest-working bands in the business. Since their 2005 debut album, they’ve earned Gold, Platinum, and multi-Platinum certifications in territories around the world with their 10 studio albums. Eight of their albums scored Top 10 international chart status, and six claimed the Top 5. SABATON has earned eight Metal Hammer/Golden Gods Awards nominations, taking home the award for Breakthrough Artist in 2011 and Best Live Band in three different years, and a Grammis nomination (Swedish equivalent to the U.S. Grammy Award) as Best Heavy Metal band.Now, Sabaton return with their newest album and perhaps greatest triumph, Legends. LEGENDS marks the very first time that every band member has come together to contribute to the songwriting process. This is SABATON as you’ve never heard them before—relentless and unbound. LEGENDS is a global journey through the annals of warfare, leadership and unbreakable will.Throughout the album, SABATON—Joakim Brodén (vocals), Pär Sundström (bass), Chris Rörland (guitar), Thobbe Englund (guitar), Hannes Van Dahl (drums)—delve into some of history’s greatest and most loved characters such as Jeanne D’arc (also known as Joan of Arc), Hannibal, Genghis Khan, Vlad the Impaler, Julius Caesar, the Knights Templar, and the legendary swordmaster Miyamoto Musashi.HEAVY caught up with frontman Joakim Brodén to find out more."We're an evolutionary band, not a revolutionary band," he began, "so every album is a little bit of an evolution. It's never going to change completely between albums. If you listen to our first album and our last album, with this one, there's a huge difference. But between the albums, it's usually a smaller step or a slightly bigger step. And I think this is a slightly bigger step, actually, maybe because the previous two albums were about World War One, and now we're jumping in history. We are covering everything from Ancient Egypt - that's 1800 before Christ - to Napoleon 1800 after Christ, and jumping both in time and geographically, quite a bit in between there. So I think that has sort of influenced the music and the sound to a certain extent."In the full interview, Joakim discussed Sabaton's latest album Legends, detailing the lengthy process of its completion and the band's evolutionary approach to music. Joakim explained the criteria for selecting historical figures honoured in their songs, emphasizing a literal interpretation of legends and sharing personal connections to figures. He expressed surprise at the philosophical insights of Miyamoto Musashi discovered during songwriting and discussed his creative process, which includes managing writer's block.The conversation also touched on the limited edition vinyl of Legends, the band's commitment to diverse music formats, and upcoming tours in Europe, the US, and Canada, highlighting the excitement of live performances and audience engagement and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Loka 17min