Why Your Acting Choices Must Feed the Material

Why Your Acting Choices Must Feed the Material

In this episode, Milton Justice explores the critical concept of matching your acting choices to the specific material you're working with. Using examples from his recent work with students, Milton demonstrates how actors often make the mistake of building relationships and emotions that don't serve the genre or tone of their project. He discusses a student working on a romantic comedy whose choices weren’t serving the genre, and another student writing a letter for "All My Sons" that was intellectually brilliant but wrong for the character. Milton emphasizes that while connection exercises are important for learning technique, actors must understand the form they're working in - whether it's a complex play like "All My Sons," a simple TV procedural, or a romantic comedy. He also shares insights about his upcoming acting studio in NYC and reflects on his experience directing "The Glass Menagerie."


www.theactorlab.nyc

www.idontneedanactingclass.com

Jaksot(234)

Character Traits and Actions

Character Traits and Actions

Directors give performance or effect directions. It forces actors to play cliches. Figuring out the nature of a character trait or spine or personality frees an actor to play an action ... or an impul...

21 Huhti 16min

Actors Talk Acting

Actors Talk Acting

Last week I gave classes in Poland and it was extremely useful to have a fresh perspective on students who were slightly new to this way of working – and also affording an opportunity for actors to ta...

16 Huhti 16min

Working On A Monologue

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

7 Huhti 18min

The Actor's Personal Connection

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never b...

31 Maalis 14min

Talking Out

Talking Out

Revisiting the concept of talking out as a way to help actors own everything they think about a character and a play.

31 Maalis 13min

Living off your Partner

Living off your Partner

Building the character's attitude towards their partner is not only essential in playing a scene, it saves you. There's a danger, however, in building the attitude all on one level.

24 Maalis 14min

What to work on

What to work on

Sometimes I think we've just had too many classes - and too many teachers telling you what you have to do in order to play a part. An actor needs to develop the ability to figure out what is necessary...

18 Maalis 17min

Seeing What's Not There

Seeing What's Not There

The ability to visualize and live off images that are in the actor's imagination is a great skill to develop. It keeps you from acting in a vacuum,– to say nothing of solving the problem of a bad part...

13 Maalis 15min

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