Ruth Wilson - Be Challenged By What Disgusts You

Ruth Wilson - Be Challenged By What Disgusts You

Ruth Wilson MBE has made a habit of tackling psychologically demanding roles. You’ll know her from playing a mother grieving the loss of her child in The Affair, a sociopathic research scientist in Luther or even from her acclaimed stage performances in Anna Christie and King Lear. Now, Wilson is back with Apple TV's Down Cemetery Road, based on novels by Mick Herron. She stars opposite Emma Thompson, as an art restorer swept up in a high stakes crime drama. We talk about her getting rejected from Oxford University, her failure to run the London Marathon in the way she envisaged and the power of aging naturally. Plus: how her father’s Alzheimer’s diagnosis has helped her live in the present. A beautiful and intelligent conversation with a phenomenally talented actor. ✨ IN THIS EPISODE: 00:00 Introduction 02:11 The Power of Art 04:07 Working with Emma Thompson 07:04 Aging Naturally 08:57 Getting Rejected From Oxford 14:04 Grandfather Being a Spy & a Bigamist 20:21 A Very Royal Scandal 23:36: The London Marathon 31:37 Failing to Trust The Creative Process 38:30 The 24-Hour Play 💬 QUOTES TO REMEMBER: ‘People are endlessly fascinating and surprising. They're never what you expect and you can find connections with anyone.’ ‘I think it's important to face things you don't want to see, because only then will you grow. Only then will you live properly.’ ‘Our gift as a human is to be able to think and feel. So, do it and be challenged.Be challenged by what disgusts you.’ 🔗 LINKS + MENTIONS: Ruth stars in Down Cemetery Road - watch on Apple TV Join the How To Fail community: https://howtofail.supportingcast.fm/#content Elizabeth’s Substack: https://theelizabethday.substack.com/ 📚 WANT MORE? Sharon Horgan - talks about drama school, auditions and a very personal failure: her marriage https://link.chtbl.com/hR7kycoN Simon Callow - reflects on how admitting vulnerability around his sexuality and ambition shaped his career and self-belief swap.fm/l/3PddGvv8lKReXT5WJRWl Gugu Mbatha-Raw - on how failing at ballet led to her succeeding at acting. Plus: resisting typecasting, dealing with difficult co-stars and how her restlessness drives her forward https://link.chtbl.com/wDCLLc94 💌 LOVE THIS EPISODE? Subscribe on Spotify, Apple or wherever you get your podcasts Leave a 5⭐ review – it helps more people discover these stories 👋 Follow How To Fail & Elizabeth: Instagram: @elizabday TikTok: @howtofailpod Podcast Instagram: @howtofailpod Website: www.elizabethday.org Elizabeth and Ruth answer YOUR questions in our subscriber series, Failing with Friends. Join our community of subscribers here: https://howtofail.supportingcast.fm/#content Have a failure you’re trying to work through for Elizabeth to discuss? Click here to get in touch: howtofailpod.com Production & Post Production Coordinator: Eric Ryan Engineer: Matias Torres Assistant Producer: Suhaar Ali Producer: Nia Deo Senior Producer: Hannah Talbot Executive Producer: Carly Maile How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episoder(374)

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Amy Jackson Westwick - I Was A Magnet For Narcissists

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23 Mar 20min

Atomic Kitten’s Natasha Hamilton - ‘We were young and working-class. We were dismissed.’

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Natasha Hamilton was 16 when she signed a record deal with the girl band, Atomic Kitten. The group went on to sell over 10 million records and achieve three UK Number One singles including Whole Again...

18 Mar 1h

ON MOTHERHOOD… with Jessie Ware and Francesca Segal

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Motherhood is often portrayed purely as a joyful, magical chapter of life – and while it certainly can be – we rarely speak openly about the hard, exhausting and deeply challenging truths. In this ep...

16 Mar 19min

Rosamund Pike - ‘Failure Is Pretending To Be Someone You’re Not’

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