Completely Conspicuous 669: Fight the Good Fight

Part 1 of my conversation with guest Jay Breitling about our favorite music of 2025.

Show notes:

• The 17th annual year in music review
• AI-generated music is lame
• Especially fake music that purports to be by real artists
• Spotify is a juggernaut that still sucks
• Checking out other services (Qobuz, Amazon)
• You don't get to own downloads via streaming services
• The kids love the K-pop
• Only a handful of artists make any money these days
• Oh yay, LIve Nation is going to get richer
• Ticketmaster is now a ticket reseller as well
• We're still seeing the live rock
• Breitling: Thumbs up for the Aimee Mann/Ted Leo Christmas show
• Saw Oasis in Mexico City
• We both saw Hallelujah the Hills
• Kumar: Saw Frank Black, Narducy/Shannon do R.E.M., Gang of Four with Ted Leo, Bob Mould, Greg Norton, Ducks Ltd., Pixies, the Who, Buffalo Tom
• Breitling's bubbling under music picks: Ava Luna, Lifeguard, Winter, Frankie Cosmos, Golden Apples, Lemonheads, Sister Ray Davies, Jeff Tweedy, Glimmer, Tiberius, Telephone Numbers
• Kumar's honorable mentions: Tweedy, The Convenience, Snocaps, Turnstile, The Hives, Viagra Boys, Pulp, Car Seat Headrest, Charm School, Horsegirl, Superchunk, Pile, The Beths, Tony Molina, Sharp Pins, They Are Gutting a Body of Water, Militarie Gun, Kestrels, Destroyer, Dean Wareham, Kinski, Ty Segall, Stereolab, Lunchbox, Cam Keiber, Husker Du and Replacements box sets
• Breitling's #10: Autocamper's debut asks a valid question
• Kumar's #10: Debut solo release from TV On the Radio's Tunde Adebimpe
• Breitling's #9: Energetic indie rock from Chicago's OK Cool
• Kumar's #9: Ripper out of nowhere from The Men
• Breitling's #8: Urgent EP about ancient Greece by Strange Passage
• Reunion tours with strange combinations
• Triumph is coming around next year
• To be continued
• Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review!

  The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.