The Train Wreck Ahead

Episode #501: “There were events going on in the world that I really cared about,” says investigative journalist Emanuel Stoakes as he reflects on the path that eventually drew him into reporting on Myanmar’s human rights crises. He began reporting on events there in 2012, first covering the Kachin conflict before turning to the Rohingya crisis.

When he visited the Rohingya camps in 2013, he was shaken by the scale of deprivation: children with preventable disabilities, untreated burns, and even signs of polio. Outside the camps, he witnessed entrenched anti-Rohingya sentiment, reinforced by decades of propaganda. Conversations with nationalist Rakhine politicians exposed openly dehumanizing views, exemplified by one official’s dismissal of rape allegations because, he claimed, Rohingya women were “dirty, smelly women.”

Stoakes also describes meeting the nationalist monk Wirathu, who warned that he was asking “very dangerous questions.” Leaked military psychological-operations documents later confirmed what he suspected: the military deliberately stoked communal hatred by spreading fabricated rumors and portraying Muslims as a demographic threat. He saw similar patterns in Meiktila after the 2013 riots, where footage revealed organized brutality against Muslims, including burned victims and dead children. And although the UN had published a report in 2012 after the sectarian violence in Sri Lanka that pledged to stop such atrocities from happening again, it completely failed in Myanmar. Its agencies were divided: development offices prioritized access while human-rights staff issued unheeded warnings, and the Burmese military played one side against the other, effectively marginalizing opposing voices.

Since the 2021 coup, he sees a “national awakening” among many Bamar who now experience state violence themselves. But he stresses that sympathy alone is not enough. He believes Myanmar’s future depends on sustained resistance, institutional reform, and supporting local journalists who can tell the country’s story with depth and clarity.