Pt. 2: So Much More Than Ourselves

Pt. 2: So Much More Than Ourselves

This week, Milton continues the conversation of expanding the characters we play far beyond ourselves. While it’s true that our choices must feed us as actors, our choices must also feed our characters (who don’t know they are living out our choices— they’re just living their lives— and will respond to our choices differently than we will.) In this episode Milton uses the example of Willy Loman in Death of a Salesman, and how even though he may instinctively understand different aspects Willy’s circumstances because of his own life experience, he also instinctively doesn’t start with himself and explores the choices that feed both him and Willy. Have a question for Milton? Email him at questionsformilton@gmail.com

Episoder(232)

Working On A Monologue

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

7 Apr 18min

The Actor's Personal Connection

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never b...

31 Mar 14min

Talking Out

Talking Out

Revisiting the concept of talking out as a way to help actors own everything they think about a character and a play.

31 Mar 13min

Living off your Partner

Living off your Partner

Building the character's attitude towards their partner is not only essential in playing a scene, it saves you. There's a danger, however, in building the attitude all on one level.

24 Mar 14min

What to work on

What to work on

Sometimes I think we've just had too many classes - and too many teachers telling you what you have to do in order to play a part. An actor needs to develop the ability to figure out what is necessary...

18 Mar 17min

Seeing What's Not There

Seeing What's Not There

The ability to visualize and live off images that are in the actor's imagination is a great skill to develop. It keeps you from acting in a vacuum,– to say nothing of solving the problem of a bad part...

13 Mar 15min

Talking Out Revisited

Talking Out Revisited

Actor work is not an intellectual exercise. And it’s not about “good writing.”It’s about experiencing.The audience doesn’t come to the theater for the words on the page. They come for the experience o...

3 Mar 13min

The Technique Works!

The Technique Works!

Actors have a tendency to abandon their technique as soon as they get an audition – and leap to a performance. Just taking a little time to really think about the text makes an enormous difference.

24 Feb 16min

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