Pt. 2: Let the Play Tell You What to Work On

Pt. 2: Let the Play Tell You What to Work On

This episode features a work session with Kaleb on the character of Joe Pitt in Angels in America. It’s a rough one. But we’re not releasing this to abuse Kaleb any more than he already has been. We’re sharing this because so many of us make the mistake of inventing a backstory or past that has nothing to do with the facts of the play, don’t serve the play and therefore don’t help us ground ourselves in the reality of the circumstances as actors. When we invent an imagined past that is not connected to the facts of the play, it has to do with our own personal experience and preconceived notions. This is why using our own lives to create a character is such shaky territory. This session is also a reminder that even when we are building something factual, we have to be connected to them. As Stella Adler said: “the facts must be filtered through the imagination and become the experience of the facts.” Have an acting question for Milton? Email him at: questionsformilton@gmail.com

Episoder(234)

Character Traits and Actions

Character Traits and Actions

Directors give performance or effect directions. It forces actors to play cliches. Figuring out the nature of a character trait or spine or personality frees an actor to play an action ... or an impul...

21 Apr 16min

Actors Talk Acting

Actors Talk Acting

Last week I gave classes in Poland and it was extremely useful to have a fresh perspective on students who were slightly new to this way of working – and also affording an opportunity for actors to ta...

16 Apr 16min

Working On A Monologue

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

7 Apr 18min

The Actor's Personal Connection

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never b...

31 Mar 14min

Talking Out

Talking Out

Revisiting the concept of talking out as a way to help actors own everything they think about a character and a play.

31 Mar 13min

Living off your Partner

Living off your Partner

Building the character's attitude towards their partner is not only essential in playing a scene, it saves you. There's a danger, however, in building the attitude all on one level.

24 Mar 14min

What to work on

What to work on

Sometimes I think we've just had too many classes - and too many teachers telling you what you have to do in order to play a part. An actor needs to develop the ability to figure out what is necessary...

18 Mar 17min

Seeing What's Not There

Seeing What's Not There

The ability to visualize and live off images that are in the actor's imagination is a great skill to develop. It keeps you from acting in a vacuum,– to say nothing of solving the problem of a bad part...

13 Mar 15min

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