170 – Billy Ward: Creating & Nurturing Your Own Voice, “Practice Playing”, Learning to Judge Yourself Harshly
Working Drummer31 Mai 2018

170 – Billy Ward: Creating & Nurturing Your Own Voice, “Practice Playing”, Learning to Judge Yourself Harshly

Billy Ward is a Grammy awarded drummer, music educator, recording engineer and producer. Just a few of the people Billy’s Recorded and/or toured with include B. B. King, Robbie Robertson, Carly Simon, Richard Marx, The Knack, Yoko Ono, Joan Osborne, Ace Frehley, Glen Cambell, Art Garfunkel, David Crosby & Jimmy Webb just to name a few. Billy has recorded on more than 50 sound tracks for feature films including a musician’s favorite – That Thing You Do! , where Billy taught actor Tom Everett Scott to play the drums and was on the set as a consultant. Two records have been released under Billy’s name. Two Hands Clapping, and The Billy Ward Trio – Out The Door. Billy has been engineering in his private studio, DrumPike, since 1990. Billy has produced numerous drum tracks for famous and not yet famous artists out of DrumPike. As an educator, his two instructional DVDs, Big Time ( a Modern Drummers Readers Poll Award winner) and Voices In My Head have won raves from critics as well as fellow drummers. Billy occasionally travels anywhere in the world to play but he LOVES the close contact with students when performing Drum Clinics and Master Classes. His book, “Inside Out – The Mental Aspects of Drumming”, further demonstrates Billy’s ability to clearly explain the difficult challenges that working musicians face. In this episode, Billy talks about: Money, the arts, and the divide The state of the music industry His short time and experience in Nashville Creating and nurturing your own voice Billy’s book: Inside Out His lesson with Elvin Jones at 17 Being concerned with how you are at your worst “Practice Playing” Giving back to the drumming community His DVD’s: Big Time, Voices in My Head & Modern Drummer fest – 2000 & 2008 Learning to judge yourself harshly Recording drums for movie sound tracks Billy endorses: Zildjian Cymbals, DW Drums, ProMark sticks, Gator cases This episode is sponsored by Session Ace

Episoder(562)

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562 - Chaun Horton: Playing with Lauren Daigle, Family Life in Sweden and Work Life in Nashville, "Playing in the Crossroads"

Growing up in Rochester, New York, Chaun Horton was birthed into a love of music. Under the tutelage of his father, a church organist, Chaun first learned his craft by playing for local choirs, then e...

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561 - John Spittle: Drumming for Trace Adkins, Developing Pocket and Feel, Three Generations of Drummers

561 - John Spittle: Drumming for Trace Adkins, Developing Pocket and Feel, Three Generations of Drummers

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560 - Bruno Esrubilsky: Playing with Mitzki, Supporting the Artist (not just the song), Letting His Brazilian Shine Through

560 - Bruno Esrubilsky: Playing with Mitzki, Supporting the Artist (not just the song), Letting His Brazilian Shine Through

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559 - Marc Slutsky: Drumming for Peter Murphy, Practicing at the Micro Level, Staying Curious

559 - Marc Slutsky: Drumming for Peter Murphy, Practicing at the Micro Level, Staying Curious

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19 Mar 1h 32min

558 - Jeff Hamilton: Falling in Love with Sound, Music vs. Drumming, Approaching Music with Joy & Humor

558 - Jeff Hamilton: Falling in Love with Sound, Music vs. Drumming, Approaching Music with Joy & Humor

Jeff Hamilton attended Indiana University and later studied with John Von Ohlen. Hamilton was influenced by Gene Krupa, Buddy Rich, Mel Lewis, “Philly” Joe Jones, and Shelly Manne. In 1974, he got his...

12 Mar 1h 6min

557 - Chris Stankee: SABIAN’s Director of Artist & Public Relations, Sabian Lore, Memories of Neil Peart

557 - Chris Stankee: SABIAN’s Director of Artist & Public Relations, Sabian Lore, Memories of Neil Peart

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556 - Nate Felty: Playing with Zach Top, Handling a Rapid Upward Trajectory

556 - Nate Felty: Playing with Zach Top, Handling a Rapid Upward Trajectory

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