RIVERS OF NIHIL: ADAM BIGGS On Fresh Starts, Fear, And Finding Their Sound

Interview by Angela Croudace
Rivers of Nihil’s self-titled album marks more than just another release in their discography—it signals a rebirth. Bassist and vocalist Adam Biggs, one of the band’s founding members, sat down to talk about the evolution of the group, the challenges of stepping into a new vocal role, and crafting an album that captures both urgency and introspection.
Following their conceptual four-album seasonal cycle, the band viewed Rivers of Nihil as a way to define who they are now. “It almost feels like our first record again,” Biggs explains. “We looked back at all the eras of the band and pulled what worked best. This is Rivers of Nihil as it stands now.”
A major shift came with Biggs taking on full-time vocal duties after the departure of their previous frontman. It’s been a challenging transition. “It took a lot of practice and trial and error with my voice,” he admits. Balancing demanding vocals with intricate bass lines required intense focus and routine—but now, he says, “it’s starting to feel more natural.”
New blood also brought fresh energy. Guitarist and vocalist Andy Thomas officially joined the line up, contributing not just riffs, but his distinct voice. “I wanted to rise to the challenge,” Biggs says. “I wanted him to do awesome work with us.”
The new album is both heavy and hauntingly relevant. “The theme is sort of this macro danger of modern life,” Biggs explains. “Fear of war, pandemics, political unrest. But we try to approach it from a human perspective—there’s paranoia, yes, but also a thread of hope.”
Instrumentation expands too, with banjo, cello, and a new saxophonist adding depth. But unlike previous records, the band prioritised how the songs would hit live. “We wanted this to go over in a room full of excited, sweaty people,” Biggs laughs.
At its heart, Rivers of Nihil is an album born of evolution, resilience, and reflection—a fitting fresh start for a band that refuses to stand still.


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