100 Years of Beethoven's Eroica (recordings)

100 Years of Beethoven's Eroica (recordings)

One of my favorite things about having Patreon sponsors is that they often suggest the most fascinating pieces and topics for shows. Adrian, who sponsored a show last year, gave me one of my favorite prompts when he suggested looking at works based on literature. Now he's sponsored another episode, this time with an equally compelling idea that I was eager to explore right away. His prompt was:

"The evolution of conducting techniques throughout recorded history. How have innovations from great conductors changed how music is performed and understood?"

As a conductor, the thought of diving into different recordings of a single piece naturally whets my appetite. But the real reason I was so excited about this episode is that interpretation is, in my view, wildly misunderstood. I've tried to tackle this idea in many different ways, in my episode about the sound of the violin with Soovin Kim and my dad, Donald Weilerstein; in my "What Does Music Mean?" episode; and even in "What Does a Conductor Really Do?" But I've never taken a single piece and focused solely on its interpretation, and on how that interpretation has changed over time.

This gives us the chance to dig deeply into what makes an interpretation. So today, I'm going to share a set of recordings of one piece (and don't worry, I'll reveal which one in a moment). I'll talk about what sets them apart, both the obvious differences, like pitch and extremes of tempo, and the more subtle ones, like vibrato, phrasing, and other elements of performance that most listeners aren't trained to notice.

So, let's do some exploring together, coming right up, on Sticky Notes.

Episoder(282)

Tchaikovsky Symphony No. 6 (Part 1)

Tchaikovsky Symphony No. 6 (Part 1)

The great and somewhat controversial conductor Leopold Stokowski said this about Tchaikovsky: "His musical utterance comes directly from the heart and is a spontaneous expression of his innermost feel...

21 Mar 50min

Beethoven String Quartet, Op. 59, No.2

Beethoven String Quartet, Op. 59, No.2

I'm always tickled by composer trivia questions, like which standard canon works begin in a major key and end in a minor key? I'll give you one, but please comment others below: Mendelssohn's 4th Symp...

5 Mar 56min

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with...

19 Feb 58min

Zemlinsky: The Mermaid

Zemlinsky: The Mermaid

The story of Alexander von Zemlinsky's The Mermaid begins with a passionate love affair and ends in heartbreak of the most unabashedly big-R Romantic kind. In 1900, the young, fabulously talented, and...

5 Feb 1h 1min

Pergolesi Stabat Mater

Pergolesi Stabat Mater

Many aspects of Giovanni Battista Pergolesi's life seem relatively normal when it comes to composers of the Baroque era. He was prolific, died young, and his music became very famous only after his de...

22 Jan 59min

Rachmaninoff Piano Concerto No. 2

Rachmaninoff Piano Concerto No. 2

We humans seem to love comeback stories, and there is no comeback quite as compelling in the classical music world as Rachmaninoff's Second Piano Concerto. It was written three years after the disastr...

8 Jan 52min

Handel Messiah w/ Aram Demirjian

Handel Messiah w/ Aram Demirjian

A piece that I have been asked to cover probably a dozen times is Handel's Messiah. It's a piece I love, but a piece that I've never conducted or played, and so therefore I don't know it incredibly we...

18 Des 20251h 9min

Gustav Holst: The Planets

Gustav Holst: The Planets

Mr. Holst, wherever you are, I apologize in advance for what I'm about to say. From my research, I know you resented this fact, but unfortunately, I think it's true. Here it is: despite the large cata...

4 Des 20251h 2min

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