Om episode
The New York Times’s film critic Alissa Wilkinson has a theory about movies: They’re all about relationships. No matter how big the action, the suspense and tension we experience when watching a film is often really about the feelings between the characters.But romantic relationships often fall back on old tropes, like the long-suffering wife of an ex-cop who can’t resist that one last, risky case. (We all know her; she leaves teary voice messages urging him to be safe.) Some of this year’s Oscar-nominated films give us fresher portraits of love. Alissa and our host, Anna Martin, discuss the relationships that defy convention or easy definition, and push us to reconsider how we think about human connection, in three of those movies: “Poor Things,” “Maestro” and “Past Lives.”
Nyeste episoder
Liza Colón-Zayas, of ‘The Bear,’ on Loving Someone Who’s in the Fight of Their Life
¡Hola Papi!, Does My Grandmother Need to Know I’m Gay?
Emily Ratajkowski Can Take Care of Herself, but a Little Help Would Be Nice
Laufey, Gen Z’s Pop Jazz Icon, Sings for the Anxious Generation
Why John Magaro of ‘Past Lives’ Could Never Love a Picky Eater
Esther Perel on What the Other Woman Knows
The Second Best Way to Get Divorced, According to Maya Hawke
How to Be Real With Your Kids
Why Samin Nosrat Is Now ‘Fully YOLO’
