Episode 107: Sandy Wilson's THE BOYFRIEND, London Theatre and Gay Culture

My guest this week is author Deborah Phillips whose new book is titled: AND THIS IS MY FRIEND SANDY — SANDY WILSON’S THE BOY FRIEND, LONDON THEATRE AND GAY CULTURE. Sandy Wilson's The Boyfriend — for which he wrote the book, music, & lyrics — is one of the most successful British musicals of all time. It emerged in 1952 out of London’s secretive but vibrant gay theatrical subculture, at a time when you could be sent to prison for being homosexual. By the following year both The Boyfriend and Sandy Wilson were the toast of London’s West End, and created nearly as much excitement as Queen Elizabeth’s coronation that same year. That original West End production ran for five years. Meanwhile, a hit American version of The Boyfriend opened on Broadway in 1954 and made a star out of Julie Andrews. The show was revived on Broadway in 1970 and made a star of Sandy Duncan, and two years later an ill-conceived film version was released, starring Twiggy and Tommy Tune and directed by Ken Russell. Despite all of this, prior to this book, very little has been written about Sandy Wilson. Deborah Phillips, who is Professor of Literature and Cultural History at the University of Brighton, is the first researcher to delve into Wilson’s extensive archives out of which she has created an captivating portrait of Wilson as a both a key figure in post-war British theatre and the era's gay culture. This book and interview introduced me to a number of fascinating subjects I had never encountered before including the hilarious BBC radio series, Round The Horne, that inspired the book’s title; the history of London's Players Theatre; and the secret gay language, Polari. Exploring all that sent me into several amazing internet rabbit holes and I will be posting articles and video clips that I found there in the Broadway Nation FaceBook Group. This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices