162. Finding Patterns and Switching Lenses featuring Bridgett M. Davis

Bridgett M. Davis joins Let’s Talk Memoir for a conversation about the effect of trauma and weathering on Black lives, the unique bond between sisters, showing relationships in action and dialogue, homing in on a throughline, giving our books and writing the space they need,finding patterns and switching lenses, exploring varying lived experiences within family structures, shedding light on Lupus, the physiological effects of systemic racism, Black maternal mortality, moments of heartbreak, asking important narrative questions early on, the letters her sister wrote to her, and her new memoir Love, Rita.

Also in this episode:

-birth order

-getting a book optioned or film

-shifting points of view

Books mentioned in this episode:

-The Situations and the Story by Vivian Gornick

-Inventing the Truth by William Zisner

-The Yellow House by Sarah

-Memorial Drive by Natasha Tretheway

-The Invisible Kingdom by Megan O’Rourke

-Fairy Land by Alisha Abbott

-Gather Me by Glory Adams

Bridgett M. Davis (pronounced Brih-jet) is the author of the memoir, Love, Rita, published by Harper Books in spring 2025.Her first memoir, The World According To Fannie Davis: My Mother’s Life In The Detroit Numbers, was a New York Times Editors’ Choice, a 2020 Michigan Notable Book, named a Best Book of 2019 by Kirkus Reviews, BuzzFeed, NBC News and Parade Magazine, and featured as a clue on the quiz show Jeopardy! The upcoming film adaptation will be produced by Plan B Entertainment and released by Searchlight Pictures.

She is author of two novels, Into the Go-Slow, named a Best Book of 2014 by The San Francisco Chronicle, and Shifting Through Neutral, shortlisted for the Zora Neale Hurston/Richard Wright Legacy Award. Davis is also writer/director of the 1996 award-winning feature film Naked Acts, newly restored and released to critical acclaim, screening in theaters across the US and globally and now available on DVD, Blu Ray and select streaming services.

Davis is Professor Emerita in the journalism department at Baruch College and the CUNY Graduate Center, where she has taught creative, narrative and film writing. Her essays have appeared most recently in The New York Times, the LA Times and The Washington Post, among other publications. A graduate of Spelman College and Columbia Journalism School, she lives in Brooklyn with her family. Visit her website at www.bridgettdavis.com.\

Connect with Bridgett:

Website: bridgettdavis.com

Facebook: bridgettdavis

Bluesky: bridgettmdavis.bsky.social

IG: https://www.instagram.com/bridgett_d

substack: bridgettmdavis.substack.com

Links for book purchase: https://www.harpercollins.com/products/love-rita-bridgett-m-davis?variant=43263953174562

Bookshop: https://bookshop.org/p/books/love-rita-a-sister-s-story-bridgett-m-davis/21696108

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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.

She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Follow Ronit:

https://www.instagram.com/ronitplank/

https://www.facebook.com/RonitPlank

https://bsky.app/profile/ronitplank.bsky.social

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers