The Projection Booth26 Maj 2025

Episode 743: Move (1970)

Mike White is joined by Mike Sullivan and Emily Intravia to take a long-overdue look at Move (1970), the surreal, seldom-seen New York comedy directed by Stuart Rosenberg. Fresh off his success in MASH Elliott Gould stars as Hiram Jaffe, a would-be playwright stuck writing porn and walking dogs while waiting for the movers who never arrive. As his mundane reality refuses to budge, Hiram plunges into a chaotic interior world filled with absurd fantasies, sexual misadventures, and psychological spirals.

Adapted from Joel Lieber’s novel (and screenplay), Move attempts to blend urban anxiety, dream logic, and dark comedy—resulting in a disjointed but oddly fascinating time capsule of early ’70s male neurosis. Paula Prentiss co-stars as Hiram’s patient wife, while Geneviève Waïte plays a mysterious blonde who may or may not exist. The film mixes scenes of everyday tedium with dreamlike sequences involving rogue movers, hallucinated frogs, and even a fantasy duel, never quite committing to whether it's satirizing New York life or the fragile male ego.

Our hosts dive into the film’s tonal shifts, its place in Gould’s post-MASH career arc, and why it remains overlooked despite its stacked cast and studio pedigree. The episode also features brand-new interviews with stars Elliott Gould and Paula Prentiss, who reflect on the film’s production, reception, and what it means to them in hindsight.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

Det här avsnittet är hämtat från ett öppet RSS-flöde och publiceras inte av Podme. Det kan innehålla reklam.

Avsnitt(1000)

Special Report: Double Trouble (2026)

Director Shaun Paul Piccinino — a former stuntman and martial artist who cut his teeth on Jackie Chan documentaries — tells Mike White how Double Trouble came together as "Home Alone meets Ocean's Ele...

9 Okt 17min

Special Report: A Prayer for the Dying (2026)

Johnny Flynn talks with Mike White about playing Jacob Hansen (opposite John C. Reilly's Doc) in A Prayer for the Dying, Dara Van Dusen's directorial debut adapted from Stewart O'Nan's novella. Flynn ...

8 Okt 15min

Special Report: Donkey Princess (2026)

Cristóbal León and Joaquín Cociña built their new film inside a Santiago museum, in front of a live audience, using rear-projected scale models and painted backdrops instead of CGI. The Chilean direct...

8 Okt 41min

Special Report: Ephemera (2026)

Bil Richardson's Ephemera was built backwards: instead of writing a script and shooting it, the longtime below-the-line filmmaker and West Virginia University professor emeritus assembled the entire 8...

8 Okt 33min

Special Report: Bella Gonzales on Ted Lasso 4

Cinematographer Bella Gonzales talks with Mike White about shooting the season 4 premiere of Ted Lasso, the episode that sends Ted back to Kansas for the first time since the show began. Gonzales, bro...

7 Okt 53min

Special Report: Family (2026)

First-time writer-director Benjamin Finkel built Family (2026) out of his own childhood: his father died of cancer when Finkel was fourteen, and he spent the years afterward filling a script with "eve...

7 Okt 36min

Special Report: Never After Dark (2026)

Dave Boyle built Never After Dark (2026) around a lifelong passion for ghost stories and a desire to find something new in a "well-worn genre." He tells Mike White and co-star Moeka Hoshi about the so...

6 Okt 19min

Special Report: The Deputy (2026)

First-time feature director Matt Sukkar cold-approached William H. Macy with a letter to land his Sheriff Krueger, then built The Deputy's tone around Scorsese's After Hours: "one bad decision leading...

6 Okt 19min