Om avsnittet
Dr. Chris Spring tears up stereotypes of African textiles, through Araminta de Clermont's 2010 photograph, Thabo, Thabiso and Blackx. Three young men wait at a bus stop near Cape Town in South Africa, clad in blankets of brilliant blue and rose red. Historically, these 'African' woven textiles were originally manufactured by Europeans during the colonial period. Dutch imperial traders, who first entered the Indian Ocean trade in the mid-seventeenth century, only added to the existing vigorous trade in textiles which had been carried out by Indian, Arab, and Chinese traders for many centuries before the arrival of Europeans. From indigo resist-dyed blauwdruk, to Swahili kanga, and South African shweshwe, these ‘authentic’ products are truly the hybrid product of places and peoples working across and within empires - from factories in Manchester, to migrant merchants from Kutch, and businesses within the Japanese Empire. This confident photograph speaks to how patterns and designs had always been dictated by African taste, aesthetics, and patronage, and utilised by women to communicate across gendered and religious social boundaries. Now representative of diverse African identities and indigeneity, these fabrics unsettle ideas of what an 'African' textile should look like, revealing innovation and modernity - all the way to the Marvel film, Black Panther. PRESENTER: Dr. Chris Spring, artist, writer and former curator in the Department of Africa, Oceania and the Americas at the British Museum He was the curator of Social Fabric: African Textiles Today, at the British Museum and William Morris Gallery. ART: Thabo, Thabiso and Blackx, Araminta de Clermont (2010). IMAGE: 'Thabo, Thabiso and Blackx'. SOUNDS: Chad Crouch. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines