Om avsnittet
Interdisciplinary artist Osman Yousefzada crafts stories of working-class migration experiences, unwrapping the influence of his mother and many other textile makers in his diaspora community in Birmingham. From large-scale textile works to prints and drawings, Osman Yousefzada’s practice considers representations and reimaginings of working class migration experience. Growing up in a British-Pakistani diaspora community in Birmingham in the 1980s, Yousefzada’s craft is grounded in his childhood experiences, watching his mother, ‘a maker’ of shalwar kameez and other textiles. A new exhibition at Charleston in Firle draws connections between these domestic, private spaces, the Bloomsbury group and fashion, and the artist’s public practice. We look at a new series of works on paper, on public display for the first time, inspired by characters in the Falnama, a book of omens used by fortune tellers in Iran, India and Turkey during the 16th and 17th centuries. At the time, people seeking insight into the future would turn to a random page and interpret the text; Yousefzada transposes this to the present day, to tell stories of ‘good’ and ‘bad’ migrants, and recreate such talismans that protect or heal and work as guardians of the immigrant experience. The artist describes his large-scale textile series, Queer Feet, Afghan rugs, topped with ceramic works, and embroidered with found objects that reference Islamic and Asian design histories. We discuss his expanded, Sufistic, spiritual practice. We also consider the healing potential of museums, and the various media used by the artist in storytelling, with his book, The Go-Between (2022). Osman Yousefzada runs at Charleston in Firle until 14 April 2024. For more, you can read my article in gowithYamo: gowithyamo.com/blog/osman-yousefzada-at-charleston-in-firle For more about the material power of embroidery, listen to curator Rachel Dedman on an UNRWA Dress from Ramallah, Palestine (1930s) at Kettle's Yard in Cambridge and the Whitworth in Manchester, on EMPIRE LINES: pod.link/1533637675/episode/92c34d07be80fe43a8e328705a7d80cb WITH: Osman Yousefzada, interdisciplinary artist and research practitioner at the Royal College of Art, London. He is a visiting fellow at Cambridge University, and Professor of Interdisciplinary Practice at the Birmingham School of Art. His first book, The Go-Between (2022), is published by Canongate. Alongside his solo exhibition at Charleston, he exhibits in group exhibitions including Embodiments of Memory at the Potteries Museum and Art Gallery in Stoke-on-Trent and Design Museum’s REBEL, and his Migrant Godx can be found at Claridge’s Art Space, Blackpool’s Grundy Art Gallery, and soon, Camden Art Centre, as part of Bloomberg New Contemporaries 2023. He will exhibit at the 60th Venice Biennale, and the V&A in London, in 2024. ART: ‘Queer Feet, Osman Yousefzada (2023)’. SOUNDS: ‘Home Grown - Osman Yousefzada x Selfridges’. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines