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In his new biopic Maestro, Bradley Cooper was determined not to imitate the legendary Leonard Bernstein. Instead, the actor worked with conductor Yannick Nézet-Séguin to find his own rhythm. They spoke with Terry Gross about conducting, Bernstein's legacy, and playing with batons when they were kids.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy