Blake Scott Ball, "Charlie Brown's America: The Popular Politics of Peanuts" (Oxford UP, 2021)

Blake Scott Ball, "Charlie Brown's America: The Popular Politics of Peanuts" (Oxford UP, 2021)

Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America. Charlie Brown's America: The Popular Politics of Peanuts (Oxford UP, 2021) covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang. Blake Scott Ball is Assistant Professor of History at Huntingdon College. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Vincent Haddad, "Next Time on Dragon Ball: Playing with a Manga and Anime Franchise" (U Minnesota Press, 2026)

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Since its debut in 1984, Dragon Ball has become one of the most popular, influential, and lucrative media franchises in the world. In Next Time on Dragon Ball: Playing with a Manga and Anime Franchise...

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A Conversation with LeUyen Pham illustrator of "As I Dream of You" (First Second, 2026)

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Michael D. Nichols, "Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films" (McFarland, 2026)

Michael D. Nichols, "Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films" (McFarland, 2026)

Fans of Batman are used to seeing the Caped Crusader associate with the likes of Superman and Wonder Woman, but what if one were to put the Dark Knight into the company of figures such as Beowulf, Rob...

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Richard Ivan Jobs and Steven Van Wolputte, "In the Land of the Lacandón: A Graphic History of Adventure and Imperialism" (McGill-Queen’s UP, 2025)

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In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curio...

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Everything Is Fine, I'll Just Work Harder: Confessions of a Former Badass

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Colin Williamson, "Drawn to Nature: American Animation in the Age of Science" (U Minnesota Press, 2025)

Colin Williamson, "Drawn to Nature: American Animation in the Age of Science" (U Minnesota Press, 2025)

What do technical renderings of plant cells in trees have to do with Disney’s animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an impor...

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Julian Schmid, "Marvel, DC and US Security: The Superhero Genre and Foreign Policy in the Twenty-first Century" (Edinburgh UP, 2025)

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Marvel, DC and US Security: The Superhero Genre and Foreign Policy in the Twenty-first Century (Edinburgh UP, 2025) by Dr. Julian Schmid considers how the long-standing superhero genre has been reinvi...

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