Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Niall Geraghty, "The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature" (U Pittsburgh Press, 2019)

Niall Geraghty, "The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature" (U Pittsburgh Press, 2019)

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and e...

30 Touko 201936min

John Pat Leary, "Keywords: The New Language of Capitalism" (Haymarket Books, 2019)

John Pat Leary, "Keywords: The New Language of Capitalism" (Haymarket Books, 2019)

John Pat Leary's Keywords: The New Language of Capitalism (Haymarket Books, 2019) chronicles the rise of a new vocabulary in the twenty-first century. From Silicon Valley to the White House, from kind...

28 Touko 201942min

Zachary Kramer, "Outsiders: Why Difference is the Future of Civil Rights" (Oxford UP, 2019)

Zachary Kramer, "Outsiders: Why Difference is the Future of Civil Rights" (Oxford UP, 2019)

Outsiders: Why Difference is the Future of Civil Rights(Oxford University Press, 2019) by Zachary Kramer (Oxford University Press, 2019) sets forth an imaginative critique of the way that civil rights...

27 Touko 201957min

Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)

Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)

In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist a...

24 Touko 20191h

Jinhua Dai (ed. Lisa Rofel), "After the Post-Cold War: The Future of Chinese History" (Duke UP, 2018)

Jinhua Dai (ed. Lisa Rofel), "After the Post-Cold War: The Future of Chinese History" (Duke UP, 2018)

Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have eleva...

23 Touko 20191h

Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)

Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing,...

22 Touko 201936min

Kimberly Chong, "Best Practice: Management Consulting and the Ethics of Financialization in China" (Duke UP, 2018)

Kimberly Chong, "Best Practice: Management Consulting and the Ethics of Financialization in China" (Duke UP, 2018)

What do management consultants do, and how do they do it? These two deceptively simple questions are at the centre of Best Practice: Management Consulting and the Ethics of Financialization in China (...

20 Touko 201946min

Melanie Ramdarshan Bold, "Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom" (Palgrave, 2019)

Melanie Ramdarshan Bold, "Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom" (Palgrave, 2019)

Does publishing have a diversity problem? In Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom Dr Melanie Ramdarshan Bold, an associate professor at UCL’s Centre for Publishing la...

14 Touko 201939min

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