Jane Austen does gothic horror with insta-ready clothes and great interiors: Northanger Abbey

Henry Tilney: is he yet another of Jane Austen’s Bad Men, or the stealth MVP with his interest in dress fabrics and interior decorating? Northanger Abbey is Austen’s funniest, most unabashedly joyful and silly novel. It’s also where Jane gets meta – with lots of speeches about what novels are and why we love reading them.

Sophie makes the case that Catherine Morland is the most under-rated heroine in the Austen canon, an upbeat Fanny Price without the sad backstory. Jonty enthuses about the hero Henry Tilney’s interest in gothic fiction, and admits to having a soft spot for the ghastly John Thorpe, the fast-driving, hard-drinking braggart who gets in the way of Catherine’s path to happiness. Despite this, Sophie and Jonty wish him well and will indulge in a side-argument about the likely name of his future wife.

And there’s more! Austen was a secret revolutionary, embedding all sorts of ideas about world revolutions and slave rebellions into this charming novel. We talk about whether Austen's famous satire on gothic novels, the massive bestsellers of the 1790s, is in fact the greatest, and most bestselling gothic novel of them all.

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Further Reading:

Jane Austen, Northanger Abbey, intro. Claudia Johnson (Oxford, 2003)

Clare Tomalin, Jane Austen: A Life, (1997)

Claudia Johnson, Equivocal Beings, (1995). A great book about the female novelists who influenced Austen, discussed in this episode.

Rachel Cohen, Austen Years: A Memoir in Five Novels, (FSG, 2020)

Tom Keymer, Jane Austen: Writing, Society, Politics (Oxford, 2020)

Eve Kosofsky Sedgewick, “Jane Austen and the Masturbating Girl,” (Critical Inquiry 1991)

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