Mahler Symphony No. 9, Part 4

Mahler Symphony No. 9, Part 4

Mahler once said this to Bruno Walter, his protege and great advocate of Mahler's works: "What one makes music from is still the whole—that is the feeling, thinking, breathing, suffering, human being" You could almost just stop there with the last movement of Mahler 9. This is music so full of feeling, thinking, breathing, suffering, but also of also acceptance and consolation, that words fail to describe its emotional impact. But as always with Mahler, this isn't merely an emotional outpouring, a dumping of his innermost feelings onto the audience. It is a superbly paced, beautifully written movement, and despite its 25 minute length, and very stable and slow tempo, the movement does the seemingly impossible and feels both endless and compact at the same time. So today, while of course we'll talk about the emotional content of the music, I want to focus a bit more on how Mahler writes this music to make it so effective, and how he finds a way to reach the peaks of expression and the epitome of using silence as music. And finally, we'll explore how and to whom Mahler says goodbye to at the end of this symphony, as everything fades away. Join us!

Jaksot(283)

Impressions in Blue: Ravel & Gershwin

Impressions in Blue: Ravel & Gershwin

In the mid-1920s, Maurice Ravel wrote a letter to the legendary composition teacher Nadia Boulanger. Boulanger's class was a mecca for composers, both young and old, and musicians from all over the wo...

7 Elo 202544min

Beethoven Piano Sonata in B Flat Major, Op. 106, "Hammerklavier" - Part 2

Beethoven Piano Sonata in B Flat Major, Op. 106, "Hammerklavier" - Part 2

There is a special category when it comes to Beethoven; a catalogue that doesn't include complete symphonies, sonatas, concerti, string quartets, etc., but just single movements. This is the catalogue...

24 Heinä 202553min

Beethoven Piano Sonata in B♭ major, Op. 106, "Hammerklavier" - Part 1

Beethoven Piano Sonata in B♭ major, Op. 106, "Hammerklavier" - Part 1

Beethoven once wrote to his publisher: "What is difficult, is also beautiful, good, great, and so forth. Hence everyone will realize that this is the most lavish praise that can be bestowed, since wha...

10 Heinä 202544min

Weill: The Seven Deadly Sins

Weill: The Seven Deadly Sins

The collaboration between Kurt Weill and Bertolt Brecht is rightly legendary. The two men could not have been more different from each other, and like the Brahms/Joachim relationship I mentioned in my...

26 Kesä 20251h

The Ravel Sound with Norbert Müllemann and Stefan Knüpfer

The Ravel Sound with Norbert Müllemann and Stefan Knüpfer

I so enjoyed making this latest episode in my collaboration with G Henle Publishers. I talked with two absolute experts in their fields, Norbert Mülleman and Stefan Knüpfer, all about how to edit Rave...

12 Kesä 202545min

Dvorak Violin Concerto

Dvorak Violin Concerto

Admit it: if you're a fan of classical music—or even just a regular concertgoer—you might have glanced at the title of this episode and done a double take. The Dvořák Violin Concerto? Not the Cello Co...

29 Touko 202549min

Brahms Double Concerto

Brahms Double Concerto

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time...

15 Touko 202558min

Copland Clarinet Concerto

Copland Clarinet Concerto

The commission for a new Clarinet Concerto from the great American composer Aaron Copland came from a rather unlikely source: Benny Goodman, the man known as the King of Swing. Goodman was one of the ...

1 Touko 202548min

Suosittua kategoriassa Viihde

anni-jaajo
tuplakaak
grekovit
hei-baby-3
terveisia-perheesta
the-harlin-show
dear-shirly
antin-palautepalvelu
bella-table
antin-elokuvakerho
verhon-takaa
nonsensepodi
dear-shirly-ja-arttu
ootsa-kuullut-tasta-2
hollywood-love-stories-2
get-jassud
tahtitehdas
tervo-halme
everypodi
terkuin-jenna