Dvorak Symphony No. 8

Dvorak Symphony No. 8

Bucolic. Sunny. Cheerful. Joyous. Folksy. Ebullient. Thrilling. These are all words that I found while researching Dvorak's 8th symphony. Dvorak's gift for writing the most gorgeous of melodies is on full display in his 8th symphony, a piece that has been charming listeners ever since its very first performances. It is, on its surface, an uncomplicated piece, bursting at the seams with melody after melody after melody, almost mirroring one of Brahms' greatest one-liners, where he referred to his summer country home as a place where melodies were so heavily present thatt one had to be careful to avoid tripping on them! The overriding characteristic of this 8th symphony is joy, from its childlike key of G Major, to its raucous use of folk music, and even its smiling through tears slow movement.

Very often on this show I try to take pieces that are quite complicated and break them down for you to show you how to follow their twists and turns despite their complexities. But today, I'm going to do the opposite. Today, I'm going to take a piece that is, on its surface, quite simple, and I'm going to show you how this symphony is not quite as simple as it seems. It is a piece full of invention and of the scintillating energy of trying out new ideas. As Dvorak said, he would try to make this symphony "different from the other symphonies, with individual thoughts worked out in a new way." So today on the show we're going to talk about how this symphony is different from other symphonies, and also how Dvorak constructs his chains of melodies that add up to the joyful whole of this piece, though tinged with the melancholy that is almost always present with Dvorak. Join us!

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Tchaikovsky Symphony No. 6 (Part 2)

Tchaikovsky Symphony No. 6 (Part 2)

In a letter to Tchaikovsky's nephew Vladimir Davydov, Tchaikovsky wrote: "I'm very pleased with its content, but dissatisfied, or rather not completely satisfied, with the instrumentation. For some re...

2 Huhti 48min

Tchaikovsky Symphony No. 6 (Part 1)

Tchaikovsky Symphony No. 6 (Part 1)

The great and somewhat controversial conductor Leopold Stokowski said this about Tchaikovsky: "His musical utterance comes directly from the heart and is a spontaneous expression of his innermost feel...

21 Maalis 50min

Beethoven String Quartet, Op. 59, No.2

Beethoven String Quartet, Op. 59, No.2

I'm always tickled by composer trivia questions, like which standard canon works begin in a major key and end in a minor key? I'll give you one, but please comment others below: Mendelssohn's 4th Symp...

5 Maalis 56min

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms Symphony No. 2 LIVE w/ The Aalborg Symphony

Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with...

19 Helmi 58min

Zemlinsky: The Mermaid

Zemlinsky: The Mermaid

The story of Alexander von Zemlinsky's The Mermaid begins with a passionate love affair and ends in heartbreak of the most unabashedly big-R Romantic kind. In 1900, the young, fabulously talented, and...

5 Helmi 1h 1min

Pergolesi Stabat Mater

Pergolesi Stabat Mater

Many aspects of Giovanni Battista Pergolesi's life seem relatively normal when it comes to composers of the Baroque era. He was prolific, died young, and his music became very famous only after his de...

22 Tammi 59min

Rachmaninoff Piano Concerto No. 2

Rachmaninoff Piano Concerto No. 2

We humans seem to love comeback stories, and there is no comeback quite as compelling in the classical music world as Rachmaninoff's Second Piano Concerto. It was written three years after the disastr...

8 Tammi 52min

Handel Messiah w/ Aram Demirjian

Handel Messiah w/ Aram Demirjian

A piece that I have been asked to cover probably a dozen times is Handel's Messiah. It's a piece I love, but a piece that I've never conducted or played, and so therefore I don't know it incredibly we...

18 Joulu 20251h 9min

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