Quick on the Draw

Episode #530: “I don't want to live under fear, obeying [the military]. I could survive, but would be in fear, like every movement I would feel I don't have freedom, and I think I don't want that for myself,” says JC, a Karen illustrator and activist now based in the Netherlands. Raised in Yangon, JC was unaware of Myanmar’s civil war due to school propaganda. Only after moving to Thailand to be near her father did she learn the extent of ethnic conflict and oppression. Seeing refugee camps and hearing stories of the Karen struggle left her angry and determined to understand more.

JC earned a communications degree in Bangkok and initially envisioned a career in journalism. A political science course taught by a former prisoner, combined with life among marginalized migrant workers, deepened her sense of purpose. She returned to Myanmar during its brief democratic opening, working with a civil society group serving Karen communities. That optimism collapsed with the 2021 coup.

Turning to illustration after protest and journalism became too dangerous, JC found a new outlet for storytelling. “By doing illustration, I feel like I'm contributing,” she says. Inspired by editorial art, she developed a minimalist, emotionally expressive style. Her illustrations accompany stories of trauma and displacement, including one of a pregnant woman who lost twins while fleeing war—a piece she says still haunts her. Creating pieces like this take an emotional toll, however, and she often needs to take breaks between pieces to reground herself.

JC’s art bridges personal and political experience, offering a visual language that speaks across cultures. she says, “Emotions are universal,” and her work often introduces Myanmar’s crisis to unfamiliar audiences. Still in legal limbo, she draws to stay connected. “Since I cannot be there physically, it’s a way of me to stay contributing,” she says. “I wish [people] don’t forget about Myanmar.”