Just Like A Fine Wine... With DAVE MUSTAINE From MEGADETH

Just Like A Fine Wine... With DAVE MUSTAINE From MEGADETH

Interview by Kris Peters
Megadeth are one of the few bands in the world - of any genre - that need no introduction.
For four decades they have been at the forefront of the metal landscape, with their most recent album The Sick, The Dying and The Dead their highest selling to date. Whereas most bands plateau somewhat or more often decline in the back end of their career Megadeth are doing the exact opposite.
Which makes frontman Dave Mustaine one happy camper.
Now, after nearly eight years, Megadeth are poised to return to Australia as part of Knotfest from March 24 to 26, with two side shows also scheduled for Adelaide and Melbourne.
Which makes Mustaine even happier.
HEAVY sat down for an awesome chat with the great man earlier this morning for a frank and open discussion about anything and everything.
One of the topics of conversation was what has changed with Megadeth since their last venture Down Under in 2015.
"Well, ALOT," he laughed. "We've had some lineup changes and every time we do that the person that came in was better. When we parted ways with the drummer before Dirk (Verbeuren) - it was the person before Chris Adler, which was Shawn Drover - we tried to get the Rust In Peace line-up back together but it didn't work because Nick (Menza) went off one way and we went off the other. We contacted Adler and asked if he would play on the record and maybe contact Nick again and have him tour with us because he couldn't really do the record. That didn't work out either, so we had Chris do the record and stay, and while we were doing that Chris and his band parted ways and we didn't know if Chris was going to stay with us or stay with them. Of course, we wanted him to stay with Lamb Of God and I'm sad that he left and there's any kind of distance between the family. I do think that Art (Cruz) is an amazing drummer and then after that Chris Adler recommended Dirk, and Dirk is - in my mind - the best drummer we've had since Gar Samuelson. He's a big fan of Gar, and that is the power that drives Megadeth. Jazz metal, not rock metal. Nick was a super talented and powerful drummer and he fortunately was able to do a lot of those jazz hooks too, so we almost had that magic that we did when Gar was there. But we definitely had something which Gar did not, which was the power that Nick Menza possessed. Same thing can go down the line with the bass playing. (Dave) Ellefson was in the band, then was out. James (LoMenzo) came in, he was out. Ellefson came back because the Drover brothers kept pressuring me to do this, get Ellefson back. He came in and we had that weird shit that happened. I had Steve Di Giorgio come in and record the record and James is back and I love that he's back. The singing is fabulous on stage. He actually can sing really well, so he helps encourage me to sing. And then Kiko (Loureiro, guitars) as you know... I parted ways with Chris Broderick - I mean where do you go from having Marty Friedman and Chris Poland and it's time to make a guitar player change again? So Kiko, I saw a video on line of Kiko actually being put head to head against Chris Broderick, someone made a video of that, and I watched it and I went fuck I gotta get in touch with this guy. The funny thing is that when I contacted him he said that he had been talking to Ellefson, so when I talked to Ellefson the next time I said what the fucks wrong with you, man? Why didn't you tell me you know this guy(laughs)? So that was a great addition to the band. Kiko and James play really well together and Kiko and Dirk have an amazing ability to play those crazy riffs together. Of course, we can always be better, so we all go into the jam room every day and try and work on little bits and pieces of a song and our record producer is out with us on the road as our music director keeping our chops up."
In the full interview, Dave talks about being part of Knotfest, the two sideshows and how they will differ from the festival shows, forty years in the music industry, listening to your body when it comes to performing, the increasing difficulty in coming up with a set list to keep fans happy, the early days of Megadeth and the musical climate that gave birth to the band, becoming more understanding of your environment with experience, musical trends and how they have affected Megadeth, what he hopes to leave as the band's musical legacy, the top three Commandments of Metal and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Jaksot(1000)

The Knockout Blow With ZOLTAN BATHORY From FIVE FINGER DEATH PUNCH

The Knockout Blow With ZOLTAN BATHORY From FIVE FINGER DEATH PUNCH

Interview by Angela CroudaceThe metal landscape changed forever in 2005 when a hard rock/metal outfit called Five Finger Death Punch took their first tentative steps in music from Las Vegas. A town normally more known for its casinos and nightlife, Las Vegas was soon forced to share its traditional draw cards with an unrelenting and destructive sonic force that refused to watch the world pass them by, instead deciding to make their presence felt by any means necessary.Led by the only two surviving original members - vocalist Ivan Moody and rhythm guitarist Zoltan Bathory - Five Finger Death Punch quickly rose to prominence, with their 2007 debut album The Way Of The Fist selling over 500,00 copies before the 2009 follow-up War Is the Answer further increased their popularity, selling over 1,000,000 copies and being certified Platinum by the RIAA. The bands next five albums - American Capitalist, The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 (2013), The Wrong Side of Heaven and the Righteous Side of Hell, Volume 2 (2013), Got Your Six (2015), plus And Justice for None (2018) have all been certified Platinum or Gold, elevating Five Finger Death Punch into the upper echelon of hard rock/metal bands.To celebrate their plethora of achievements over the last two decades, which include victories in esteemed awards such as Revolver Golden Gods and Metal Hammer Golden Gods, Five Finger Death Punch are releasing Best Of – Volume 1, a collection of re-recorded versions of their most iconic chart-topping songs. The idea of a remix or remaster wasn't enough, so the band created a completely re-recorded 2025 edition to honour the songs and the fans who have made them matter by being with Five Finger Death Punch every step of the way.HEAVY had the pleasure of spending time with Zoltan Bathory to get a glimpse inside the world of Five Finger Death Punch and 20 years at the top of their game. We ask him to look back at the early days and the point where he felt Five Finger Death Punch were destined for success."When you say it's going to last… we didn't know," he laughed. "We did have a moment, however, where we kind of knew that we had something. It was in the very beginning when we went to the studio to record our first vocal takes. The first record was done in my living room, the whole thing (laughs), so young bands out there, you can do it! We did it in my house, then went to the studio and recorded the first couple of songs, then we went back to my house, and we had a Beavis & Butthead moment. Me and Ivan were jamming and thrashing around in my living room, kicking over couches, screaming 'this is it, it's gonna happen'. So we had that early on. As for how long it's gonna last… I mean, even now I look back and go 'oh my God, 20 years'. It's crazy (laughs)."In the full interview, Zoltan talks more about the history of Five Finger Death Punch, their success, the new best of album and re-recording old material, their loyal fan base, plus plenty more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

18 Heinä 32min

Exposing The Core With JAKE DAVIES From OF LIMBO

Exposing The Core With JAKE DAVIES From OF LIMBO

Interview by Kris PetersAfter making their name on the back of high-energy, hard-hitting music, Long Beach, California rockers Of Limbo are pulling the reins somewhat on their upcoming release, Unplugged, which you can check out here: https://linktr.ee/OflimboRather than continue their relentless barrage of sonic intensity, Of Limbo have decided to strip things back to their bare minimum, assembling a collection of original tracks and select covers that showcase the lighter sides to their musical psyche and offer fans a more vulnerable and softer underbelly.It is an uncommon move from a band not known for their acoustic playing, but one which proves how confident Of Limbo are, not just in themselves, but also in their music.With the album almost upon us - released July 18 - HEAVY caught up with vocalist/rhythm guitarist Jake Davies to dive deeper."We grew up just absolutely adoring the MTV Unplugged era, especially the Alice in Chains stuff," he replied when we asked what was behind the decision to make an acoustic album. "I must have listened to that live album thousands of times in my life, so we've always really liked it. And there was a stint in time when the electric version of our band wasn't able to perform. Our drummer was away, stuff like that. So we just started jamming with our friend Jason (Klein, bass) who used to be famous for being in the Butcher Babies years ago. I started jamming with Jason, just doing sort of acoustic stuff, and we really got a taste for it because as much fun as the live electric rock and roll party stuff is that we do, there's a real romance to playing the acoustic stuff."In the full interview, Jake focused on the upcoming release of Of Limbo's Unplugged album, scheduled for July 18, outlining their strategy of prioritising physical sales over streaming to foster a deeper connection with their audience. The album will feature six original songs and three covers, with the decision to adopt an acoustic style inspired by the MTV Unplugged era.We spoke further about doing an acoustic album and the potential risks involved, as well as running through each of the three cover songs and why they were chosen. Jake talked about his time in Australia and desire to return with the band, as well as some upcoming Of Limbo shows in America and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Heinä 21min

'Kids in the Crowd': SIMPLE PLAN’s Heartfelt Documentary Celebrates 25 Years Of Friendship, Fans And Fortitude

'Kids in the Crowd': SIMPLE PLAN’s Heartfelt Documentary Celebrates 25 Years Of Friendship, Fans And Fortitude

Interview by Angela CroudaceSimple Plan have always worn their hearts on their sleeves - but with their new documentary The Kids in the Crowd, drummer Chuck Comeau says the band has truly peeled back the curtain. The film, marking their 25-year legacy, is an emotional deep-dive into the highs, lows, and brotherhood that’s defined the Canadian pop-punk juggernaut.Chuck described the process as “a joy” but also “really difficult,” recounting the overwhelming task of sorting through decades of footage—some of which dated back to him and frontman Pierre Bouvier’s first ever band when they were just teenagers. “It’s hard to condense 25 years into an hour and a half,” he said. “It’s literally your entire life.”One particularly moving discovery came late in the process - hidden in a box in Chuck’s parents’ basement. “It was our first show ever… in our friend’s basement, playing Basket Case by Green Day,” Chuck recalled. “It was so innocent, and yet so similar to what we do now.”The documentary doesn’t shy away from the band’s internal struggles, either, including the at times rocky dynamics between Chuck and Pierre. “We had a massive fight. I got kicked out of the band,” Chuck admitted. “But going through that taught us how to keep this thing alive.”Just as crucial to the film are Simple Plan’s fans. For Chuck, the bond with their audience, many of whom have leaned on the band’s music during life’s darkest moments, is sacred. “They’ve told us we saved their lives,” he shared. “That comes with responsibility. You don’t take that lightly.”Their new single, Nothing Changes, featured on the film’s soundtrack, was written as a reflection on their past - and a reminder that Simple Plan isn’t stuck there. “It was important to not just become a fossil,” Chuck said. “This film celebrates where we’ve been, but it also kicks off what comes next.”After 25 years, Simple Plan is still that band for the outsiders, the dreamers - and the kids in the crowd.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Heinä 29min

Used But Never Abused With JEPHA From THE USED

Used But Never Abused With JEPHA From THE USED

Interview by Kris PetersFor a quarter of a century, American rock outfit The Used have dominated the global rock landscape, delivering countless albums that not only helped shape the course of musical history but also helped shape the lives of a good deal of music fans the world over.Bursting onto the scene with their self-titled debut album in 2002, The Used transcended normal music prejudices to become favourites of both consumers of music and critics, finding that elusive formula early on in their career while most bands finish their tenure still oblivious to how to find it.From The Used, the band went on to release In Love And Death in 2004, somehow topping the heights achieved on their first album, before solidifying their stature amongst the rock elite with 2007's Lies For The Liars. Now, in celebration of 25 years atop their field, The Used bring the party to Australia in a unique run of shows that sees them perform each of those three albums in their entirety in each capital city.Such is the demand for these special shows that several more have had to be added, more than half of which have already sold out. HEAVY recently sat down with bass player Jepha to dive deeper into the idea and the celebrations that look set to continue for some time yet."I'm excited, I'm ready to go," he enthused when we began. "We just ended a full US version, and we went to Europe for a few dates, then we took this month off, and now I'm already itching to go back out and move to Australia for a bit (laughs)."We mention the fact that more than half of the 21 shows are already sold out and ask how good it feels to know that people on the other side of the world are so hungry for their arrival."It's really exciting," Jepha smiled. "The best part is for our singer - because he lives in Sydney and has been out there about ten years now - he always has to come to us to rehearse and practice and everything, so he's always jet-lagged. Now the joke's on us that we are all flying over and will be jet-lagged and fucked the whole time, and he is going to be spot on (laughs)."Having had to add so many extra shows, The Used will now be in Australia for almost one month, so we ask Jepha if the band had already planned or budgeted in that extra time away from home."We didn't expect this much," he laughed. "We didn't expect it to go this long and to have multiple dates added and a lot of places selling out. That's all… not a shock… it's all better than we imagined."In the full interview, Jepha talks more about the tour and what fans can expect, learning the first three albums in full and any difficulties faced plus how the band will approach each night and bring their best to each performance.We dive deeper into each of the three albums and what they mean to The Used, his memories of recording each, the musical shift between each and how that reflected the growth of The Used musically, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Heinä 11min

A Thousand Little Deaths, A Thousand Real Emotions With BLACKBRIAR

A Thousand Little Deaths, A Thousand Real Emotions With BLACKBRIAR

Interview by Angela CroudaceDark fantasy rockers Blackbriar are known for weaving rich, cinematic soundscapes and fairytale-inspired tales into their music, and their new album A Thousand Little Deaths is no exception. Vocalist Zora Cock and guitarist René Boxem sat down to reflect on the band’s creative process, the emotional depth behind the music, and hopes to finally reach fans Down Under.Zora, who pens all the lyrics before music is composed, shared that inspiration often comes from folklore, history, and personal metaphor. “I usually see visuals in my head very quickly after writing the lyrics,” she said, highlighting the band’s filmic aesthetic. Their music video for Harpy, hand-drawn frame by frame by their own creative team, reflects this commitment to authenticity, just pure, painstaking artistry.The band remains deeply grounded despite their viral success with Until Eternity. “It took months before anything happened,” René recalled, “then suddenly it skyrocketed. It changed everything.”Their bond with fans is a cornerstone of their identity, from Discord chats to cherished fan gifts like a sword engraved with song lyrics and even a rare turtle coin (literally a medallion emblazoned with a turtle that I definitely want to do more research on). “We keep everything,” Zora laughed. “It really means a lot.”Australia is very much on their radar. A planned tour fell through due to the pressure of filling venues, but the dream is alive. “We’d love to come—maybe as a support act or for a festival first,” said René.As for A Thousand Little Deaths, Zora hopes listeners feel the same shivers she did on first listen. “Some songs brought me to tears. It’s deeply personal. I just hope it makes people feel something.”And for Australian fans? Keep your ears open and your turtle coins ready…Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Heinä 18min

Honesty And Direction With GEMMA DUNSMORE From THIS SPACE IS OURS

Honesty And Direction With GEMMA DUNSMORE From THIS SPACE IS OURS

Interview by Kris PetersMelbourne pop/punk/emo/rock outfit This Space Is Ours have rapidly built a name for themselves since kicking off in 2021. Backing up a string of energetic singles with a succession of memorable live performances, the band have steadily been building their name through a growing number of live shows, including sharing the stage with Bad/Love and Future Static, and in 2024 they celebrated a sold-out first headline show.But now the band are ready to expose a darker side to their light. A heavier, darker side that introduces itself courtesy of the band's upcoming single Picture Perfect Paper People, which will be premiered via HEAVY on 16/07/25 before being unleashed on the world the following day.HEAVY caught up with vocalist Gemma Dunsmore to go into greater detail."In the past, our singles before this year were more pop punk-esque," she explained, "and with these new singles and our upcoming EP, we wanted to move the instrumentation to be more heavy, while still keeping this emo tone to the vocals. So we got this cool contrast going, and this third single really cements that."As a young emerging band, the pressures on new material are overwhelming, especially in the current saturated environment. As such, we ask Dunsmore how much thought and planning went into releasing their first body of work."We had heaps of conversations around it," she affirmed. "Me (sic) and the bassist were more on the pop-punk side, wanting to stay a little bit more pop-ish, and then the guitarists grew up listening to prog and metalcore, and they were pushing for this heavier sound (laughs). So there was a lot of conversation to try and find a place that worked for everyone, and I reckon we got there."In the full interview, Gemma introduced their new single, Picture Perfect Paper People, and described the evolution of their sound towards a heavier style in their upcoming EP set for release in September. She emphasized the importance of organization and collaboration in the EP's planning process and hinted at a show in October, also exclusively releasing the EP title.The conversation also covered the creation of their music videos, with a focus on the DIY approach for Gone In May and the fun elements in My Name. We spoke more about what to expect musically from the upcoming EP, what is on the horizon for This Space Is Ours, including upcoming shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Heinä 7min

The Re-Evolution Of DEVILSKIN With PAUL MARTIN

The Re-Evolution Of DEVILSKIN With PAUL MARTIN

Interview by Kris PetersNew Zealand's finest exports Devilskin have epitomized everything rock and metal ever since unleashing their debut album We Rise on the world eleven years ago. Not only did their high energy and infectious brand of metal resonate with hometown music lovers, but it also quickly spread on a global level, resulting in the band supporting and touring with established acts such as Slash and Halestorm.Such was the popularity of Devilskin following We Rise that the band became the first New Zealand rock/metal outfit in 18 years to go Platinum, equalling the effort of the mighty Shihad with the album Killjoy. Over the years singles such as Never See The Light, Little Pills, Start A Revolution, Endo and a cover of Heart's classic, Barracuda, have highlighted the personal nature of Devilskin's music as well as the sonic diversity at their disposal.Eleven years after the release of the groundbreaking We Rise, Devilskin return with Re-Evolution, an album that has already been credited with displaying just how far Devilskin have come in 15 years. This is a bold and dynamic perspective of Devilskin and their continued growth plus the reinvention, and the re-evolution of the band as songwriters and as artists.With Re-Evolution dropping today, July 11, HEAVY spent some time with bass player Paul Martin to dig deeper. We start by asking how he is feeling with the release date finally here."It's good, man," he smiled. "It's like that painful bit where you're in labour, and this beautiful product's about to pop out, but at the moment it's like getting everything squeezed into the right places and mailing everything out. Man, we've had so many orders from all over the world, so I've been busy licking stamps and sealing envelopes (laughs)."We ask about two of the singles - Swelter, and Half Life of Dreams - and if they are a good sonic representation of what to expect."I think there's a little bit of everything on this album," Paul measured. "I don't think there's two songs that are quite alike, they're all kind of different in their own way. It's a glimpse into what's on the album, definitely. With the whole album, we wanted to be bold. We just wanted everything to be… we just wanted more of everything."In the full interview, we discussed Re-Evolution in greater detail, including the title of the album, and it's significance to the band. We spoke about the opening song, Red, and why it was chosen as an introduction to the body of music plus Devilskin's growth in their musical journey to date asnd how much growth is left in them.Talk also centred on how the new songs went down live on their rTalk also centred on how the new songs went down live on their recent New Zealand Tour, the guest parts from Nik Barker (12 Foot Ninja) and Joe Hottinger (Halestorm) and what each brought to the song, their recent People's Choice Award victory at the AMA Awards and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Heinä 20min

BLACK NOTE GRAFFITI’s KRIS KELLER On Resist The Divide And Everything In Between

BLACK NOTE GRAFFITI’s KRIS KELLER On Resist The Divide And Everything In Between

Interview by Angela CroudaceAnn Arbor’s Black Note Graffiti have always walked a tightrope between ferocity and finesse. With their latest album, Resist the Divide, guitarist Kris Keller says the band found its most personal and cathartic voice yet. “We were all going through different things—addiction, trauma, life’s heavier moments—and the album became a space for us to release that,” Keller shares. “It’s the best record I’ve ever been a part of.”Working with renowned producer Josh Schroeder (Lorna Shore, King 810), the band took a month in the studio to carefully craft a sound that truly represented each member. “Josh really listened. Every instrument, every voice, got its moment.”Resist the Divide tackles pain, growth, and redemption with thunderous riffs and introspective lyrics. But despite its weight, the band’s goal remains connection and unity. “We’re a hard rock band, but the message is positive. We want people to feel less alone.” Keller credits the addition of vocalist Gabrielle Bryant for bringing new balance and heart to the lineup. “She brought out the best in us—there’s more focus now, more soul.”Their partnership with Australian label Golden Robot Records also hints at dreams beyond the States. “An Aussie tour would be a dream,” Keller says. “Never thought I’d play the stages I have, so who knows? Maybe one day.”Meanwhile, Black Note Graffiti will appear at Wisconsin’s artist-centric Mile of Music festival this August. “It’s amazing—300 artists, free for fans, and they take such good care of musicians. It’s one of the best festivals we’ve played.” For vinyl lovers, Resist the Divide is also available in limited edition. “We wrote the album to be played through, front to back. Vinyl just made sense—it’s an experience.”With music that’s loud, raw, and real, Black Note Graffiti continues to carve their space beyond rock music in the hearts of fans seeking something true. Having done so well in Europe and the U.S., I think it's about time these guys have their Aussie moment, give them a listen. I think you'll be blown away by their intensity, heart, and undeniable talent.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Heinä 16min

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