Registration is open for the 2015 Out of Excuses Writing Workshop and Retreat
Writing Excuses9 Loka 2014

Registration is open for the 2015 Out of Excuses Writing Workshop and Retreat

Registration is now open for the 2015 Out of Excuses Writing Workshop and Retreat.

For the last two years the event has had a very limited size, and as a result has sold out very quickly. For 2015 we have moved to a new venue, removed the attendance limit, and increased the amount of instructor interaction—all without raising the price.

The 2015 Out of Excuses Writing Workshop and Retreat will be held from September 20th through the 27th on the Independence of the Seas.

It's a cruise ship.

[UPDATE: We have sold through our original block of rooms. The cruise has provided us with additional rooms, but the rate is higher for these. The updated rates are now reflected on the registration page, and in the numbers provided below]

The base price of $1300 covers the full week of intensive seminars, writing exercises, and free writing time, plus meals, double-occupancy lodging, and a cruise to four different Caribbean destinations. Attendees will also be invited to submit questions for some of the episodes of Writing Excuses which will be recorded while we're at sea.

At sea. Seriously.

SEMINARS

Each seminar will include writing exercises and Q&A time with the instructor. Topics will include:

* Outlining
* Revision
* Pacing
* Suspense
* Humor
* Worldbuilding
* Character creation
* ... and much more.

ADDITIONAL BREAKOUT SESSIONS

There will be a limited number of additional breakout sessions and one-on-one sessions with individual instructors. There is no additional charge for these, but because of the size of the event they will be distributed by lottery. The first 100 attendees registering prior to January 15th, 2015, will be entered in the lottery.

These breakout sessions include:

6-member novel critique groups: Members will submit excerpts up to 5000 words for critique by the group as well as one of the podcasters. (Please note that this means you are committing to critique the stories of the other group members.)

6-member short story critique groups: Members will submit short stories up to 5000 words for critique by the group as well as one of the podcasters. (Please note that this means you are committing to critique the stories of the other group members.)

6-member outlining sessions: Each person must come prepared with a story idea, including an ending. The host will help each attendee turn that into a working outline, ready for them to begin writing.

One-on-one Q&As: This is a 15-minute one-on-one session with one of the hosts, and you decide how that time will be spent. We can critique the first five pages of a manuscript, drill down on a worldbuilding conundrum, answer specific questions, or offer general advice.

GUEST HOSTS

Nalo Hopkinson. (Photo (c)2011 by David Findlay)

To give you an even bigger bang for your buck, we are inviting other authors and industry professionals to help teach classes and breakouts throughout the week. The number of additional hosts depends on the number of attendees.

Nalo Hopkinson is a professional writing teacher, and one of our favorite panelists to listen to at conventions—she's personable, funny, and brilliant. She's been nominated for the Philip K. Dick award, the Nebula award, and Aurora award, all multiple times; her short story collection “Skin Folk” won the World Fantasy award, and her novel The New Moon's Arms won the Sunburst award. She's a Jamaican-Canadian whose tap roots extend to Trinidad and Guyana. She is a professor of Creative Writing at the University of California Riverside... Our Sponsors: * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(1004)

21.35: The Four Acts of Kishōtenketsu

21.35: The Four Acts of Kishōtenketsu

This week, our hosts explore kishōtenketsu, an Asian story structure that appears under different names in China, Korea, Japan, and Vietnam. Unlike the Western three-act structure, it isn’t built arou...

30 Elo 21min

21.34: Knowing the Distance

21.34: Knowing the Distance

How close is your reader to the story? Should they be closer? Today, our hosts get nerdy about narrative distance: the space between reader, narrator, character, and world. We talk POV, sensory detail...

23 Elo 23min

21.33: When To Shift Gears

21.33: When To Shift Gears

A story doesn’t always need the same tools from beginning to end. In this episode, we talk about recognizing when it’s time to shift gears—and how to make those changes feel intentional rather than ab...

16 Elo 22min

21.32: Barrier Breaking- Time Constraints

21.32: Barrier Breaking- Time Constraints

There never seems to be enough time to write—but is time really the problem? Our hosts explore the reality of working within limited hours, changing life circumstances, and competing priorities. We sh...

9 Elo 27min

21.31: Deconstructing Save the Cat

21.31: Deconstructing Save the Cat

Save the Cat! The Last Book on Screenwriting You'll Ever Need by Blake Snyder was published in 2005 and is widely popular because it offers a reliable, repeatable storytelling framework. Today we are ...

2 Elo 27min

21.30: Chapter Breaks Soon

21.30: Chapter Breaks Soon

A lot of times people want to know what the "ideal length" is for a chapter. But chapters can range from one sentence, to a single scene, all the way up to Terry Pratchett who doesn't use chapters at ...

26 Heinä 27min

21.29: How to Make a Scene

21.29: How to Make a Scene

What makes a scene feel like a scene? This week, we unpack one of storytelling's most basic building blocks. Our hosts explore where scenes begin and end, how they differ from beats, and why framing a...

19 Heinä 28min

21.28: Narrative Transitions

21.28: Narrative Transitions

How do you move readers from one scene to the next without losing momentum? Our hosts dig into different types of transitions—from scene breaks and interruptions to brief “through scenes” that bridge ...

12 Heinä 26min

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