The Right Time To Celebrate With SCOTT ANDERSON From FINGER ELEVEN

Interview by Kyra-Jade CoombsShort Stack are one of those Aussie bands that you mention and unlock a core memory. Whether it be their ultra-catchy tunes or their time-stamped emo’ hair… you remember them. I was keen to catch up with frontman/ guitarist Shaun Diviney to see what’s been happening in the world of Short Stack and what they are looking forward to.Starting off this week, they are taking off on their ‘Regional(ish) Tour’ with Hevenshe and The Beautiful Monument. They’ve got plenty of new stops on the bill and are returning back to towns they haven’t visited in 10 years. Not long after returning home from their tour they will be playing Good Things 2023 alongside some huge names to which Shaun joked about being the representation for ‘Aussie heavy music’ and Limp Bizkit obviously looking forward to seeing/ watching Short Stack. All jokes aside these fellas are ready to hit the stage with our favourite songs from Stack is the New Black to now and will be awesome to watch.Speaking of Stack is the New Black, recently the boys released limited edition vinyl albums to celebrate the album that took Short Stack straight to number #1 on the ARIA charts. Shaun reflected on what it was like to have that experience and release an album with some of the songs written in their high school days. ‘We had such minimal expectations, and it’s set up everything we have done since’, he also joked, ‘It must have been a shit week on the charts’, which gave me a good laugh.After talking about the early days of their careers we delved into what the boys have been up to and spoke about their new release Shotgun Wedding which is an upbeat pop-punk anthem and a taste of what’s to come from Short Stack.Whether an album is on the horizon or not can be left up to speculation but what I can confirm is they are making music that makes them happy and is fun to play live.There’s plenty more that we covered along the way, like whether they will revive their iconic hair and eyeliner for Halloween this year, sharing their musical life with their kiddos, their favourite songs to play and selling out their comeback tour.Be sure to check out Short Stack on their Regional(ish) Tour or Good Things later this year at a location near you!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

6 Loka 202310min

Interview by Kris PetersMelbourne metal outfit The Last Martyr have wasted little time entrenching their roots in the Australian music scene.After announcing their intentions in 2021 with the single Hindsight, the band have pressed the accelerator firmly to the floor in pursuit of musical integrity, touring relentlessly and securing spots alongside international heavyweights such as Dayseeker, The Gateway Plan, Story Of The Year and Black Veil Brides.After a successful run of shows last year as part of Sunk Loto's triumphant return, The Last Martyr followed expectations by releasing a banger of a track in Comedy/Tragedy earlier this year, but last month threw that script into the abyss by turning their focus back to the turn of the century with a reworked version of Bomfunk MC's hit song Freestyler.Featuring J-Figure from Sydney's The Weight Of Silence alongside frontwoman Monica Strut, Freestyler has shown a more adventurous and dangerous side to The Last Martyr that can only be the by-product of a band completely at ease with themselves and their music.Strut sat down with HEAVY to discuss the single and more."We were so nervous about this one," she smiled, "but so far, so good. It's one of those songs that is a little bit more obscure, but everyone knows it once they hear it. It's been a good reminder for people that grew up in the 90s and were kids in the 90s like we were. Maybe it's even introduced it to some new people as well. I think it's going well."That whole era was rich for tracks such as this, leading us to ask Strut as to why The Last Martyr chose this particular song to cover."I have no idea," she laughed. "We're one of those bands where we've all got eclectic music tastes, and it's really, really difficult for us to agree on a cover. I think it was Ben, our drummer, who originally came up with the idea, and we thought why don't we play a snippet of a cover, just to break up the set a little bit. We used to play a Linkin Park cover, so that was our designated cover, but we had this idea to do a verse and a chorus of another song into an original song and have it as a little bit of a feature. So Vin was on an absolute mission to track down the samples for the original version, and we could not find it anywhere. He actually came across someone he found I think on YouTube from somewhere in Europe and reached out on Instagram and kept following up, and eventually he was good enough to give us the samples. So we started playing that live and playing it into our song Like A Ghost, which worked well."In the full interview, Monica talks more about the song, having J-Figure as guest vocalist, how they dismantled then reassembled the original song from the ground up, whether Freestyler is a stand-alone track or part of a bigger picture, progress on new music, what direction it might take, their two upcoming headline shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

5 Loka 202332min

Interview by Kris Peters The modern generation of punk music lovers have been brought into a sanitised world where punk music is more about the music than the attitude. While not a fatal death blow to the genre - there are still punk bands killing it - gone are the days where punk bands would rather fight or wreak havoc than be respected by their peers. They have been replaced with an almost universal acceptance of the movement that became a genre, and one which, no matter how hard emerging bands try, will never be the same as the era that spawned it. One such band to come out of the Southern Californian punk scene in the mid to late 1970s that is still terrorising concertgoers everywhere is Descendents, a band who are widely recognised as having one of the most enduring legacies of any punk outfit in history. Next week the Descendents touch down on this side of the world, starting in Auckland on October 11 before hitting Australia for a run of shows that promise to take you back to the glory days where punk began - whether you like it or not! Drummer Bill Stevenson sat down with HEAVY not long before lacing up the boots for yet another assault of the Land Down Under. "Yeah, yeah, yeah," he smiled when we ask if he is already packed and ready to go. "I've got my checklist out and everything. It's funny, the older you get you've gotta have a checklist before you go on tour (laughs). It used to be I wouldn't even think about it. Just one change of clothes and that's it let's go." I jump in and quip something about the frailties of getting older to which Stevenson shoots back. "I don't know if it's frailties. You get more… specific about how you like things, so you've gotta bring some stuff with you to make it that way (laughs)." While not being a massive tour, the Descendents still have a decent stretch of six shows a considerable distance from home, so we press Stevenson on what sorts of things he does to prepare himself mentally and physically for life on the road. "I don't think anything special," he measured. "The older I get I try to watch the things I eat and get some decent sleep each night And practice. Three days on, and then one day off. Three days on, one day off until we get to that level where everything's just going smoothly. Plus I have to do my stretches. I like to do my stretches every day. I guess technically you could call it yoga, but I find that's too stuffy of a term for me. I just call it my stretches (laughs)." In the full interview, Bill talks about what we can expect from the shows, what has changed with the band since their first tour here in 2010, what songs he loves playing live, the early days of Descendents and where they fit in, their early vision and how it has changed since, joining Black Flag in the 1980s and how hard it was to ultimately have to choose between the two bands, how the punk scene has changed over the years, his three commandments of punk and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

5 Loka 202321min

Interview by Kris PetersWhat should have been cause for a celebration for The Screaming Jets with this week's release of their latest album Professional Misconduct has been negated substantially by the recent passing of everyone's favourite bass player Paul Woseen.But, Paul would want us all to focus on the fantastic music that makes up the Jets tenth album, and what better way to do that than to speak with half of the band's electrifying lead guitar powerhouse duo in Jimi Hocking.This is a bit of a different interview for HEAVY, completed the day before Paul's farewell and after struggling to come up with a respectful way to delve into Professional Misconduct we thought it only fitting to run through the album track by track, starting with what HEAVY wrote in the review and testing Hocking to see how close we came to getting things right.But, of course, there are always the pleasantries of catching up with an old friend to set the scene."I'm excited," Hocking quipped when asked how he was feeling in the lead-up to Friday's release. "Obviously it's been a strange couple of weeks in the ranks of the band, so we've had a lot to deal with, but really this has been an album in the works for a couple of years. I think the genesis of this record started in the lockdown days. We were experimenting with some remote recording when we did the re-release of All For One 30th Anniversary record and the Bitter Pill EP, and Scotty Kingman, our other guitar player, he had started the ball rolling. He was trying to get Pauly to get motivated with some writing, so Scotty came up with a bunch of guitar riffs, and he sent them to Pauly to get things under way. And that's kind of the starting point. We started bouncing around these cut-and-paste riff ideas and banging them into some kind of arrangement shape and that was really the genesis of what became this Professional Misconduct album three years later. It started such a weird way, but it came up with what I think is a good record. It's actually quite rewarding."Professional Misconduct isn't quite the constant balls-to-wall slab of rock goodness that many would expect from The Screaming Jets. Yes, it does have moments that take you back to the early days of one of Australia's greatest ever rock exports, but it also fleshes things out a touch more and allows over three decades of experience to dictate in areas where in the past they may not."It's an interesting thing," Hocking measured. "I think that for a band that's been around for as long as we have, we've just tried to pick songs we think are the most worthy. Sometimes it just so happens they might all be heavy rock songs, but sometimes it's not always the way, but I've got to say when we came to selecting material - I think we recorded about 18 songs, or parts thereof as we approached the deadline for this record - really the tracks that get legs are the ones that are across the line first, in some respects. There's some things we thought we had a good idea here or there, but I don't think we were ready to just say that's finished, let's just release that. There was things we wanted to work on a little bit more and that's just the kind of process of songwriting and creating a record now."In the full interview Jimi talks more about the music on Professional Misconduct, the album name and how fitting it is to the band, how some of the songs came together, Paul's lasting legacy, finishing the album tour without him and how hard that decision was, and we also run through each track blow by blow and find out what they mean individually and collectively to the band, including a surprise reveal about the last track Speed Quack.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

5 Loka 202340min

Interview by Kyra-Jade CoombsBloom are an Aussie band that I was pretty keen to have a chat with.As far as huge years go for bands, these guys have had an absolute pearler. From visualising their dream goals to ticking most of them off within 7 months, these guys really have gone from strength to strength.Becoming a part of Destroy All Lines, signing to Pure Noise Records and being put on the bill for Good Things 2023… this year is shaping up to be one they will never forget.One thing that really struck me throughout this interview was frontman Jono’s pure passion and love for music. Bloom are one of those bands who are lucky enough to have had their friendship pre-gig days and still share the same vision, love and passion to this day with a mutual agreement of how fortunate they are to share such a bond. Jono often shares his appreciation and credits those around Bloom for working behind the scenes to support them and help facilitate their successes.Bound To Your Whispers is the latest release from Bloom which has a catchy hook guaranteed to get stuck in your head. If you haven’t seen it yet, the video clip for Bound To Your Whispers transports youto a place that feels like you are in a void, a place with no sense of walls or structure to it. Their vision was expertly executed by Jack Fontes of Dunelabs who pretty well took their idea and made it come to life.This is by no means the end of new music we will hear from Bloom this year and by the sounds of it they have eons of material they have been working on waiting to be unleashed.To get a better sense of who Bloom are as a band, I asked how you’d describe them to someone who’s just discovered them and Jono replied, “We combine parts of metalcore people like along with melodic hardcore, we want to have memorable moments. If you’ve just stumbled across Bloom and you are unsure, come to a show”.Honestly, I can’t wait to see these fellas play live after this chat… even after all the huge gigs they’ve been a part of and artists they’ve supported, (Bad Omens, Unify Gathering, Thornhill to name a few), one of the band’s favourite memories was their first headline show.Seeing familiar faces in the crowd and new fans showing up to support them was so important to them and filled them with a huge sense of pride beaming “We did this. WE did this”, trumping other memories and circles back to the appreciation for the music they play that I was talking about earlier.Finishing off this amazing year for Bloom is Good Things 2023 which is going to be a huge weekend of shows for the Sydney boys. I wondered who Jono was most excited to share the stage with, and it was of course Fall Out Boy. Being able to show the folk’s Bloom’s name on the poster alongside Fall Out Boy and a slew of legends is definitely something to write home about.I’m looking forward to seeing what unfolds for Bloom in the years to come as I’m sure it can only get better and better from here. Be sure to check them out on tour with Thornhill later this month or catch them playing the Good Things festival circuit in December.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

4 Loka 202320min

Sweden's Katatonia are instantly indentifiable thanks wholly to the stunningly superb vocals of Jonas Renske. With over a dozen releases from their thirty (and counting) year career, the band has continually evolved. Maturing without ever losing site of who they are as artists and musicians, purposely they are fully focussed on delving into the darkness of a void we are all trapped within. Katatonia write the soundtrack that beautifully attempts to take their listeners to a place of melancholic wonder as a means to escape the turmoils that confront us but not engulf us.Renske sat down with Metal V and openly discussed his life and motivations behind what he does as a career of the frontman of Katatonia and also a history of the band.With a new Katatonia headline tour coming next February 2024, the two talked of Renske's past memories and tours of being here in Australia plus also what we can expect to see and hear from them on their upcoming trip. Not to mention that it wouldn’t be a Metal V / HEAVY Mag hour long special without asking Jonas what he feels are Katatonia’s most favorite and important songs for us to play on this Katatonia podcast spotlight with insight into his reasoning for choosing such tracks!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

4 Loka 20231h 6min

Interview by Kris Peters Despite the plethora of modern advances when it comes to recording music, there is still no hiding when it comes to taking the show on the road. Reputations are made and lost when a band hits the stage, with no technical wizardry or smokescreens able to elevate a below-par performance. Canadian technical death metal outfit Archspire are one band who have nothing to fear in that department. They are heralded with having “a supremely tight live performance, where impressive speeds come grinding to a halt, and in even less time twist and contort into complex passages rife with beautiful harmonies, juxtaposed against insidious melodies.” Even SOUNDS impressive, right? Australian fans soon get the chance to judge for themselves when Archspire hit this country for a run of shows starting in Brisbane on October 11. Supported by Ingested and Werewolves, this promises to be a brutal offering of all things metal where all cards are on the table and folding is not an option. HEAVY spoke with guitarist Dean Lamb ahead of the tour. “The tour is under a month away, and we are very, very excited,” he beamed. “We haven’t packed yet, but what we did recently was we just got back from a tour in Europe, so we were there doing festivals. At this point, at the time of this recording, I think we’ve been home for three weeks nearly, and we leave soon to go to Japan and Australia immediately afterwards. And the craziest thing is that our vocalist is also getting married in Australia at the end of the tour, so we have a nutso trip coming up. (laughs) The last time we were in Australia was 2018 supporting Psycroptic, who are our bros, we absolutely love those dudes. It’s really cool that we get to go back and headline. It’s pretty amazing. Coming from a band who… we play such a niche style of music and to be able to go halfway across the world and actually headline shows somewhere and have people care in any way… it makes us very, very excited. And Australian fans are some of the best we’ve ever met.” In the full interview, Dean talks more about what to expect from the shows, what has changed with the band since their last visit in 2018, playing live while having to deliver their brand of technical death metal, having Ingested and Werewolves as touring partners, the musical climate that gave birth to Archspire, their early vision and how it has changed since, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

30 Syys 202314min

Photo credit: Just Ignore The Camera PhotographyInterview by Kris PetersBundaberg metal outfit Ineffigy have made a handful of treks to the big smoke of Brisbane and left a sonic trail of destruction each time.With a unique and easily digestible blending of a multitude of genres, coupled with an entertaining and dynamic live performance, Ineffigy are one of those bands you just know will make a large dent on the national music scene if given the chance.And the first of those chances comes on October 14 when the band opens Lighthouse Rock Festival in their hometown, which is headlined by The Screaming Jets, Baby Animals and The Living End. The feat is even more impressive when you take into account Ineffigy won their spot via a battle of bands hosted by Triple M – a radio stage not known for favouring heavier bands of any capacity.It is just reward for the boys who also spearhead Bundaberg’s East Coast Alternative, a dedicated group of musicians striving to build the music scene in the region by hosting touring bands, providing access to recorded live music and more.This Saturday night Ineffigy play at Metal United World Wide at Bundaberg’s Sugarland Tavern, kickstarting a busy period for the band who have also recently released a live album, Live At The OBT.HEAVY caught up with bass player Tobias, guitarist Jess and vocalist Joey to find out more.“It’s been awesome,” Joey started, speaking about their recent win at the Battle Of The Bands. “We get to play with The Living End, and I’m a massive, massive Living End fan.”We broach the subject of a heavy band taking out top honours at a Triple M competition, with all three smiling at the thought.“It shocked us just as much as it shocked everybody else, don’t worry,” Joey laughed. “We usually just go into those things because they’re a heap of fun and exposes us to a different crowd of people. It opens us up to the more stable local base of music fans, but no, we didn’t expect to win it. If you go back and watch it we were just as stunned as everybody else.”“When they said our name I didn’t even hear it,” smiled Tobias. “I was just standing there, and they’re saying ‘come forward’, and I was like, what for? Did we win?”In the full interview, the boys talk more about winning the Battle Of The Bands, who they are most looking forward to sharing the stage with at Lighthouse Rocks, if they are nervous about playing, what they hope to take out of the opportunity, having their music and an interview featured on Triple M, the three song recording component of the prize and what they plan to record with it, their recent live album, East Coast Alternative and what they hope to achieve as part of it, the Bundaberg metal scene, tonight’s Metal United World Wide show and more.Unfortunately, our chat was cut short by Brisbane's fickle weather, but for more information on the band and upcoming events visit https://www.facebook.com/InEffigyOfficialBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

29 Syys 202316min