WCA #604 with Alec Ness – Mastering in Minneapolis, Resisting Homogenization, and Putting the Art First

WCA #604 with Alec Ness – Mastering in Minneapolis, Resisting Homogenization, and Putting the Art First

For episode 604, Matt talks with Alec Ness, a mastering engineer in Minneapolis and the owner of Ness Mastering. Alec joins to tell an unusual origin story: born with partially amputated fingers, he was steered from guitar to drums, caught the recording bug on Cakewalk in a Dakotas high school, and chased music through a now-defunct college (McNally Smith), the San Francisco and LA beat scenes as an Ableton Certified Trainer, and years touring as a producer and artist — before pivoting fully into mastering as the pandemic hit. He learned the craft by badgering his way into Greg Reierson's Rare Form Mastering and trading questions with Mandy Parnell, then sold his entire modular synth rig to buy the speakers for his own room. They get into the "Should everything sound the same?" note on his desk, resisting the loudness game, controlling your space, putting the art before the money, and the health toll of going too hard.

In This Episode, We Discuss:

- Growing Up in the Dakotas and “Flyover” Music Culture

- A Coffee Shop, a Venue, and Touring Bands Passing Through

- Born With Half His Fingers: From Guitar to Drums

- Catching the Recording Bug on Cakewalk in High School

- The Guitar Shop That Introduced Him to Ableton

- McNally Smith, Composition, and Dropping Out

- San Francisco, the LA Beat Scene, and Becoming an Ableton Certified Trainer

- From Producer and Artist to Mixing and Mastering

- A Studio in the Back of a South Dakota Guitar Shop

- Old Tools, Limitations, and Learning Phase and Mics the Hard Way

- The Dua Saleh Remix Album That Tipped Him Into Mastering

- Backing Off Touring Right as the Pandemic Hit

- Learning From Greg Reierson at Rare Form Mastering

- Badgering Mandy Parnell for Lessons

- "Should Everything Sound the Same?" Resisting Homogenization

- Why He Won’t Master to the Loudness of a Reference

- Controlling Your Space and Reducing Variables

- Selling His Modular Synths to Buy His Speakers

- Empathy, the Artist’s Vision, and Serving the Music

- Art First, Money Second, and Time as the Real Currency

- Health, Overwork, and Backing Off Before It Broke Him

Links and Show Notes:


Credits:

- Guest: Alec Ness

- Host/Engineer/Producer: Matt Boudreau

- WCA Theme Music: Cliff Truesdell

- The Voice: Chuck Smith

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Jaksot(613)

WCA #614 with Michael Frondelli, Part 1 – Astoria, R&B Days, Salsa Nights, and Electric Lady

WCA #614 with Michael Frondelli, Part 1 – Astoria, R&B Days, Salsa Nights, and Electric Lady

For episode 614, Matt talks with Michael Frondelli, producer, engineer, and former Vice President of Capitol Records Studios, where he ran the facility for eleven years before going independent in 200...

22 Syys 54min

WCA #613 with Ben Mellott – Northern Virginia, Church Sound, Farm Festivals, and Profit First

WCA #613 with Ben Mellott – Northern Virginia, Church Sound, Farm Festivals, and Profit First

For episode 613, Matt talks with Ben Mellott — recording engineer, mixer, and owner of Nothing but Noise studio in Northern Virginia. Ben has been freelance since 2014, balances studio work with live ...

15 Syys 1h 6min

WCA #612 with Brian Starley – Utah, Cartage, Building a Studio in LA, and Relationships Before Gear

WCA #612 with Brian Starley – Utah, Cartage, Building a Studio in LA, and Relationships Before Gear

For episode 612, Matt talks with Brian Starley recording and mixing engineer based in North Hollywood, California, and owner of Bergatron Music Studio. Brian grew up in Salt Lake City with a dad who t...

8 Syys 1h 10min

WCA #611 with Scott McDowell – Berklee, California vs New York, Getting Fired, Becoming a Studio Partner, and Getting Hit by a Car

WCA #611 with Scott McDowell – Berklee, California vs New York, Getting Fired, Becoming a Studio Partner, and Getting Hit by a Car

Scott McDowell is a producer, engineer, and co-owner of Wally's Hydeout at Hyde Street Studios in San Francisco. In episode 611 they talk about getting fired from his first SF internship, becoming a s...

1 Syys 1h 8min

WCA #610 with Stephen Shirk – Bloomington, New York, Chicago, and Twenty Years of SHIRK Studios

WCA #610 with Stephen Shirk – Bloomington, New York, Chicago, and Twenty Years of SHIRK Studios

For episode 610, Matt talks with Stephen Shirk — engineer, producer, guitarist, and owner of SHIRK Studios in Chicago's West Town neighborhood. Stephen grew up in Bloomington, Illinois, studied busine...

25 Elo 58min

WCA #609 with Eric M Lichter – Martha's Vineyard, New York, Connecticut, and the Beauty Marks That Make a Record

WCA #609 with Eric M Lichter – Martha's Vineyard, New York, Connecticut, and the Beauty Marks That Make a Record

For episode 609, Matt talks with Eric M Lichter — multi-instrumentalist, producer, and owner of Dirt Floor Recording in Connecticut, where he’s been in business for twenty years. Eric came up singing ...

18 Elo 1h 13min

WCA #608 with Julian Kindred – Canada, America, England, and Thirty-Five Years of Making Records

WCA #608 with Julian Kindred – Canada, America, England, and Thirty-Five Years of Making Records

For episode 608, Matt talks with Julian Kindred — Canadian producer, engineer, and songwriter based in London, where he runs Nonsuch Park Studio in Epsom, Surrey. Julian grew up in St. John, New Bruns...

10 Elo 1h 19min

WCA #607 with Dana Nielsen – Jazz School, System of a Down, SZA, and the Money Side of a Long Career

WCA #607 with Dana Nielsen – Jazz School, System of a Down, SZA, and the Money Side of a Long Career

For episode 607, Matt talks with Dana Nielsen — Grammy-nominated producer, mixer, engineer, multi-instrumentalist, and founder of Mix Protégé in Los Angeles. Dana came up as a jazz saxophonist at Loyo...

4 Elo 1h 31min

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