Mikhail Pelevin, "Love, Honour and God: Pashto Writings of Early Modern Times" (Brill, 2025)

In this episode of New Books Network, I speak with Mikhail Pelevin about his book Love, Honour and God: Pashto Writings of Early Modern Times (Iran and the Caucasus Monographs, vol. 5, Brill, 2025).

Love, Honour and God is a survey of three centuries of Pashto literary and educational writing, from roughly 1530 to 1830, the period Pelevin identifies as classical in the history of Pashto letters. Moving from the earliest, now-lost administrative "Daftar" of Shaykh Mali through the sectarian mystical poetry of Bayazid Ansari's Roshani movement, the Sunni traditionalist manuals of Akhund Darweza, and the towering figures of Khushhal Khan Khatak and ʿAbd al-Rahman Momand (Rahman Baba). This book reconstructs a written tradition that has been persistently marginal to both regional and Western scholarship. Pelevin frames this history through what he calls the dissolution of the Persophonie and the slow emergence of Pashto as a written language in the shadow of, and eventually alongside with the dominant Persian literary cosmopolis. Rather than reading this as a proto-nationalist story imposed retroactively, he traces a much older and more specific discourse of Pashtun self-identity — descent, language, custom, and religion, articulated by the authors themselves, long before any colonial or nationalist framework existed to name it.

What makes the book distinctive is its insistence on working from the Pashto texts as primary sources in their own right, rather than as illustrations for arguments made in Persian chronicles, in colonial-era administrative writing, or in the historiography of "Pashtun tribal society" that has tended to treat literary production as peripheral to political and military history. Pelevin is explicit about this reversal: he wants to shift attention from the political to the poetical.

Qaseem Ahmadzai holds a master's degree in intellectual history from Södertörn University, Sweden. His research focuses on postcolonial theory, historiography, and non-Western intellectual traditions, with particular attention to Afghanistan and the broader Pashto-Persephone worlds.

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