59. YES, NO, GOODBYE- The History of the Ouija Board

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The Spiritualist movement swept America, enticing people to entertain the question, "can we truly talk to the dead?". The Fox Sisters in 1848 entranced interest with their rapping phenomena in Hydesville, NY. Beleivers in contact were already using talking boards, alphabet cards, taple tipping and planchette writing by putting a heart shape platform on casters that held a pencil and wrote form the spirit guides. The Civil Wars mass casualties increased the demand for any way for people to talk to their lost loved ones. "Can they hear me?". Soon the planchette would be combined with an alphabet board to make translating the writing more efficient and meet the increased demand.

In 1890, a group of Baltimore investors: businessman Elijah Bond, attorney Charles Kennard, and others, with employee William Fuld would soon file a patent for a "talking board." Legend holds the Patent Office demanded a demonstration, and the board correctly spelled out the skeptical examiner's name; the patent was granted in February 1891. The name's origin is disputed. The company claimed it was Egyptian for "good luck"; the likelier story is that Bond's sister-in-law Helen Peters, a medium, asked the board what it wished to be called, and it answered "Ouija." A name similar to the author's name and likeness she wore in a locket.

Fuld would eventually take control of production, and through aggressive manufacturing and litigation against rivals became synonymous with the board. He died in 1927 after falling from the roof of his Baltimore factory — a building he said the board had told him to construct. His family ran the business until selling to Parker Brothers in 1966; Hasbro acquired it in 1991.

For decades the board was harmless parlor entertainment, spiking in popularity during wartime and the 1960s occult revival. In 1973, The Exorcist recast it as a portal for demonic possession, and evangelical anxiety hardened that reputation permanently.

Science attributes its operation to the ideomotor effect, described by physiologist William Carpenter in 1852: unconscious micro-movements by participants who genuinely believe they aren't pushing. Blindfold experiments reliably reduce the board to gibberish.

But then there are stories of unexplainable things, terrifying things, things the board shouldnt... couldnt know. Is it real?

Sources: Condensed for Character space

Deep history & belief — E.B. Tylor, Primitive Culture (1871, animism); archaeology of Sungir, Paviland, Göbekli Tepe; the Epic of Gilgamesh; Egyptian Book of the Dead & "Letters to the Dead"; 1 Samuel 28 & Deuteronomy 18; Homer's Odyssey Bk. 11. The bridge & Spiritualism — Swedenborg's Heaven and Hell (1758); Mesmer; Andrew Jackson Davis; the Fox sisters & Maggie's 1888 confession; Blavatsky & Theosophy; Conan Doyle vs. Houdini; Society for Psychical Research. Tarot — Court de Gébelin's Le Monde primitif (1781); Etteilla; Éliphas Lévi; the Golden Dawn; the 1909 Rider-Waite-Smith deck & Pamela Colman Smith. Ouija — Smithsonian Magazine (Linda Rodriguez McRobbie) · historian Robert Murch · The Strong National Museum of Play · Baltimore Magazine · Time · The Conversation · Atlas Obscura (Pearl Curran) · UBC ideomotor study (Rensink, Gauchou & Fels, 2012) · The Lineup & True Ghost Tales (Zozo) · Wikipedia & Skeptical Inquirer (Roland Doe / Ronald Hunkeler). Dates and figures are drawn from secondary sources — double-check anything you quote on air.