“Curb Your Enthusiasm” and the Art of the Finale

“Curb Your Enthusiasm” and the Art of the Finale

Since the turn of the millennium, HBO’s “Curb Your Enthusiasm” has slyly satirized the ins and outs of social interaction. The series—which follows a fictionalized version of its creator and star, Larry David, as he gets into petty disputes with anyone and everyone who crosses his path—aired its last episode on Sunday, marking the end of a twelve-season run. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the show’s “weirdly moving” conclusion as well as its over-all legacy. Then they consider other notable TV endings: some divisive (“Sex and the City”), some critically acclaimed (“Succession”), some infamously rage-inspiring (“Game of Thrones”). What are the moral and narrative stakes of a finale, and why do we subject these episodes—which represent only a tiny fraction of the work as a whole—to such crushing analytic pressure? “This idea of an ending ruining the show is alien to me,” Cunningham says. “I won’t contest that endings are different—distinct. Are they better? I don’t know.” Read, watch, and listen with the critics: “Curb Your Enthusiasm” (2000-24) “Seinfeld” (1989-98) “Sex and the City” (1998-2004) “Succession” (2018-23) “The Hills” (2006-10) “Game of Thrones” (2011-19) “Breaking Bad” (2008-13) “Little Women,” by Louisa May Alcott Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Jaksot(141)

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

In the second in a series of Critics at Large interview episodes devoted to the topic of cult classics, Naomi Fry talks with the New Yorker staff writer Hannah Goldfield about how that designation app...

13 Elo 39min

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

When it dropped in January of 1997, Camp Lo’s “Uptown Saturday Night” thrilled some listeners and confounded others. On the first in a series of Critics at Large interview episodes devoted to resurfac...

6 Elo 46min

The Irony and the Ecstasy of Colson Whitehead

The Irony and the Ecstasy of Colson Whitehead

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of whic...

30 Heinä 50min

The Golden Age of the American Idiot

The Golden Age of the American Idiot

The new game show “Nation’s Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that ...

23 Heinä 52min

Who Owns the Odyssey?

Who Owns the Odyssey?

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisi...

16 Heinä 50min

An American Playlist

An American Playlist

This week, to commemorate two hundred and fifty years of the American experiment, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz present an American playlist. On this special episode, the hosts ...

2 Heinä 59min

From The Political Scene: The Politics of the Big Game

From The Political Scene: The Politics of the Big Game

Critics at Large will be back next week. In the meantime, you can hear Vinson Cunningham and Naomi Fry on a recent episode of The New Yorker’s Political Scene, hosted by Tyler Foggatt, where they cons...

25 Kesä 37min

Steven Spielberg’s Blockbusters

Steven Spielberg’s Blockbusters

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box of...

18 Kesä 55min

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