Why the Sports Movie Always Wins

Why the Sports Movie Always Wins

From “Raging Bull” to “A League of Their Own,” films about athletes have commanded the attention of even the most sports-skeptical viewers. The pleasure of watching the protagonist undergo a test of body and spirit, proving their worth to society and to themselves—often with a training montage thrown in for good measure—is undeniable. Luca Guadagnino’s steamy new tennis film, “Challengers,” applies this formula in a different context, mining familiar themes like rivalry and camaraderie for their erotic potential. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how recent entries like “Challengers” and last year’s Zac Efron-led wrestling drama, “The Iron Claw,” reflect a more contemporary view of masculinity than their predecessors do. The hosts also assemble their “hall of fame” of sports films, including Spike Lee’s “He Got Game,” the nineties classic “Cool Runnings,” and the rom-com “Love & Basketball.” They argue that the genre, at its best, offers auteurs the chance to embrace their instincts. “For our most stylish filmmakers, I would just lay down the gauntlet. If you want to express to us your personal vision, do a sports movie,” Cunningham says. “Because we’ll know what you care about: visually, sensually—we will know.” Read, watch, and listen with the critics:“Challengers” (2024)“The Iron Claw” (2023)“Rocky IV” (1985)“Black Swan” (2010)“A League of Their Own” (1992)“Cool Runnings” (1993)“Raging Bull” (1980)“He Got Game” (1998)“Love & Basketball” (2000)“A League of Their Own” (2022—)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

In the second in a series of Critics at Large interview episodes devoted to the topic of cult classics, Naomi Fry talks with the New Yorker staff writer Hannah Goldfield about how that designation app...

13 Elo 39min

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

When it dropped in January of 1997, Camp Lo’s “Uptown Saturday Night” thrilled some listeners and confounded others. On the first in a series of Critics at Large interview episodes devoted to resurfac...

6 Elo 46min

The Irony and the Ecstasy of Colson Whitehead

The Irony and the Ecstasy of Colson Whitehead

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of whic...

30 Heinä 50min

The Golden Age of the American Idiot

The Golden Age of the American Idiot

The new game show “Nation’s Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that ...

23 Heinä 52min

Who Owns the Odyssey?

Who Owns the Odyssey?

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisi...

16 Heinä 50min

An American Playlist

An American Playlist

This week, to commemorate two hundred and fifty years of the American experiment, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz present an American playlist. On this special episode, the hosts ...

2 Heinä 59min

From The Political Scene: The Politics of the Big Game

From The Political Scene: The Politics of the Big Game

Critics at Large will be back next week. In the meantime, you can hear Vinson Cunningham and Naomi Fry on a recent episode of The New Yorker’s Political Scene, hosted by Tyler Foggatt, where they cons...

25 Kesä 37min

Steven Spielberg’s Blockbusters

Steven Spielberg’s Blockbusters

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box of...

18 Kesä 55min

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