Critics at Large | The New Yorker15 Elo 2024

Charli XCX, Chappell Roan, and the Unstable Hierarchy of Pop

“ ‘BRAT’ summer”—so named for the Charli XCX album that’s become the soundtrack of Kamala Harris’s Presidential run—has given pop fans much to discuss, from Charli’s own flirtation with mainstream stardom to the meteoric rise of Chappell Roan. On the first in a series of Critics at Large interview episodes, Naomi Fry talks with her fellow staff writer Kelefa Sanneh about the state of the music landscape. The two consider the breakout successes of the moment—including “Espresso,” the Sabrina Carpenter song that launched a thousand memes—and the catastrophic failures, namely Katy Perry’s new single, “Woman’s World.” These highs and lows speak to the nature of the genre, in which artists can be cast aside as quickly as they were embraced. “Pop music, in particular, tends to be quite cutthroat,” Sanneh says. “If it’s not working, it’s flopping. And when it’s time for people to jump off the bandwagon, people jump off.” Read, watch, and listen with the critics: “BRAT,” by Charli XCX“Woman’s World,” by Katy Perry“ ‘Woman’s World’ Track Review,” by Shaad D’Souza (Pitchfork)“Mean girls,” by Charli XCX“Good Luck, Babe!,” by Chappell Roan“I Kissed a Girl,” by Katy Perry“SOUR,” by Olivia Rodrigo“emails i can’t send,” by Sabrina Carpenter“Espresso,” by Sabrina Carpenter“Please Please Please,” by Sabrina Carpenter“Not Like Us,” by Kendrick Lamar“The Night We Met,” by Lord Huron New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

In the second in a series of Critics at Large interview episodes devoted to the topic of cult classics, Naomi Fry talks with the New Yorker staff writer Hannah Goldfield about how that designation app...

13 Elo 39min

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

When it dropped in January of 1997, Camp Lo’s “Uptown Saturday Night” thrilled some listeners and confounded others. On the first in a series of Critics at Large interview episodes devoted to resurfac...

6 Elo 46min

The Irony and the Ecstasy of Colson Whitehead

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of whic...

30 Heinä 50min

The Golden Age of the American Idiot

The new game show “Nation’s Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that ...

23 Heinä 52min

Who Owns the Odyssey?

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisi...

16 Heinä 50min

An American Playlist

This week, to commemorate two hundred and fifty years of the American experiment, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz present an American playlist. On this special episode, the hosts ...

2 Heinä 59min

From The Political Scene: The Politics of the Big Game

Critics at Large will be back next week. In the meantime, you can hear Vinson Cunningham and Naomi Fry on a recent episode of The New Yorker’s Political Scene, hosted by Tyler Foggatt, where they cons...

25 Kesä 37min

Steven Spielberg’s Blockbusters

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box of...

18 Kesä 55min