Critics at Large Live: The Right to Get It Wrong

Critics at Large Live: The Right to Get It Wrong

In 1939, reviewing the beloved M-G-M classic “The Wizard of Oz” for The New Yorker, the critic Russell Maloney declared that the film held “no trace of imagination, good taste, or ingenuity.” The use of color was “eye-straining,” the dialogue was unbelievable, and the movie as a whole was “a stinkeroo.” This take might shock today’s audiences, but Maloney is far from the only critic to go so pointedly against the popular view. In a special live show celebrating The New Yorker’s centenary, the hosts of Critics at Large discuss this and other examples drawn from the magazine’s archives, including Dorothy Parker’s 1928 takedown of “Winnie-the-Pooh” and Pauline Kael’s assessment of Al Pacino as “a lump” at the center of “Scarface.” These pieces reveal something essential about the role of criticism and the value of thinking through a work’s artistic merits (or lack thereof) on the page. “I felt all these feelings while reading Terrence Rafferty tearing to shreds ‘When Harry Met Sally…,’ ” Alexandra Schwartz says. “But it made the movie come alive for me again, to have to dispute it with the critic.” Read, watch, and listen with the critics: “Lies, Lies, and More Lies,” by Terrence Rafferty (The New Yorker)“Bitches and Witches,” by John Lahr (The New Yorker)“Don’t Shoot the Book-Reviewer; He’s Doing the Best He Can,” by Clifton Fadiman (The New Yorker)“The Feminine Mystique,” by Pauline Kael (The New Yorker)“The Wizard of Hollywood,” by Russell Maloney (The New Yorker)“The Fake Force of Tony Montana,” by Pauline Kael (The New Yorker)“Renoir’s Problem Nudes,” by Peter Schjeldahl (The New Yorker)“Humans of New York and the Cavalier Consumption of Others,” by Vinson Cunningham (The New Yorker)“The Great Sadness of Ben Affleck,” by Naomi Fry (The New Yorker)“President Killers and Princess Diana Find Musical Immortality,” by Alexandra Schwartz (The New Yorker)“Obscure Objects of Desire: On Jeffrey Eugenides,” by Alexandra Schwartz (The Nation)“Reading ‘The House at Pooh Corner,’ ” by Dorothy Parker (The New Yorker) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Jaksot(142)

Critics’ Cult Classics: Emily Nussbaum on “Slings & Arrows”

Critics’ Cult Classics: Emily Nussbaum on “Slings & Arrows”

During her tenure as The New Yorker’s television critic, Emily Nussbaum famously railed against ranking the year’s best shows; she once wrote a piece entitled “I Hate Top Ten Lists.” But naming her fa...

20 Elo 40min

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

In the second in a series of Critics at Large interview episodes devoted to the topic of cult classics, Naomi Fry talks with the New Yorker staff writer Hannah Goldfield about how that designation app...

13 Elo 39min

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

When it dropped in January of 1997, Camp Lo’s “Uptown Saturday Night” thrilled some listeners and confounded others. On the first in a series of Critics at Large interview episodes devoted to resurfac...

6 Elo 46min

The Irony and the Ecstasy of Colson Whitehead

The Irony and the Ecstasy of Colson Whitehead

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of whic...

30 Heinä 50min

The Golden Age of the American Idiot

The Golden Age of the American Idiot

The new game show “Nation’s Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that ...

23 Heinä 52min

Who Owns the Odyssey?

Who Owns the Odyssey?

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisi...

16 Heinä 50min

An American Playlist

An American Playlist

This week, to commemorate two hundred and fifty years of the American experiment, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz present an American playlist. On this special episode, the hosts ...

2 Heinä 59min

From The Political Scene: The Politics of the Big Game

From The Political Scene: The Politics of the Big Game

Critics at Large will be back next week. In the meantime, you can hear Vinson Cunningham and Naomi Fry on a recent episode of The New Yorker’s Political Scene, hosted by Tyler Foggatt, where they cons...

25 Kesä 37min

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