Wild Beasts On The Slope And The Slide Into Despair: INFERNO, Canto I, Lines 28 - 66
Walking With Dante30 Syys 2020

Wild Beasts On The Slope And The Slide Into Despair: INFERNO, Canto I, Lines 28 - 66

Dante begins his journey across the known universe--except not. The journey stops almost the moment it begins in COMEDY.

What happens when you set off in a new direction but have no clue where you're going? Apparently, you get blocked by the beasts of your imagination.

Or maybe by more than beasts. By symbols. Even allegories. Personal, political, and/or social.

This tough passage has eaten gallons of scholarly ink over the centuries. I'll give you different ideas for what these animals "mean." But the answers may ultimately be your own.

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Here are the segments of this episode of WALKING WITH DANTE:

[00:28] My English translation of INFERNO, Canto 1, Lines 28 - 66. If you'd like to read along, find a study guide for deeper analysis, or just drop a comment to continue the conversation with me, please go to my website and look for tab that directs you to INFERNO, Cantos I - IV: markscarbrough.com.

[03:18] Our first glimpse of the poem's complexity--that is, the question of the pilgrim's feet, sieved through St. Augustine and a commentary by Dante's own son, plus more.

[09:26] Three beasts! The terrors on the slope! I'll offer lots of interpretations for them. They've generated 700 years worth!

[20:50] The pilgrim slips back down the mountain, almost lost, until a figure appears out of the mist.

[24:29] A clue in the passage that helps us date the poem--that is, when it's taking place. It seems to be Easter weekend in 1300. Seems to be March 25. Problem is, March 25 didn't fall on Easter weekend in the year 1300.

[27:44] Rereading the passage: INFERNO, Canto I, lines 28 -66.

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Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Elo 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Elo 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Elo 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Elo 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Elo 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Heinä 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Heinä 37min

Final Thoughts On PURGATORIO

Final Thoughts On PURGATORIO

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Huhti 19min