Damning Lust, Then Confusing It With Love: INFERNO, Canto V, Lines 52 - 87
Walking With Dante13 Joulu 2020

Damning Lust, Then Confusing It With Love: INFERNO, Canto V, Lines 52 - 87

The pilgrim, Dante, has just asked his guide who is tossed in lust's whirlwind.

Virgil answers with a list of the "greats" out on the wind: figures from antiquity, the Trojan War, and even medieval romance.

In so doing, Virgil redefines lust into something socially disruptive.

Then both he and the pilgrim (plus maybe our poet in the background) make a crucial mistake: They confuse love and lust.

Join me, Mark Scarbrough, as we stop to gawk at the great figures of lust in hell.

To support this work, consider a donation at this PayPal link right here.

Here are the segments of this episode of WALKING WITH DANTE:

[01:43] My English translation of INFERNO, Canto V, lines 52 - 87. If you'd like to see my translation, find a deeper study guide, or continue the conversation with me by dropping a comment about this episode, go to my website, markscarbrough.com.

[06:24] The structure of Virgil's catalogue of historical figures on the wind.

[07:10] Picking out those on the wind and the "novelle" about them: four women, three men; three involved with incest, four with civic unrest. Plus, the shocking movement from an orthodox definition of lust to the invocation of love, the greatest Christian virtue.

[27:41] The pilgrim's request: Can I talk to the two who are so light on the wind?

[29:48] Irony invades the passage. It tints its rhetorical structure and invades the simile: doves, a traditional symbol for the third person of the Trinity.

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(498)

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Elo 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Elo 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Elo 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Elo 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Elo 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Heinä 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Heinä 37min

Final Thoughts On PURGATORIO

Final Thoughts On PURGATORIO

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Huhti 19min