The Case Against Francesca: INFERNO, Canto V, Lines 88 - 142
Walking With Dante16 Joulu 2020

The Case Against Francesca: INFERNO, Canto V, Lines 88 - 142

Dante, our pilgrim, calls the two who are light on the winds of lust to float down to him. When they arrive, he gets more than he bargained for. Francesca (with her Paolo) proves the greatest danger yet to the pilgrim.

Francesca's self-narrated "novelle" of her damnation is a master class in manipulation. Or at least so I'll see it in this episode of WALKING WITH DANTE, in which I present the case against her.

Join me, Mark Scarbrough, as we explore the story of this most provocative figure: a seducer, flatterer, and an oily talker. Francesca escapes the pilgrim's grasp and pulls him to see the world her way--that is, a damned way.

Consider supporting this podcast by offering a donation or a very small stipend at this PayPal link right here.

Here are the segments of this episode of WALKING WITH DANTE:

[02:19] My English translation of INFERNO, Canto V, lines 88 - 142. If you'd like to read along, find a study guide for a more intense interpretation of this passage, or leave a comment for me so we can continue talking about this episode, please find its entry on my website, markscarbrough.com.

[06:55] Historical facts about the speaker, Francesca da Rimini, including Boccaccio's (unreliable?) story about her.

[09:46] Two strange words in Francesca's speech: "Caïna" and "galeotto."

[12:32] The case against Francesca: five points that justify her damnation.

[20:42] A little bit about courtly love.

[23:26] More in the case against Francesca: her literary downfall.

[30:43] And finally, a little about the two men on the scene: her lover Paolo and our pilgrim, as well as their analogous and telling reactions to her speech.

Mentioned in this episode:

A brief introduction to the walk ahead

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(498)

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Elo 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Elo 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Elo 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Elo 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Elo 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Heinä 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Heinä 37min

Final Thoughts On PURGATORIO

Final Thoughts On PURGATORIO

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Huhti 19min