Straight On, Then Right For The Burning Tombs Of The Heretics: INFERNO, Canto IX, Lines 107 - 133
Walking With Dante10 Maalis 2021

Straight On, Then Right For The Burning Tombs Of The Heretics: INFERNO, Canto IX, Lines 107 - 133

Finally, we're done with the fifth circle of hell, with the wrathful (and the sullen) and all that happens before the gates of Dis.

Curiously, we're also done with the seven deadly sins as a structuring device for INFERNO. We now follow our pilgrim and Virgil into the sixth circle, not of envy, pride, or sloth, but of heresy.

Join me, Mark Scarbrough, as we walk with Dante through the infernal underworlds on our way to the known universe. We've come to a circle of hell that proves a bit hard to figure out. Why heresy? And why here?

Consider underwriting some of the many fees associated with hosting, licensing, streaming, and editing this work by using this PayPal link right here.

Here are the segments of this episode of WALKING WITH DANTE:

[01:00] My English translation of INFERNO, Canto IX, lines 107 - 133. If you'd like to read along, continue the conversation with me via a comment, or find a deeper study guide for this episode, please look for its entry on my website, markscarbrough.com.

[03:48] Five general observations on the sixth circle of hell, the ring of the heretics. 1) They're in tombs INSIDE a city's walls. 2) There is no formal descent (or even a step down) to this circle. 3) The sin punished is not self-evident until Virgil explains it. 4) The sin itself--heresy--is a strange one in the poem's schematics where every sin seems to be about the will. And 5) Maybe heresy itself allows for writerly insecurity, as our poet steps beyond Virgil's imaginative landscape.

[11:38] Six glosses (or notes) on this passage. 1) These are ROMAN tombs. 2) There's a curious reference to art (or craft) in the passage. 3) The tombs' lids are "suspended"--as Virgil is in Limbo. 4) The tombs are described as chests or arks--you know, like Noah's. 5) With heresy, the classical world has been left behind. And 6) Virgil leads Dante to the right, not the usual left.

[24:26] Rereading the passage: INFERNO, Canto IX, lines 107 - 133.

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(511)

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Loka 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Syys 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Syys 27min