The Bad Boys Get The Best Prophecies: Inferno, Canto XXIV, Lines 121 - 151
Walking With Dante6 Huhti 2022

The Bad Boys Get The Best Prophecies: Inferno, Canto XXIV, Lines 121 - 151

We have watched a sinner burn up from a snakebite and reconstitute right in front of the pilgrim Dante's eyes. But who is this damned guy? The answer to that question is as complicated as it gets.

Join me, Mark Scarbrough, as we explore the revelation of the sinner (Vanni Fucci), the problems with the historical record, and his sin (theft, although maybe not).

Vanni Fucci comes shrouded in historical ambiguities. And he comes into INFERNO comes hauling behind him a giant prophecy about Dante's fate in exile.

Here are the segments of this episode of the podcast WALKING WITH DANTE:

[01:30] My English translation of the passage: Inferno, Canto XXIV, lines 121 - 151. If you'd like to read along, you can find this passage on my website, markscarbrough.com.

[04:28] The revelation of who this is: Vanni Fucci.

[09:40] What does Dante the pilgrim want to know? And did Dante the poet actually know Vanni Fucci?

[14:09] The first part of Vanni Fucci's reply: shame.

[17:31] The second part of Vanni Fucci's reply: the confession of his crime.

[24:13] The third part of Vanni Fucci's reply: the (ostensible) "prophecy" of the Black/White Guelph war in Tuscany that will lead to the poet's exile.

[28:15] Three points about this prophecy: its metamorphoses and metaphorics.

[31:21] One final point about Fucci's prophecy: it's the last of four such prophecies given to Dante the pilgrim in INFERNO (Ciacco's in Canto VI, Farinata's in Canto X, Brunetto Latini's in Canto XV, and Fucci's here).

[33:51] The final revelation of Fucci's motives: to make the pilgrim suffer. Nobody gets out of hell unscathed.

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(511)

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Loka 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Syys 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Syys 27min